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"Britain has played a key part in the history of the last five centuries, and its art reflects this in absorbing and complex ways. Andrew Wilton, Keeper and Senior Research Fellow at Tate Britain, traces the story of British painting from its hesitant beginnings under the influence of Holbein through its maturity in the time of Hogarth and Reynolds, when it reflected a prosperous society with growing imperial influence. He then explores the pioneering role of Constable and Turner in the revolutions of the Romantic period, and the enigmatic position of artists in Victorian England, when a stiff moral code came into conflict with the uncertainties of the age of Darwin. A consistent undercurrent has been Britain's preference for the real world (landscape, portraiture) as against 'high' art and abstraction. Andrew Wilton offers new insights into the great personalities of British painting, and assesses afresh the latest flowering, in which many threads of modern art come together in sometimes startling guises."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This beautifully illustrated volume explores the history of color across five centuries of European painting, unfolding layers of artistic, cultural, and political meaning through a deep understanding of technique.
Catalogue of an exhibition held at the National Gallery of Art, Washington, D.C., Oct. 13, 2002-Mar. 2, 2003.
An impressive sampling of life drawings by 45 of the art world's greatest masters displays the styles of figure drawing across five centuries, from Dürer and Michelangelo to Modigliani and Derain. Featured artists include Raphael, Rubens, van Dyck, Hogarth, Constable, Ingres, Gauguin, Matisse, Rodin, and others. 45 black-and-white illustrations. Captions.
On Line: Drawing Through the Twentieth Century explores the radical transformation of drawing that began during the last century as numerous artists critically re-examined the traditional concepts of the medium. In a revolutionary departure from the institutional definition of drawing and from reliance on paper as the fundamental support material, artists instead pushed the line into real space, expanding the medium's relationship to gesture and form and connecting it with painting, sculpture, photography, film and dance. Published in conjunction with an exhibition at The Museum of Modern Art, On Line presents a discursive history of mark-making through nearly 250 works by 100 artists, including Aleksandr Rodchenko, Alexander Calder, Karel Malich, Eva Hesse, Anna Maria Maiolino, Richard Tuttle, Mona Hatoum and Monika Grzymala, among many others. Essays by the curators illuminate individual practices and examine broader themes, such as the exploration of the line by the avant-garde and the relationship between drawing and dance.
"National Gallery of Art, Washington, The Morgan Library & Museum, New York, in association with Lund Humphries."
Central Europe occupies a prominent place in many realms of eighteenth-century culture. This volume is the catalogue of an exhibition of drawings, organized in 1989 by The Art Museum, Princeton University, which presents some of the little-known accomplishments of artists from the region of present-day East and West Germany, Austria, Switzerland, and parts of Poland, Czechoslovakia, and Hungary. Providing the first available survey of drawings of the period in English, the illustrated introduction to the catalogue considers the works in historical and artistic context. The book includes important drawings by artists such as Cosmas Damian Asam, Egid Quirin Asam, Matthus Gnther, and Adrian Zingg. Published for the first time are unique drawings by such important sculptors as Georg Raphael Donner and Franz Xaver Messerschmidt. The fully illustrated catalogue contains 105 entries, many of which deal with major issues of art of the time and treat the drawings exhibited in relation to works elsewhere. Biographies are presented for all the artists exhibited.
This book, is the anticipated English translation of "MEILENSTEINE OSTERREICHISCHER REITKUNST" Find out how Austria came to be the safe hold of such a wealth of equestrian tradition: Dr. Werner Poscharnigg eloquently answers this question by chronicling the development of the classical practices in this region of Europe. Austrian Art of Riding traces the contributions of pivotal Austrian horsemen through 500 years of elegance and ease in the equestrian art. Over 140 illustrations--many previously unpublished or little-known--along with inaccessible documents reveal the development of a culture of the thinking rider imbued with careful, loving training that results in a healthy, durable high school horse. Equestrians world-wide who admire fine horsemanship and seek the subtle, passionate, masterful handling of the horse, will find the methods they pursue here, in Austrian horsemanship as they have been for centuries. "Dr. Werner Poscharnigg's stunningly produced Austrian Art of Riding is special for....the incredible illustrations which show good balance in both man and horse in different situations and....a shining pride of achievement, commitment of endeavour and desire for perfection." - Sylvia Loch "Austrian Art of Riding is a major contribution to the understanding of classical riding principles...The Austro-Hungarian classical training method is without fear of force, artifice and cruelty. Instead, it is a monument to impeccable trust between horse and rider. The ennobled horse becomes able to move better than he ever could have had he been left alone in nature. Through correct riding, the rider is elevated in character and his virtues are multiplied." - Charles de Kunffy "Austrian Art of Riding...leads the reader on an exciting journey through the Cultural History of Austria, illuminating five centuries of equestrian advances. The Spanish Riding School in Vienna, the European cradle and sanctuary of classical riding since the Baroque era is masterfully documented in text and illustrations. Historical events are harmoniously melded with the equestrian milestones of the Riding Masters of the past." - Karl Mikolka Dr.Werner Poscharnigg's writing is appreciated the world over for its eloquent style, polished language and reliable expertise. This learned horseman, speaking from personal experience and accurate research, takes us on a pleasurable reading journey rich in detailed information. He makes his home near Graz, in Southern Austria.