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As a dedicated Native American advocate since the age of 20, author Major Israel McCreight saw the sad plight of the Indians in the period following the Custer Fight and the Battle of Wounded Kane. This book, first published in 1947, is the account of the versions of U.S. history according to the old Sioux Chief, FLYING HAWK. Flying Hawk, who was a nephew of Sitting Bull and fought with Crazy Horse at Little Big Horn, dictated his narrative to McCreight, thus making this an account not from the perspective of “the white man”—but as it really happened... A fascinating read!
This is a new release of the original 1947 edition.
Documents, personal narratives, and illustrations record the experiences of Native Americans during the nineteenth century.
Anthropologists need history to understand how the past has shaped the present. Historians need anthropology to help them interpret the past. Where anthropologists’ and historians’ needs intersect is ethnohistory. The contributors to this volume have been inspired in large part by the teaching and writing of distinguished ethnohistorian Raymond J. DeMallie, whose exemplary combination of ethnographic and archival research demonstrates the ways anthropology and history can work together to create an understanding of the past and the present. Transforming Ethnohistories comprises ten new avenues of ethnohistorical research ranging in topic from fiddling performances to environmental disturbance and spanning places from North Carolina to the Yukon. The authors seek to understand communities by finding and interpreting their stories in a variety of different texts, some of which lie outside academic understanding and research methodology. It is exactly those stories, conventionally labeled “myths” or “oral tradition,” that ethnohistorians demand we pay attention to. Although historians cannot see or talk to their informants as anthropologists do, both anthropologists and historians can listen to oral histories and written documents for the essential stories they contain. The essays assembled here use DeMallie’s approach to contribute to the history and anthropology of Native North America and address issues of literary criticism and contexts, sociolinguistics, performance theory, identity and historical change, historical and anthropological methods and theory, and the interpretation of histories, cultures, and stories. Debates over the legitimacy of ethnohistory as a specialization have led some scholars to declare its decline. This volume shows ethnohistory to be alive and well and continuing to attract young scholars.
Defeat and death at the Little Bighorn gave General George Custer and his Seventh Cavalry a kind of immortality. In Custer's Last Stand, Brian W. Dippie investigates the body of legend surrounding that battle on a bloody Sunday in 1876. His survey of the event in poems, novels, paintings, movies, jokes, and other ephemera amounts to a unique reflection on the national character.
Crazy Horse was as much feared by tribal foes as he was honored by allies. His war record was unmatched by any of his peers, and his rout of Custer at the Little Bighorn reverberates through history. Yet so much about him is unknown or steeped in legend. Crazy Horse: A Lakota Life corrects older, idealized accounts—and draws on a greater variety of sources than other recent biographies—to expose the real Crazy Horse: not the brash Sioux warrior we have come to expect but a modest, reflective man whose courage was anchored in Lakota piety. Kingsley M. Bray has plumbed interviews of Crazy Horse’s contemporaries and consulted modern Lakotas to fill in vital details of Crazy Horse’s inner and public life. Bray places Crazy Horse within the rich context of the nineteenth-century Lakota world. He reassesses the war chief’s achievements in numerous battles and retraces the tragic sequence of misunderstandings, betrayals, and misjudgments that led to his death. Bray also explores the private tragedies that marred Crazy Horse’s childhood and the network of relationships that shaped his adult life. To this day, Crazy Horse remains a compelling symbol of resistance for modern Lakotas. Crazy Horse: A Lakota Life is a singular achievement, scholarly and authoritative, offering a complete portrait of the man and a fuller understanding of his place in American Indian and United States history.
During the 1930s in the United States, the Works Progress Administration developed the Federal Writers’ Project to support writers and artists while making a national effort to document the country’s shared history and culture. The American Guide series consists of individual guides to each of the states. Little-known authors—many of whom would later become celebrated literary figures—were commissioned to write these important books. John Steinbeck, Saul Bellow, Zora Neale Hurston, and Ralph Ellison are among the more than 6,000 writers, editors, historians, and researchers who documented this celebration of local histories. Photographs, drawings, driving tours, detailed descriptions of towns, and rich cultural details exhibit each state’s unique flavor.
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Black Elk Speaks, the story of the Oglala Lakota visionary and healer Nicholas Black Elk (1863–1950) and his people during momentous twilight years of the nineteenth century, offers readers much more than a precious glimpse of a vanished time. Black Elk’s searing visions of the unity of humanity and Earth, conveyed by John G. Neihardt, have made this book a classic that crosses multiple genres. Whether appreciated as the poignant tale of a Lakota life, as a history of a Native nation, or as an enduring spiritual testament, Black Elk Speaks is unforgettable. Black Elk met the distinguished poet, writer, and critic John G. Neihardt in 1930 on the Pine Ridge Reservation in South Dakota and asked Neihardt to share his story with the world. Neihardt understood and conveyed Black Elk’s experiences in this powerful and inspirational message for all humankind. This complete edition features a new introduction by historian Philip J. Deloria and annotations of Black Elk’s story by renowned Lakota scholar Raymond J. DeMallie. Three essays by John G. Neihardt provide background on this landmark work along with pieces by Vine Deloria Jr., Raymond J. DeMallie, Alexis Petri, and Lori Utecht. Maps, original illustrations by Standing Bear, and a set of appendixes rounds out the edition.
Three powerful tales from the acclaimed chronicler of the American West—including the #1 New York Times bestseller, Bury My Heart at Wounded Knee. Two profoundly moving, candid histories and a powerful novel illuminate important aspects of the Native American story. Bury My Heart at Wounded Knee: The #1 New York Times bestseller that awakened the world to the destruction of American Indians in the nineteenth-century West, Dee Brown’s groundbreaking history focuses on the betrayals, battles, and systematic slaughter suffered by Native American tribes between 1860 and 1890, culminating in the Sioux massacre at Wounded Knee. “Shattering, appalling, compelling . . . One wonders, reading this searing, heartbreaking book, who, indeed, were the savages” (The Washington Post). The Fetterman Massacre: A riveting account of events leading up to the Battle of the Hundred Slain—the devastating 1866 conflict at Wyoming’s Ft. Phil Kearney that pitted Lakota, Arapaho, and Northern Cheyenne warriors—including Oglala chief Red Cloud, against the United States cavalry under the command of Captain William Fetterman. Based on a wealth of historical resources and sparked by Brown’s narrative genius, this is an essential look at one of the frontier’s defining conflicts. Creek Mary’s Blood: This New York Times bestseller fictionalizes the true story of Mary Musgrove—born in 1700 to a Creek tribal chief—and five generations of her family. The sweeping narrative spans the Revolutionary War, the Trail of Tears, and the Civil War—in which Mary’s descendants fought on both sides of the conflict. Rich in detail and human drama, Creek Mary’s Blood offers “a robust, unfussed crash-course in Native American history that rolls from East to West with dark, inexorable energy” (Kirkus Reviews).