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What do Gregory Abbott, Boy Meets Girl, Lou Christie, Club Nouveau, Gardner Cole, Cutting Crew, Rick Dees, The Escape Club, Expose, Michael Sembello, Billy Vera & the Beaters, Rob Hyman, Tiffany, The Knack, A Taste of Honey and Wild Cherry all have in common? For starters, they are all pop stars that have enjoyed the experience of having their songs reach the Number One position on the American music charts. They are also among the 140 artists who responded to writer Randolph Michael's call to be questioned for this book, Flashbacks to Happiness, which is a survey of hit songs of the 1980's and what it took to make them. Readers who are interested in popular music, and the '80's decade in particular, will find the interviews included within these pages to be fascinating testaments of how the music industry has changed to such a drastic extent in the last 20 years. It also details how artists have managed to keep their careers alive despite today's increasingly unstable marketplace and often-fickle music buying public.
Flashback: 50 Stories of Nostalgia" is a captivating anthology that invites readers on a journey through time, delving into the rich tapestry of human experience and emotion. Through a collection of poignant and evocative tales, this anthology explores the delicate threads of nostalgia woven into the fabric of our lives. From heartwarming stories of childhood memories that transport readers to the innocence of youth to the tender embrace of grandparents' wisdom, the anthology resonates with themes of familial bonds and the enduring impact of formative years. The narratives within "Flashback" delicately unravel the intricacies of first dates, capturing the exhilaration and nervous anticipation that accompany such memorable moments. Old friendships are rekindled, offering a glimpse into the enduring strength of connections that withstand the test of time. The anthology doesn't shy away from exploring the enchanting world of prom, where dreams are spun, and the dance of fleeting romance unfolds against the backdrop of glittering lights and timeless music. Each story in this anthology serves as a portal to the past, illuminating the universal experiences that shape the human condition. With a focus on relatable moments and the indelible imprints left by shared history, "Flashback" becomes a literary time capsule, preserving the essence of nostalgia for readers to savor and reflect upon. Whether revisiting the carefree days of youth or navigating the complexities of first love, this collection embraces the universal themes that bind us together in the shared tapestry of memory and longing.
The best of Irish Soccer. The kickstart the country needed. The men, the excitement, the places, the stories, the goals and above all, the journey. They were the best days of our lives. This is how so many of the Irish remember Italia 90 and all that came with it – the atmosphere of wild celebration, the scenes of chaos, the fine madness. Declan Lynch recalls the great moments – Packie's save and his leap into immortality; Pavarotti's Nessun Dorma and U2's Put 'Em Under Pressure; Kevin Sheedy's sweet strike; and all that drinking. Days of Heaven is full of hilarious accounts of how the Irish abandoned reality in that glorious time called Italia 90.
Flashbacks is an eyewitness account of '60s rock as it was being made. Michael Lydon-the first editor of Rolling Stone and a participant in the rock revolution-enjoyed unique access to the people and events when rock was new. His profiles of the founding fathers and mothers of '60s rock are unique in that they are based on first-hand interviews and on-the-spot reporting. This collection includes the first piece written on the Monterey Pop Festival of 1967 (written only 48 hours after the festival, and never before published); an account of the Rolling Stones's U.S. tour of December 1969; Janis Joplin's dramatic rise and equally dramatic fall; The Grateful Dead at home in their communal house in San Francisco and on stage at Winterland; and much more.
The 1980s is remembered as a time of big hair, synthetic music, and microwave cookery. It is also remembered as the heyday of conservative politics, socioeconomic inequality, and moral panics. It is dichotomously remembered as either a nostalgic age of innocence or a regressive moral wasteland, depending on who you ask, and when. But, most of all, it is remembered. In retro fashion trends, in '80s-based film and television narratives, and through countless rebooted movies, video games, superheroes, and even political slogans imploring us to Make America Great Again (Again). More than merely a historical period, "the '80s" has grown into a contested myth, ever-evolving through the critical and expressive lens of popular culture. This book explores the many shapes the '80s mythos has taken across a diverse array of media. Essays examine television series such as Stranger Things, Cobra Kai, and POSE, films such as Dallas Buyers Club, Summer of '84, and Chocolate Babies, as well as video games, pop music, and toys. Collectively, these essays explore how representations of the 1980s influence the way we think about our past, our present, and our future.
Robert John Christo; popularly known as Bob Christo; was born in 1938 in Sydney; Australia. After completing his civil engineering in Sydney; he took on projects which involved supporting the military supply lines of the South Vietnamese army and working as construction supervisor on the film sets of Apocalypse Now. Led by his instincts; Christo zealously followed one aspiration after another: chasing after a lost spy ship; running an escort service; modelling for African beer; singing in rock concerts; and so on. Bob Christo landed his first film role at the age of sixteen in a German movie; after working as an extra in the Düsseldorf National Theatre; Germany. Hoping to meet Parveen Babi in India; he chanced upon a part in Sanjay Khan’s Abdullah (1980) and then went on to act in hundreds of Hindi; Telugu; Tamil; Malayalam and Kannada films. In the year 2000 he became a yoga instructor after shifting base from Mumbai to Bangalore; where he passed away on 20 March 2011.
DIVDIVFall is in the air and Love is back at Hadley Hall/div For Love Bukowski, summer’s over and school is about to begin. But it seems like Love’s going it alone: Her aunt Mable has been acting weird, her dad (who happens to be principal of the school) is preoccupied, her ex is pouting in Europe, and her former friend Cordelia has bonded with the evil Lindsay Parrish. Enter Arabella Piece, the new exchange student from London, who’s staying with Love and has some secrets of her own. Love’s summer may have called it a wrap, but her fall semester dramas have just begun. /div
David Amram-composer, jazz artist, conductor, and world music pioneer-has been described by the Boston Globe as "the Renaissance man of American music." From early collaborations with Kerouac and Sinatra, chosen by Leonard Bernstein as the New York Philharmonic's first composer in residence, Amram's artistry has taken him from concerts with Willie Nelson to jamming with the Massai tribe of Kenya. In Upbeat: Nine Lives of a Musical Cat, Amram recounts his extraordinary adventures in the many worlds of music he calls home, all told in a rollicking anecdotal style that makes you feel that you are at home around the world. He writes, "Everywhere I have been in the world, music transcends politics. As musicians, we were able to go beyond all that and just be fellow human beings." Threading through Amram's tale of music, hard work, respect, and friendship are unforgettable stories of fellow great artists-Dizzie Gillespie, Hunter S. Thompson, Janet Gaynor, George Plimpton, Lyle Lovett, Zoe Caldwell, Willie Nelson, and many more.
In recent years, environmental and human rights advocates have suggested that we have entered the first new geological epoch since the end of the ice age: the Anthropocene. In this new epoch, humans have come to reshape unwittingly both the climate and natural world; humankind has caused mass extinctions of plant and animal species, polluted the oceans, and irreversibly altered the atmosphere. Ironically, our efforts to make the planet more hospitable to ourselves seem to be driving us toward our inevitable extinction. A force of nature, humanity is now decentered as the agent of history. As Jennifer Fay argues, this new situation is to geological science what cinema has always been to human culture. Film, like the Anthropocene, is a product of the industrial revolution, but arises out of a desire to preserve life and master time and space. It also calls for the creation of artificial worlds, unnatural weather, and deadly environments for entertainment, scientific study, and devising military strategy. Filmmaking stages, quite literally, the process by which worlds and weather come into being and meaning, and it mimics the forces that are driving this new planetary inhospitality. Cinema, in other words, provides an image of "nature" in the age of its mechanical reproducability. Fay argues that cinema exemplifies the philosophical, political, and perhaps even logistical processes by which we can adapt to these forces and also imagine a world without humans in it. Whereas standard ecological criticism attends to the environmental crisis as an unraveling of our natural state, this book looks to film (from Buster Keaton, to Jia Zhangke, to films of atomic testing and early polar exploration) to consider how it reflects upon the creation and destruction of human environments. What are the implications of ecological inhospitality? What role might cinema and media theory play in challenging our presumed right to occupy and populate the world? As an art form, film enjoys a unique relationship to the material, elemental world it captures and produces. Through it, we may appreciate the ambitions to design an unhomely planet that may no longer accommodate us.