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Between 1875 and 1920, Chicago's homicide rate more than quadrupled, making it the most violent major urban center in the United States--or, in the words of Lincoln Steffens, "first in violence, deepest in dirt." In many ways, however, Chicago became more orderly as it grew. Hundreds of thousands of newcomers poured into the city, yet levels of disorder fell and rates of drunkenness, brawling, and accidental death dropped. But if Chicagoans became less volatile and less impulsive, they also became more homicidal. Based on an analysis of nearly six thousand homicide cases, First in Violence, Deepest in Dirt examines the ways in which industrialization, immigration, poverty, ethnic and racial conflict, and powerful cultural forces reshaped city life and generated soaring levels of lethal violence. Drawing on suicide notes, deathbed declarations, courtroom testimony, and commutation petitions, Jeffrey Adler reveals the pressures fueling murders in turn-of-the-century Chicago. During this era Chicagoans confronted social and cultural pressures powerful enough to trigger surging levels of spouse killing and fatal robberies. Homicide shifted from the swaggering rituals of plebeian masculinity into family life and then into street life. From rage killers to the "Baby Bandit Quartet," Adler offers a dramatic portrait of Chicago during a period in which the characteristic elements of modern homicide in America emerged.
This 2003 book looks at contesting concepts of crime, and social justice in nineteenth-century industrial America.
The Roots of Violent Crime in America is criminologist Barry Latzer’s comprehensive analysis of crimes of violence—including murder, assault, and rape—in the United States from the 1880s through the 1930s. Combining the theoretical perspectives and methodological rigor of criminology with a synthesis of historical scholarship as well as original research and analysis, Latzer challenges conventional thinking about violent crime of this era. While scholars have traditionally cast American cities in the late nineteenth and early twentieth centuries as dreadful places, Latzer suggests that despite overcrowding and poverty, U.S. cities enjoyed low rates of violent crime, especially when compared to rural areas. The rural South and the thinly populated West both suffered much higher levels of brutal crime than the metropolises of the East and Midwest. Latzer deemphasizes racism and bigotry as causes of violence during this period, noting that while many social groups confronted significant levels of discrimination and abuse, only some engaged in high levels of violent crime. Cultural predispositions and subcultures of violence, he posits, led some groups to participate more frequently in violent activity than others. He also argues that the prohibition on alcohol in the 1920s did not drive up rates of violent crime. Though the bootlegger wars contributed considerably to the murder rate in some of America’s largest municipalities, Prohibition also eliminated saloons, which served as hubs of vice, corruption, and lawlessness. The Roots of Violent Crime in America stands as a sweeping reevaluation of the causes of crimes of violence in the United States between the Gilded Age and World War II, compelling readers to rethink enduring assumptions on this contentious topic.
Now in one volume: the three-part autobiography from the National Book Award–winning author of The Rise and Fall of the Third Reich. The former CBS foreign correspondent and historian provides an invaluable look back at his life—and the events that forged the twentieth century. The Start (1904-1930): In the first of a three-volume series, Shirer tells the story of his early life, growing up in Cedar Rapids, and later serving as a new reporter in Paris. The Nightmare Years (1930-1940): In the second of a three-volume series, Shirer chronicles his time in Europe as Hitler dominated Germany and began one of the most dangerous conflicts in world history. A Native’s Return (1945-1988): The most personal of the three volumes, this edition offers an honest look at the many personal and professional setbacks Shirer experienced after World War II ended—and delivers a fascinating take on the aftermath of the war. Series praise “Mr. Shirer stirs the ashes of memory in a personal way that results in both a strong view of world events and of the need for outspoken journalism. Had Mr. Shirer been merely a bland ‘objective’ reporter without passion while covering Hitler’s Third Reich, this book and his other histories could never have been written.” —The New York Times “Included in Shirer’s well-wrought narrative are such little-known events as the trials of American broadcasters who propagandized for the Third Reich during WWII, as well as such more familiar matters as the McCarthyism of the 1950s. The author’s comments are refreshingly unfettered by self-consciousness . . . A fine, fitting conclusion to an important work of autobiography.” —Kirkus Reviews
The former CBS foreign correspondent provides an invaluable look back at his life—and the events that forged the twentieth century. A renowned journalist and author of The Rise and Fall of the Third Reich, William L. Shirer chronicles his own life story—in a personal history that parallels the greater historical events for which he served as a witness. In the first of a three-volume series, Shirer tells of his early life, growing up in Cedar Rapids, and later serving as a new reporter in Paris. In this surprisingly intimate account, Shirer details his youthful challenges, setbacks, rebellions, and insights into the world around him. He offers personal accounts of his friendships with notable people including Isadora Duncan, Ernest Hemingway, and Sinclair Lewis. This fascinating personal account also provides an illuminating look into a lost pre-World War II era—and is notable as much for its historical value as for its autobiographical detail. Ideal for anyone fascinated by this period in history.
