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"The New Finnish Architecture is a rich, detailed, and long-overdue examination of Finland's vital contributions to twentieth-century modern architecture over the last four decades." "Home to Alvar Aalto, one of the greatest masters of the modern movement, Finland has nurtured many dedicated and innovative architects who continue to wrestle with the lessons of modernism and the legacy of Aalto. This volume presents the work of thirteen individual architects and firms and their engaging and provocative designs. Among them are Arkkitehdit KY, Juhani Pallasmaa, Arto Sipinen, Heikkinen/Komonen, ARRAK, and MONARK, the student collective that won the national competition for the Finnish pavilion at the 1992 World's Fair in Seville." "Each architect or firm is presented individually in well-illustrated chapters. Two essays by author Scott Poole give a historical overview of modern architecture in Finland, the work of Aalto, and the work of the rationalist school that followed him in the 1950s--including Aulis Blomstedt, Aarno Ruusuvuori, and Juhani Pallasmaa, among others." "The New Finnish Architecture continues Rizzoli's series on current international developments in architecture, following The New French Architecture and The New Japanese Architecture. Forthcoming volumes will feature Germany, Spain, Italy, Mexico, and Austria."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This is a unique and comprehensive study of the entire span of Finnish architecture in the 20th century. Using comparative critical analysis, the author weaves Aalto's contribution into his overview of the evolution of modern Finnish architecture and includes the work of a range of lesser published figures. It will be of considerable interest to architects, art historians and all those interested in modern Finnish architecture.
Summer is when Finland is at its spellbinding best. Emerging from a seven-month long winter, Finns head outdoors to savor the magical light of the all-too-brief Scandinavian summer. Cityscapes give way to pristine lakes, endless forests, and idyllic seaside vistas. The Finnish summer house offers a unique opportunity for their owners to relax, get back intouch with nature, and enjoy outdoor activities such as boating, swimming, and hiking. Not surprisingly, the architecture of the Finnish summer house occupies an almost mythic, even mystical, place in the hearts of their inhabitants as well as their architects. Indeed, many Finnish architects regard the design of their own summer residence or weekend studio as one of their most important works. For them, the summer house is not only a place to spend leisure time, but also a chance to study specific technical details and experiment with new spatial concepts. Finnish Summer Houses presents in detail twenty villas, cottages, and cabins by architects such as Eliel Saarinen, Oiva Kallio, Alvar Aalto, and Juhani Pallasmaa, among many others. Authors Jari and Sirkkaliisa Jetsonen use contemporary photographs, archival images, drawings, and plans to illustrate the diversity found in the designs of Finnish summer residences. From Lars Sonck's Lasses Villa (1895), with its traditional farmhouse elements, and Alvar Aalto's Muuratsalo Experimental House (195254) to Erkki Kairamo's sparse Villa Aulikki (19952003), which seems to grow out of its landscape, the works in this book are of a highly personal nature; indeed, most of the summer houses are still used by the architect or the families of their children. The very best examples of these fantastic summer homes are collected here, making Finnish Summer Houses an inspiration for anyone dreaming about a summer home of their own.
Growing out of a 15-year friendship and dialogue between Malcolm Quantrill and Juha Leiviska, this book explores Leiviska's background and influences on his development, including how he draws upon musical forms and ideas as architural inspiration.
This book - the first comprehensive study of Marimekko designs - presents more than one hundred examples of exuberant Marimekko fashions and home furnishings that gave the company a definitive presence on the world design stage.
Unlike regionalism in architecture, which has been widely discussed in recent years, nationalism in architecture has not been so well explored and understood. However, the most powerful collective representation of a nation is through its architecture and how that architecture engages the global arena by expressing, defining and sometimes negating a sense of nation in order to participate in the international world. Bringing together case studies from Europe, North and South America, the Middle East, Africa, Asia and Australia, this book provides a truly global exploration of the relationship between architecture and nationalism, via the themes of regionalism and representation, various national building projects, ethnic and trans-national expression, national identities and histories of nationalist architecture and the philosophies and sociological studies of nationalism. It argues that nationalism needs to be trans-national as a notion to be critically understood and the geographical scope of the proposed volume reflects the continuing relevance of the topic within current architectural scholarship as an overarching notion. The interdisciplinary essays are coherently grouped together in three thematic sections: Revisiting Nationalism, Interpreting Nationalism and Questioning Nationalism. These chapters, offer vignettes of the protean appearances of nationalism across nations, and offer a basis of developing wider knowledge and critically situated understanding of the question, beyond a singular nation's limited bounds.
Organic Design in Twentieth-Century Nordic Architecture presents a communicable and useful definition of organic architecture that reaches beyond constraints. The book focuses on the works and writings of architects in Nordic countries, such as Sigurd Lewerentz, Jørn Utzon, Sverre Fehn and the Aaltos (Aino, Elissa and Alvar), among others. It is structured around the ideas of organic design principles that influenced them and allowed their work to evolve from one building to another. Erik Champion argues organic architecture can be viewed as a concerted attempt to thematically unify the built environment through the allegorical expression of ongoing interaction between designer, architectural brief and building-as-process. With over 140 black and white images, this book is an intriguing read for architecture students and professionals alike.
This book provides a comprehensive, critical overview of the developments in architecture from 1960 to 2010. The first section provides a presentation of major movements in architecture after 1960, and the second, a geographic survey that covers a wide range of territories around the world. This book not only reflects the different perspectives of its various authors, but also charts a middle course between the 'aesthetic' histories that examine architecture solely in terms of its formal aspects, and the more 'ideological' histories that subject it to a critique that often skirts the discussion of its formal aspects.
"The New Finnish Architecture is a rich, detailed, and long-overdue examination of Finland's vital contributions to twentieth-century modern architecture over the last four decades." "Home to Alvar Aalto, one of the greatest masters of the modern movement, Finland has nurtured many dedicated and innovative architects who continue to wrestle with the lessons of modernism and the legacy of Aalto. This volume presents the work of thirteen individual architects and firms and their engaging and provocative designs. Among them are Arkkitehdit KY, Juhani Pallasmaa, Arto Sipinen, Heikkinen/Komonen, ARRAK, and MONARK, the student collective that won the national competition for the Finnish pavilion at the 1992 World's Fair in Seville." "Each architect or firm is presented individually in well-illustrated chapters. Two essays by author Scott Poole give a historical overview of modern architecture in Finland, the work of Aalto, and the work of the rationalist school that followed him in the 1950s--including Aulis Blomstedt, Aarno Ruusuvuori, and Juhani Pallasmaa, among others." "The New Finnish Architecture continues Rizzoli's series on current international developments in architecture, following The New French Architecture and The New Japanese Architecture. Forthcoming volumes will feature Germany, Spain, Italy, Mexico, and Austria."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved