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The tale of Bluebeard, reenvisioned as a dark fable of faith and truth 1843 is the "last year of the world," according the Elias Fitcher, a charismatic preacher in the Finger Lakes district of New York State. He's established a utopian community on an estate outside the town of Jeckyll's Glen, where the faithful wait, work, and pray for the world to end. Vernelia, Amy, and Catherine Charter are the three young townswomen whose father falls under the Reverend Fitcher's hypnotic sway. In their old house, where ghostly voices whisper from the walls, the girls are ruled by their stepmother, who is ruled in turn by the fiery preacher. Determined to spend Eternity as a married man, Fitcher casts his eye on Vernelia, and before much longer the two are wed. But living on the man's estate, separated from her family, Vern soon learns the extent of her husband's dark side. It's rumored that he's been married before, though what became of those wives she does not know. Perhaps the secret lies in the locked room at the very top of the house—the single room that the Reverend Fitcher has forbidden to her. Inspired by the classic fairy tales "Bluebeard" and "The Fitcher Bird," this dark fantasy is set in New York State's "Burned-Over District," at its time of historic religious ferment. All three Charter sisters will play their part in the story of Fitcher's Utopia: a story of faith gone wrong, and evil countered by one brave, true soul. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
"1843 is 'the last year of the world'--according to Elias Fitcher, a charismatic preacher in upstate New York. There he's established a utopian community on an estate outside the town of Jeckyll's Glen, where the faithful wait, work, and pray for the world to end. Vernelia, Amy, and Catherine Charter are three young townswomen whose father falls under the Reverend's hypnotic sway. In their old house, where ghostly voices whisper from the walls, the girls are ruled by their stepmother, who is ruled by the fiery preacher in turn. Determined to spend Eternity as a married man, Fitcher casts his eye on Vernelia, and before much longer the two are wed. But living on the man's estate, separated from her family, it's not long before Vern learns the extent of her husband's dark side ... Inspired by the classic fairy tales "Bluebeard" and "The Fitcher Bird", this dark fantasy is a story of faith gone wrong, and evil countered by one brave, true soul."--Back cover.
An American journalist is trapped in Nazi Germany in this variation on the Sleeping Beauty theme.
The tale of Bluebeard, reenvisioned as a dark fable of faith and truth 1843 is the last year of the world, according the Elias Fitcher, a charismatic preacher in the Finger Lakes district of New York State. He's established a utopian community on an estate outside the town of Jeckyll's Glen, where the faithful wait, work, and pray for the world to end. Vernelia, Amy, and Catherine Charter are the three young townswomen whose father falls under the Reverend Fitcher's hypnotic sway. In their old house, where ghostly voices whisper from the walls, the girls are ruled by their stepmother, who is ruled in turn by the fiery preacher. Determined to spend Eternity as a married man, Fitcher casts his eye on Vernelia, and before much longer the two are wed. But living on the man's estate, separated from her family, Vern soon learns the extent of her husband's dark side. It's rumored that he's been married before, though what became of those wives she does not know. Perhaps the secret lies in the locked room at the very top of the house--the sin-gle room that the Reverend Fitcher has forbidden to her. Inspired by the classic fairy tales Bluebeard and The Fitcher Bird, this dark fantasy is set in New York State's Burned-Over District, at its time of historic religious ferment. All three Charter sisters will play their part in the story of Fitcher's Utopia: a story of faith gone wrong, and evil coun-tered by one brave, true soul.
The stories in the Grimm brothers' Kinder- und Hausmärchen (Children's and Household Tales), first published in 1812 and 1815, have come to define academic and popular understandings of the fairy tale genre. Yet over a period of forty years, the brothers, especially Wilhelm, revised, edited, sanitized, and bowdlerized the tales, publishing the seventh and final edition in 1857 with many of the sexual implications removed. However, the contributors in Transgressive Tales: Queering the Grimms demonstrate that the Grimms and other collectors paid less attention to ridding the tales of non-heterosexual implications and that, in fact, the Grimms' tales are rich with queer possibilities. Editors Kay Turner and Pauline Greenhill introduce the volume with an overview of the tales' literary and interpretive history, surveying their queerness in terms of not just sex, gender and sexuality, but also issues of marginalization, oddity, and not fitting into society. In three thematic sections, contributors then consider a range of tales and their queer themes. In Faux Femininities, essays explore female characters, and their relationships and feminine representation in the tales. Contributors to Revising Rewritings consider queer elements in rewritings of the Grimms' tales, including Angela Carter's The Bloody Chamber, Jeanette Winterson's Twelve Dancing Princesses, and contemporary reinterpretations of both "Snow White" and "Snow White and Rose Red." Contributors in the final section, Queering the Tales, consider queer elements in some of the Grimms' original tales and explore intriguing issues of gender, biology, patriarchy, and transgression. With the variety of unique perspectives in Transgressive Tales, readers will find new appreciation for the lasting power of the fairy-tale genre. Scholars of fairy-tale studies and gender and sexuality studies will enjoy this thought-provoking volume.
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Sprung from a timeless dream, Shadowbridge is a world of linked spans arching high above glittering seas. It is a world of parading ghosts, inscrutable gods, and dangerous magic. Most of all, it is a world of stories. No one knows those stories better than Leodora, a young shadow-puppeteer who travels Shadowbridge collecting the intertwining tales and myths of each place she passes through, then retells them in performances whose genius has begun to attract fame . . . and less welcome attention. For Leodora is fleeing a violent past, as are her two companions: her manager, Soter, an elderly drunkard who also served Ledora’ s father, the legendary puppeteer Bardsham; and Diverus, her musical accompanist, a young man who has been blessed, and perhaps cursed, by the touch of a nameless god. Now, as the strands of a destiny she did not choose begin to tighten around her, Leodora is about to cross the most perilous bridge of all–the one leading from the past to the future. Shadowbridge is the first novel in a two-book adventure.
From Queen Victoria to Carolyn Bessette Kennedy, "Legendary Brides" captures the magic of eight prominent brides and their weddings, providing timeless ideas for gowns, flowers, menus, table settings, and other essentials. 250 illustrations & photos.
Love triumphs in this paper doll collection filled with brides and grooms from beloved fairy tales ? Cinderella, Thumbelina, Beauty and the Beast, and others. Includes 21 dolls and 31 enchanting costumes.