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"The Metropolitan Museum began acquiring American drawings and watercolors in 1880, just ten years after its founding. Since then it has amassed more than 1,500 works executed by American artists during the eighteenth and nineteenth centuries in watercolor, pastel, chalk, ink, graphite, gouache, and charcoal. This volume documents the draftsmanship of more than 150 known artists before 1835 and that of about 60 unidentified artists of the period. It includes drawings and watercolors by such American masters as John Singleton Copley, John Trumbull, John Vanderlyn, Thomas Cole, Asher Brown Durand, George Inness, and James Abbott McNeill Whistler. Because the 504 works illustrate such a wide range of media, techniques, and styles, this publication is a veritable history of American drawing from the eighteenth through most of the nineteenth century."--Metropolitan Museum of Art website.
For scholars exploring the career of American artist Charles Burchfield and the period in which he worked (1893-1967), this book provides access to listings of his exhibitions and museum collections where his art can be found along with books, articles, films, and exhibition catalogs.
A catalog published on the occasion of the exhibition of the same name, held at the Nelson-Atkins Museum of Art, Kansas City, Missouri, July-September 1992. In addition to the Nelson collection, works are included from the U. of Kansas' Spencer Museum of Art in Lawrence, the Albrecht-Kemper Museum of Art in St. Joseph, and from several notable private collections in Kansas City. The artists represented include Childe Hassam, Winslow Homer, Frederic Remington, John La Farge, Thomas Hart Benton, Andrew Wyeth, Rockwell Kent, Georgia O'Keefe, and Joseph Stella. Each exhibited item is reproduced, and described and discussed in some detail. Annotation copyright by Book News, Inc., Portland, OR
This comprehensive, richly illustrated book spans the years from the Revolutionary War to World War II, presenting the 97 key works in the collection.
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.