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Called “an ecstatic, arc-bright wonder and terror” by The New Yorker, this major work of art now receives a first printing, featuring a brilliant introductory essay by Masha Tupitsyn. This Academy Award-nominated screenplay is one of the greatest and most urgent in Paul Schrader’s long and decorated career. Called a “portrait of a soul in torment, all the more powerful for being so rigorously conceived and meticulously executed” in the New York Times, First Reformed follows the Rev. Ernst Toller as his crisis of faith coincides with a recognition of looming environmental catastrophe. It is an uncompromising work that seamlessly synthesizes a tribute to Bresson with a profound, existential meditation on the everexpanding devastation that humanity is spreading over the natural world. The crowning late period achievement for an undisputed legend of screenwriting, this is both a master class in concision, depth and emotional range, and a continually relevant work of activist import.
With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.
Does it really matter? Does it matter if we have free will? Does it matter if Calvinism is true? And does what you think about it matter? No and yes. No, it doesn't matter because God is who he is and does what he does regardless of what we think of him, just as the solar system keeps spinning around the sun even if we're convinced it spins around the earth. Our opinions about God will not change God, but they can change us. And so yes, it does matter because the conversations about free will and Calvinism confront us with perhaps the only question that really matters: who is God? This is a book about that question--a book about the Bible, black holes, love, sovereignty, hell, Romans 9, Jonathan Edwards, John Piper, C. S. Lewis, Karl Barth, and a little girl in a red coat. You've heard arguments, but here's a story--Austin Fischer's story, and his journey in and out of Calvinism on a trip to the center of the universe.
Daniel Hyde traces the historical roots of the Reformed churches, their key beliefs, and the ways in which those beliefs are expressed. The result is a roadmap for those newly encountering the Reformed world and a primer for those seeking to know more about their Reformed heritage.
With playfulness and ingenuity in the tradition of Douglas Adams, the Cuban science fiction master Yoss delivers a space opera of intergalactic proportions withSuper Extra Grande, the winner of the 20th annual UPC Science Fiction Award in 2011.
What Do the Five Points of Calvinism Really Mean? Many have heard of Reformed theology, but may not be certain what it is. Some references to it have been positive, some negative. It appears to be important, and they'd like to know more about it. But they want a full, understandable explanation, not a simplistic one. What Is Reformed Theology? is an accessible introduction to beliefs that have been immensely influential in the evangelical church. In this insightful book, R. C. Sproul walks readers through the foundations of the Reformed doctrine and explains how the Reformed belief is centered on God, based on God's Word, and committed to faith in Jesus Christ. Sproul explains the five points of Reformed theology and makes plain the reality of God's amazing grace.
From places like John Piper's den, Al Mohler's office, and Jonathan Edwards's college, Christianity Today journalist Collin Hansen investigates what makes today's young Calvinists tick. Church-growth strategies and charismatic worship have fueled the bulk of evangelical growth in America for decades. While baby boomers have flocked to churches that did not look or sound like church, it seems these churches do not so broadly capture the passions of today's twenty-something evangelicals. In fact, a desire for transcendence and tradition among young evangelicals has contributed to a Reformed resurgence. For nearly two years, Christianity Today journalist Collin Hansen visited the chief schools, churches, and conferences of this growing movement. He sought to describe its members and ask its leading pastors and theologians about the causes and implications of the Calvinist resurgence. The result, Young, Restless, Reformed, shows common threads in their diverse testimonies and suggests what tomorrow's church might look like when these young evangelicals become pastors or professors.
R.C. Sproul has undertaken to make Reformed theology clear and comprehensible to the general reader, focusing on its most fundamental doctrines and locating their source in Scripture. At the heart of Reformed theology, Sproul finds true grace.
Faith and Spirituality in Masters of World Cinema, Volume II continues the work presented in the first volume of this title, published by Cambridge Scholars Publishing in 2008. It provides informed yet accessible articles that will give readers an introduction to masters of world cinema whose works explore the themes of human spirituality and religious faith. Volume II contains essays dealing with canonical directors notably absent from the first entry of the series (such as Godard and Kurosawa) while also including examinations of contemporary auteurs who are still actively working (for example, Andersson, and von Trier). While retaining a truly international emphasisâ "it includes essays about directors from the United States, Canada, Iran, Sweden, India, Denmark, Italy, Mexico, Australia, and Japanâ "Volume II also acts as an important contribution to canon formation, illustrating the complexity and variety in the films of those who are truly the masters of world cinema. Built solidly around close, formal readings of selective films, the essays in Volume II also demonstrate familiarity with film history and bring insight from such varied disciplines as New Testament Studies, Clinical Psychology, Art History, and Medieval History. It also seeks to broaden the understanding of â ~faithâ (TM) and â ~spirituality, â (TM) examining how the meaning of such terms changes as the cultures that produce the art that defines them continues to evolve.