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The ink our ancestors wrote with, the beeswax in altar candles, the honey on our toast, the silk we wear. This enchanting book is a highly entertaining exploration of the myriad ways insects have enriched our lives–culturally, economically, and aesthetically. Entomologist and writer Gilbert Waldbauer describes in loving, colorful detail how many of the valuable products insects have given us are made, how they were discovered, and how they have been used through time and across cultures. Along the way, he takes us on a captivating ramble through many far-flung corners of history, mythology, poetry, literature, medicine, ecology, forensics, and more. Enlivened with personal anecdotes from Waldbauer's distinguished career as an entomologist, the book also describes surprising everyday encounters we all experience that were made possible by insects. From butterfly gardens and fly-fishing to insects as jewelry and sex pheromones, this is an eye-opening ode to the wonder of insects that illuminates our extraordinary and essential relationship with the natural world.
"Gilbert Waldbauer takes us on a wild and storied ride through the insect world. Page after page, Fireflies, Honey, and Silk is highly entertaining, authoritative, encyclopedic, mesmerizing."—Erich Hoyt, author of Insect Lives and The Earth Dwellers: Adventures in the Land of Ants "In Fireflies, Honey, and Silk, Waldbauer serves up a veritable smorgasbord of insects from around the world whose lives directly intersect our whims and desires. With wide-ranging essays, the author reveals species that not only please and inspire us, but also those we have used to nourish, adorn, and cure our bodies."—Arthur V. Evans, author of National Wildlife Federation Field Guide to Insects and Spiders of North America and What's Bugging You?
Included in Library Journal’s "25 Key Indie Fiction Titles, Fall 2014-Winter 2015" Within the writer's life, words and things acquire power. For Borges it is the tiger and the color red, for Cortázar a pair of amorous lions, and for an early Egyptian scribe the monarch butterfly that metamorphosed into the Key of Life. Ducornet names these powers The Deep Zoo. Her essays take us from the glorious bestiary of Aloys Zötl to Abu Ghraib, from the tree of life to Sade's Silling Castle, from The Epic of Gilgamesh to virtual reality. Says Ducornet, "To write with the irresistible ink of tigers and the uncaging of our own Deep Zoo, we need to be attentive and fearless—above all very curious—and all at the same time." "Ducornet’s skill at drawing unexpected connections, and her ability to move between outrage and meditativeness, are gripping to behold."—Star Tribune
Did you know that the mosquito played an important role in the Louisiana Purchase? Or that dung beetles saved the cattle industry in Australia? That honeybees pollinate about one third of the food we eat? Or that the deadliest animal on earth is an insect? There’s an ant colony some 3,700 miles long! Morgan’s sphinx moth has a tongue more than 13 inches long. A locust plague stopped trains as the tracks became slippery with their crushed bodies. There’s a grasshopper in Africa that eats mice. Jim Nelson’s latest book is a treasure house of fascinating facts, stunning photographs and shocking historical events. One moment you might cringe reading about billions of locusts descending on farmland. The next you may laugh out loud at anecdotes and original poetry. Read about the wasp that turns a cockroach into a zombie or the historic 2024 hatch of a trillion cicadas. Trivia buffs will love the “Insect Book of Records” and chefs can add several insect recipes to their repertoire.
“At times this informative book turns wonderfully gross and lovely, reminding us that there’s an entire universe of largely unnoticed creatures all around us.”—Audubon All animals must eat. But who eats who, and why, or why not? Because insects outnumber and collectively outweigh all other animals combined, they comprise the largest amount of animal food available for potential consumption. How do they avoid being eaten? From masterful disguises to physical and chemical lures and traps, predatory insects have devised ingenious and bizarre methods of finding food. Equally ingenious are the means of hiding, mimicry, escape, and defense waged by prospective prey in order to stay alive. This absorbing book demonstrates that the relationship between the eaten and the eater is a central—perhaps the central—aspect of what goes on in the community of organisms. By explaining the many ways in which insects avoid becoming a meal for a predator, and the ways in which predators evade their defensive strategies, Gilbert Waldbauer conveys an essential understanding of the unrelenting coevolutionary forces at work in the world around us.
From entomologist Barrett Klein comes a buzz-worthy exploration of the many ways insects have affected human society, history, and culture Insects surround us. They fuel life on Earth through their roles as pollinators, predators, and prey, but rarely do we consider the outsize influence they have had on our culture and civilization. Their anatomy and habits inform how we live, work, create art, and innovate. Featuring nearly 250 color images—from ancient etchings to avant-garde art, from bug-based meals to haute couture—The Insect Epiphany proves that our world would look very different without insects, not just because they are crucial to our ecosystems, but because they have shaped and inspired so many aspects of what makes us human.
