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A “thorough and perceptive” portrait of the not-so-famous expatriates of the City of Light (The Wall Street Journal). History may remember the American artists, writers, and musicians of the Left Bank best, but the reality is that there were many more American businessmen, socialites, manufacturers’ representatives, and lawyers living on the other side of the River Seine. Be they newly minted American countesses married to foreigners with impressive titles or American soldiers who had settled in France after World War I with their French wives, they provide a new view of the notion of expatriates. Historian Nancy L. Green introduces us for the first time to a long-forgotten part of the American overseas population—predecessors to today’s expats—while exploring the politics of citizenship and the business relationships, love lives, and wealth (or in some cases, poverty) of Americans who staked their claim to the City of Light. The Other Americans in Paris shows that elite migration is a part of migration, and that debates over Americanization have deep roots in the twentieth century.
Gregor Tassie describes Nikolay Myaskovsky as “one of the great enigmas of 20th-century Russian music.” Between the two world wars, the symphonies of Myaskovsky enjoyed great popularity and were performed by all major American and European orchestras; they were some of the most inspiring symphonic works of the last hundred years and prolonged the symphonic genre. But accusations of “formalism” at the 1948 USSR Composers Congress resulted in the purposeful neglect of his music until the collapse of the Soviet Union. Myaskovsky wrote some of the most inspiring symphonic works of the last hundred years and prolonged and extended the symphonic genre. In Nikolay Myaskovsky: The Conscience of Russian Music, Tassie gives readers the first modern English-language biography of this Russian composer since his death in 1950. Tassie draws together information from the composer’s diaries and letters, as well as the memoirs of friends and colleagues—even his secret police files—to chronicle Myaskovsky’s early life, subsequent far-reaching influence as a composer, teacher, and journalist, and his final persecution by the Soviet government. This biography will surely rekindle interest in Myaskovsky’s remarkable body of work and will interest aficionados, students, and scholars of the modern classical music tradition and history of the arts in Russia.
The reconstruction of Canadian society in the wake of the Second World War had an enormous impact on all aspects of public and private life. For families in Montreal, reconstruction plans included a stable home life hinged on social and economic security, female suffrage, welfare-state measures, and a reasonable cost of living. In Household Politics, Magda Fahrni examines postwar reconstruction from a variety of angles in order to fully convey its significance in the 1940s as differences of class, gender, language, religion, and region naturally produced differing perspectives. Reconstruction was not simply a matter of official policy. Although the government set many of the parameters for public debate, federal projects did not inspire a postwar consensus, and families alternatively embraced, negotiated, or opposed government plans. Through in-depth research from a wide variety of sources, Fahrni brings together family history, social history, and political history to look at a wide variety of Montreal families - French-speaking and English-speaking; Catholic, Protestant, and Jewish - making Household Politics a particularly unique and erudite study.
Madrid became one of the key symbols of Republican resistance to General Franco during the Spanish Civil War following the Nationalists' failure to take the city in the winter of 1936-7. Yet despite the defiant cries of 'No pasarán', they did eventually pass on 28 March 1939. This book examines the consequences in Madrid of Franco's unconditional victory in the Spanish Civil War. Using recently available archival material, this study shows how the punishment of the vanquished was based on a cruel irony - Republicans, not the military rebels of July 1936, were held responsible for the fratricidal conflict. Military tribunals handed out sentences for the crime of 'military rebellion'; mere passivity towards the Nationalists before 1939 was not only made a civil offence under the Law of Political Responsibilities but could cause dismissal from work; and freemasons and Communists, specifically blamed for the Civil War, were criminalized by decree in March 1940. However, contrary to much that has been written on the subject, the post-war Francoist repression was not exterminatory. Genocide did not take place in post-war Madrid. While a minimum of 3113 judicial executions took place between 1939 and 1944, death sentences were largely based on accusations of participation in 'blood crimes' that occured in Madrid in 1936. Moreover, and unlike most other accounts of the Francoist political violence, this book is concerned with the question of when and why mass repression came to an end. It shows that the sheer numbers of cases opened against Republican 'rebels', and the use of complex pre-war bureaucratic procedures to process them, produced a crisis that was only resolved by decisions taken by the Franco regime in 1940-1 to abandon much of the repressive system. By 1944, mass repression had come to an end.