Throughout the Jim Crow era, southern police departments played a vital role in the maintenance of white supremacy. Police targeted African Americans through an array of actions, including violent interactions, unjust arrests, and the enforcement of segregation laws and customs. Scholars have devoted much attention to law enforcement’s use of aggression and brutality as a means of maintaining African American subordination. While these interpretations are vital to the broader understanding of police and minority relations, Black citizens have often come off as powerless in their encounters with law enforcement. Brandon T. Jett’s Race, Crime, and Policing in the Jim Crow South, by contrast, reveals previously unrecognized efforts by African Americans to use, manage, and exploit policing. In the process, Jett exposes a much more complex relationship, suggesting that while violence or the threat of violence shaped police and minority relations, it did not define all interactions. Black residents of southern cities repeatedly complained about violent policing strategies and law enforcement’s seeming lack of interest in crimes committed against African Americans. These criticisms notwithstanding, Blacks also voiced a desire for the police to become more involved in their communities to reduce the seemingly intractable problem of crime, much of which resulted from racial discrimination and other structural factors related to Jim Crow. Although the actions of the police were problematic, African Americans nonetheless believed that law enforcement could play a role in reducing crime in their communities. During the first half of the twentieth century, Black citizens repeatedly demanded better policing and engaged in behaviors designed to extract services from law enforcement officers in Black neighborhoods as part of a broader strategy to make their communities safer. By examining the myriad ways in which African Americans influenced the police to serve the interests of the Black community, Jett adds a new layer to our understanding of race relations in the urban South in the Jim Crow era and contributes to current debates around the relationship between the police and minorities in the United States.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
"In Certain Other Countries, Carolyn A. Conley explores how the concepts of national identity and criminal violence influenced each other in the Victorian-era United Kingdom. It also addresses the differences among the nations as well as the ways that homicide trials illuminate the issues of gender, ethnicity, family, privacy, property, and class. Homicides reflect assumptions about the proper balance of power in various relationships. For example, Englishmen were ten times more likely to kill women they were courting than were men in the Celtic nations." "By combining quantitative techniques in the analysis of over seven thousand cases, as well as careful and detailed readings of individual cases, the book exposes trends and patterns that might not have been evident in works using only one method. For instance, by examining all homicide trials rather than concentrating exclusively on a few highly celebrated ones, it becomes clear that most female killers were not viewed with particular horror, but were treated much like their male counterparts."--BOOK JACKET.
While there are many introductions to disability and disability studies, most presume an advanced academic knowledge of a range of subjects. Beginning with Disability is the first introductory primer for disaibility studies aimed at first year students in two- and four-year colleges. This volume of essays across disciplines—including education, sociology, communications, psychology, social sciences, and humanities—features accessible, readable, and relatively short chapters that do not require specialized knowledge. Lennard Davis, along with a team of consulting editors, has compiled a number of blogs, vlogs, and other videos to make the materials more relatable and vivid to students. "Subject to Debate" boxes spotlight short pro and con pieces on controversial subjects that can be debated in class or act as prompts for assignments.
Why do the vast majority of heroin users live in cities? In his provocative history of heroin in the United States, Eric C. Schneider explains what is distinctively urban about this undisputed king of underworld drugs. During the twentieth century, New York City was the nation's heroin capital—over half of all known addicts lived there, and underworld bosses like Vito Genovese, Nicky Barnes, and Frank Lucas used their international networks to import and distribute the drug to cities throughout the country, generating vast sums of capital in return. Schneider uncovers how New York, as the principal distribution hub, organized the global trade in heroin and sustained the subcultures that supported its use. Through interviews with former junkies and clinic workers and in-depth archival research, Schneider also chronicles the dramatically shifting demographic profile of heroin users. Originally popular among working-class whites in the 1920s, heroin became associated with jazz musicians and Beat writers in the 1940s. Musician Red Rodney called heroin the trademark of the bebop generation. "It was the thing that gave us membership in a unique club," he proclaimed. Smack takes readers through the typical haunts of heroin users—52nd Street jazz clubs, Times Square cafeterias, Chicago's South Side street corners—to explain how young people were initiated into the drug culture. Smack recounts the explosion of heroin use among middle-class young people in the 1960s and 1970s. It became the drug of choice among a wide swath of youth, from hippies in Haight-Ashbury and soldiers in Vietnam to punks on the Lower East Side. Panics over the drug led to the passage of increasingly severe legislation that entrapped heroin users in the criminal justice system without addressing the issues that led to its use in the first place. The book ends with a meditation on the evolution of the war on drugs and addresses why efforts to solve the drug problem must go beyond eliminating supply.