During the nineteenth century, insects became a very fashionable subject of study, and the writing of the day reflected this popularity. However, despite an increased contemporary interest in ecocriticism and cultural entomology, scholars have largely ignored the presence of insects in nineteenth-century literature. This volume addresses that critical gap by exploring the cultural and literary position of insects in the work of Henry David Thoreau, Emily Dickinson, and John Muir. It examines the beliefs these authors share about the nature of our connection to insects and what insects have to teach about creation and our place in it. An important contribution to both ecocriticism and literary entomology, this work contributes much to the understanding of Thoreau, Dickinson, and Muir as nature writers, natural scientists, entomologists, and botanists, and their intimate and highly spiritual relationships with nature.
From the Irish Cailleach and other shape-shifters of folk legends to modern movie “transformers”; from Ovid’s Metamorphoses to the moment when Gregor Samsa woke up one morning to find himself transformed into an insect in Kafka’s novella; from conversion narratives to slave narratives, turning points and transformations have always been central to literary works and to cultural developments. In fact, with Freytag’s pyramid in mind, one could claim that all literary works focus on the trope of a transformation born of a turning point, because such moments comprise the very essence and vitality of human life and culture. But why are turning points necessarily transformational and in what way? And what brings about those turning points in language, literature, culture and human lives? These are essentially the questions the essays in this volume seek to answer. The contributors examine turning points and transformations – personal, literary and cultural – brought about through the randomness of the universe as well as through human interference, and discuss ways in which humans in general and writers in particular, through their art, experience and cope with the ineluctable results.
Animals in Religion explores the role of animals within a wide range of religious traditions. Exploring countless stories and myths passed down orally and in many religious texts, Barbara Allen—herself a practicing minister—offers a fascinating history of the ways animals have figured in our spiritual lives, whether they have been Christian, Jewish, Muslim, or any number of lesser-known religions. Some of the figures here will be familiar, such as St. Francis of Assisi, famous for his accord with animals, or that beloved remover of obstacles, Ganesha, the popular elephant god in the Hindu pantheon. Delving deeper, Allen highlights the numerous ways that our religious practices have honored and relied upon our animal brethren. She examines the principle of ahimsa, or nonviolence, which has Jains sweeping the pathways before them so as not to kill any insects, as well as the similar principle in Judaism of ts’ar ba’alei chayim and the notion in some sects of Islam that all living creatures are Muslim. From ancient Egypt to the Druids to the indigenous cultures of North America and Australia, Allen tells story after story that emphasizes the same message: all species are spiritually connected.
Cultural preservation, linguistic revitalization, intellectual heritage, and environmental sustainability became central to Indigenous movements in Mexico and Central America after 1992. While the emergence of these issues triggered important conversations, none to date have examined the role that new media has played in accomplishing their objectives. Indigenous Interfaces provides the first thorough examination of indigeneity at the interface of cyberspace. Correspondingly, it examines the impact of new media on the struggles for self-determination that Indigenous peoples undergo in Mexico and Central America. The volume’s contributors highlight the fresh approaches that Mesoamerica’s Indigenous peoples have given to new media—from YouTubing Maya rock music to hashtagging in Zapotec. Together, they argue that these cyberspatial activities both maintain tradition and ensure its continuity. Without considering the implications of new technologies, Indigenous Interfaces argues, twenty-first-century indigeneity in Mexico and Central America cannot be successfully documented, evaluated, and comprehended. Indigenous Interfaces rejects the myth that indigeneity and information technology are incompatible through its compelling analysis of the relationships between Indigenous peoples and new media. The volume illustrates how Indigenous peoples are selectively and strategically choosing to interface with cybertechnology, highlights Indigenous interpretations of new media, and brings to center Indigenous communities who are resetting modes of communication and redirecting the flow of information. It convincingly argues that interfacing with traditional technologies simultaneously with new media gives Indigenous peoples an edge on the claim to autonomous and sovereign ways of being Indigenous in the twenty-first century. Contributors Arturo Arias Debra A. Castillo Gloria Elizabeth Chacón Adam W. Coon Emiliana Cruz Tajëëw Díaz Robles Mauricio Espinoza Alicia Ivonne Estrada Jennifer Gómez Menjívar Sue P. Haglund Brook Danielle Lillehaugen Paul Joseph López Oro Rita M. Palacios Gabriela Spears-Rico Paul Worley