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The perfect gift for anyone born or married in THE YEAR 1967. - Written by a real human. - Packed with high definition enhanced-quality vintage photos on every page. - Contains just the right amount of light-hearted trivia and serious international feature-news articles. A delightful trip down memory lane. This book will NOT disappoint. The Time-Traveler's Guide - Flashback series of books are a hit with all generations. Leave them on the coffee table for the grandchildren to enjoy too! Celebrate THE YEAR 1967 with this compact book packed with fun-filled fabulous facts. Discover the pop culture, the people, the places, the politics and the pleasures that made the year 1967 so special and unique, influencing the world we know today. "Imagine if time-travel was a reality, and one fine morning you wake up to find yourself flashed back in time, back to the year 1967..." Expertly written by author Bernard Bradforsand-Tyler, a history teacher with a passion for sharing knowledge. This is the perfect unique, thoughtful gift for anyone born or married in the year 1967. A beautifully presented book filled with vintage photo reproductions on every page. Includes rare vintage advertisements, reproduced in full-page, with added enlarged text for easy reading. Contains expertly researched and written original full-page feature articles on: - Life in America and the United Kingdom - Cold War: Nuclear Arms, Space Race, Vietnam, - Politics: Long Hot Summer of Riots, China's Cultural Revolution, Six-Day War, - Popular culture: television, music, film, books, fashion & celebrities, - Automobiles & Sporting events, - Trivia and other fascinating statistics.
Celebrate the pop culture, people, places, politics and pleasures that made the year 1964 so special. The perfect gift for anyone born or married in THE YEAR 1964.
Celebrate the year 1966 with this compact book packed with fun-filled fabulous surprises. Discover the pop culture, the people, the places, the politics and the pleasures that made the year 1966 so special and unique.
This book takes another look at politics and popular culture. The author has tried to explain the politics of popular culture as part of historical and cultural processes, helping the reader understand not only how popular culture has affected our politics, but also where it is taking us.
Hop on Pop showcases the work of a new generation of scholars—from fields such as media studies, literature, cinema, and cultural studies—whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultural studies. The essays cover a wide and colorful array of subjects including pro wrestling, the computer games Myst and Doom, soap operas, baseball card collecting, the Tour de France, karaoke, lesbian desire in the Wizard of Oz, Internet fandom for the series Babylon 5, and the stress-management industry. Broader themes examined include the origins of popular culture, the aesthetics and politics of performance, and the social and cultural processes by which objects and practices are deemed tasteful or tasteless. The commitment that binds the contributors is to an emergent perspective in cultural studies, one that engages with popular culture as the culture that "sticks to the skin," that becomes so much a part of us that it becomes increasingly difficult to examine it from a distance. By refusing to deny or rationalize their own often contradictory identifications with popular culture, the contributors ensure that the volume as a whole reflects the immediacy and vibrancy of its objects of study. Hop on Pop will appeal to those engaged in the study of popular culture, American studies, cultural studies, cinema and visual studies, as well as to the general educated reader. Contributors. John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O’Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi
In For Kids of All Ages,members of the National Society of Film Critics celebrate the wonder of childhood in cinema. In this volume, original essays commissioned especially for this collection stand alongside classic reviews from prominent film critics like Jay Carr and Roger Ebert. Each of the ten sections in this collection takes on a particular aspect of children’s cinema, from animated features to adaptations of beloved novels. The films discussed here range from the early 1890s to the present. The contributors draw on personal connections that make their insights more trenchant and compelling. The essays and reviews in For Kids of All Ages are not just a list of recommendations—though plenty are included—but an illuminating, often personal study of children’s movies, children in movies, and the childish wonder that is the essence of film. Contributors include John Anderson, Sheila Benson, Jay Carr, Justin Chang, Godfrey Cheshire, Morris Dickstein, Roger Ebert, David Fear, Robert Horton, J. R. Jones, Peter Keough, Andy Klein, Nathan Lee, Emanuel Levy, Gerald Peary, Mary Pols, Peter Rainer, Carrie Rickey, Jonathan Rosenbaum, Michael Sragow, David Sterritt, Charles Taylor, Peter Travers, Kenneth Turan, James Verniere, Michael Wilmington, and Stephanie Zacharek.
This text is a translation of Und unsere Fahn'ist rot.
"Explores protesting as an act of faith . . . How to Read a Protest argues that the women's marches of 2017 didn't just help shape and fuel a moment—they actually created one."—Masha Gessen, The New Yorker O, the Oprah Magazine’s “14 Best Political Books to Read Before the 2018 Midterm Election” "A fascinating and detailed history of American mass demonstrations."—Publishers Weekly When millions of people took to the streets for the 2017 Women’s Marches, there was an unmistakable air of uprising, a sense that these marches were launching a powerful new movement to resist a dangerous presidency. But the work that protests do often can’t be seen in the moment. It feels empowering to march, and record numbers of Americans have joined anti-Trump demonstrations, but when and why does marching matter? What exactly do protests do, and how do they help movements win? In this original and richly illustrated account, organizer and journalist L.A. Kauffman delves into the history of America’s major demonstrations, beginning with the legendary 1963 March on Washington, to reveal the ways protests work and how their character has shifted over time. Using the signs that demonstrators carry as clues to how protests are organized, Kauffman explores the nuanced relationship between the way movements are made and the impact they have. How to Read a Protest sheds new light on the catalytic power of collective action and the decentralized, bottom-up, women-led model for organizing that has transformed what movements look like and what they can accomplish.