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* The complete guide to mastering the technical challenges of lighting and flash * Explores locations, subjects and styles, and all the technical skills, tools and tips needed to master them * Written by multi award-winning photographer Richard Bradbury Aimed at the serious amateur, this is a practical guide to achieving professional results in digital photography. Light is at the very heart of photography and plays a fundamental role in creating successful images. Not only does light affect brightness, it also determines tone, mood, atmosphere, texture, colour and luminosity. Mastering Lighting & Flash Photography contains everything you need to know about controlling and manipulating light to capture the beauty of the world around you in your own signature style. Written and photographed by a multi award-winning photographer, the book describes and demonstrates all the key topics: from understanding light and how to use it; through choosing the best kit and mastering the essential techniques; to different forms of flash photography and studio lighting, tips from leading professionals, and elevating your prints in post-production. .
The soft glow of a candle, the blink of a firefly, a burst of fireworks—light is everywhere in our world! Rhyming text and luminous illustrations follow four children as they experience many different forms of light. "[M]ultiple STEAM applications, from poetry and creative writing to introductions to energy and light to how the sun affects human life, and doubles as a great read-aloud or a starry bedtime story."—starred, Booklist
Describes the life of the man who invented a new lighthouse lens, capable of shining brighter, farther, and more efficiently than existing light sources, and his fight against the scientific elite, his poor health, and the limits of his era's technology.
A Flash of Light is an intriguing book that starts at the beginning of time itself and then winds its way through a host of fascinating light related topics including the hues of aliens sunsets, the psychology of colour, and the chemistry of LCD screens. Written as part of a novel experiment, editors Mark Lorch and Andy Miah hatched a plan to collect a critical mass of academics in a room and charged them with writing a popular science book, under the watchful eye of the general public at the Manchester Science Festival. The result is an enlightening look into the science behind colour and light, encompassing biology, chemistry and physics and including simple and fun “try this at home” ideas to illustrate the concepts covered. Drawing on the experience of some of the UK’s best science communicators, this book will appeal to anyone with an interest in science. Its pacey, witty and engaging tone provides illuminating insight into how and why we see the universe the way we do.
Following up on the great success of The Moment It Clicks and The Hot Shoe Diaries: Big Light from Small Flashes, legendary magazine photographer Joe McNally takes us on another memorable ride with Sketching Light, another trip into the land of light--but this time running the gamut from small flash to big flash, and everywhere in between. Of course, Joe includes coverage of Nikon Speedlights, but he also covers big flash, as well as "in-between" lights as the Elinchrom Quadra. The exploration of new technology, as well as the explanation of older technology. No matter what equipment Joe uses and discusses, the most important element of Joe's instruction is that it is straightforward, complete, and honest. No secrets are held back, and the principles he talks about apply generally to the shaping and quality of light, not just to an individual model or brand of flash. He tells readers what works and what doesn't via his let's-see-what-happens approach, he shows how he sets up his shots with plentiful sketches and behind-the-scenes production shots, and he does it all with the intelligence, clarity, and wisdom that can only come from shooting in the field for 30 years for the likes of National Geographic, Time, Life, and Sports Illustrated--not to mention the wit and humor of a clearly warped (if gifted) mind.
"With dedicated sections covering equipment, indoor and outdoor lighting, post production, case studies, and genres such as wedding, fashion, lifestyle, and boudoir, One light flash aims to show you how the first flash you buy may be the last you ever need."--Publisher's description.

Learn to use a one-light approach for recreating the look of beautiful, natural window light for portraiture!

At its best, natural light is magical for portraiture. The quality of natural light streaming through a window can be extraordinary—gorgeous, wrapping light that flatters your subject and can be used to create multiple looks. For years, photographer Sandra Coan exclusively used natural light in her portraiture work. And while the results could be magnificent, she also learned that she could not rely on it to build a business and create consistently great photographs. That’s because natural light is frustratingly unpredictable: sometimes it rains, sometimes the light is too harsh when your clients are available, and sometimes—depending on the time of year—it’s just too dark.

In order to grow her business with dependably great results and a high level of professionalism, Sandra finally decided to tackle artificial light. She spent years honing her ability to use artificial light to recreate the look of beautiful, natural light. And now, with a simple one-light approach, she produces “natural” light whenever and wherever she likes, creating great portraits in any situation, at any time of day or night. It’s an approach that has led to a successful career spanning two decades and a signature look to her work. Here, in Crafting the Natural Light Look, Sandra shares her knowledge and techniques so that you, too, can learn to quickly and dependably create the look of natural light in your own portraiture. Unlike other books that address artificial light, Sandra’s tone is conversational and easygoing, and she does not cover everything there is to know about artificial light. In fact, there are no two- or three-light setups here. Instead, Sandra’s method is straightforward and easily actionable. She covers:

    • The key characteristics of light (intensity, distance, direction)
    • Equipment: strobes, flashes, light meters, triggers, receivers, modifiers, reflectors, and light stands—including what she uses, and what she recommends if starting out on a budget
    • Shutter speed and its relationship with artificial light
    • Where to position the light and the subject for consistent, flattering results
    • Creating four lighting patterns and looks with one setup—flat light, loop light, side light, and backlight
    • Using a light meter to determine the perfect flash power (whether you shoot film or digital)
    • Working with individuals, families, and groups
    • The role of shadows in its contribution to the drama and mood of a portrait
    • Common mistakes and how to avoid them
    • What she does in post-production (very little!)

Finally, in a series of case studies, she brings it all together and shares her thought process as she works through a number of real-world portrait shoots from start to finish. If you’re a “natural light photographer” who’s been either struggling with flash or reluctant to learn it at all, Crafting the Natural Light Look is exactly the book you need to improve the quality and consistency of your portraiture.

Canon Speedlites and Nikon Speedlights are small, off-camera flashguns that can provide big results - if you know how to use them properly. Acclaimed Boston photographers Lou Jones, Bob Keenan and Steve Ostrowski guide you through the technical and creative aspects of how to get the most out of these powerful tools in this indispensable guide, packed full of inspirational images and comprehensive diagrams of the lighting set ups used to capture them. They are significantly more advanced, lighter and considerably cheaper than a standard flashgun, and have many advantages. They are small (and cheap) enough that a number can be carried in your kit, and they can be used in combination, triggered wirelessly. They use through-the-lens (TTL) metering, which allows you to use the in-camera LCD and histograms to calculate the required power/direction, rather than havng to use a light meter or trial and error. They use proprietary, dedicated technology (from Canon and Nikon) that means there are no compatability issues. Getting the most out of them, however, remains a mystery - most photographers still just use their speedlights in the same way as a standard flash gun. This is where this book comes in.