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Cinema in India has always been a play of middle-class sensibilities and fantasy life. And, this middle class now seems to have come into its own. From the time of Indira Gandhi, the political agendas of political parties and leaders have been increasingly shaped by middle-class consciousness and popular cinema has become for this class both an ideological phalanx and a major vehicle of self-expression. The media-exposed public in turn has become more accessible through the mythic structures and larger-than-life figures of popular cinema. The medium has become a new, more powerful language of public discourse. This book, like its companion volume The Secret Politics of our Desires (1998), is a product of this awareness. It uses Indian popular cinema to reexamine the relationships among society, politics, and culture. The six essays in it, mostly by contributors from outside the world of film studies and film criticism, span topics such as showmanship and stylization of images; the human characterization of abstract concepts such as good and evil; the open-ended, episodic and fragmented nature of the narrative, cemented together through devices such as family "history" and "filial love"; and the re-emergence of "Hindustani" as a secular language of film. The essays also cover popular cinema's fear of using comedy when dealing with the legitimacy and authority of the state; the "ideal" femininity conjured by Lata Mangeshkar's voice; and the debts to Hollywood and the carnivalesque that shape Guru Dutt's comedies.
Resource added for the Criminal Justice – Law Enforcement 105046 and Professional Studies 105045 programs.
The "CSI effect" has brought an explosion of interest in the forensic sciences, leading to the development of new programs in universities across the world. While dozens of professional texts on the science of fingerprint analysis are available, few are designed specifically for students. An essential learning tool for classes in fingerprinting and impression evidence, Fundamentals of Fingerprint Analysis takes students from an understanding of the historical background of fingerprint evidence to seeing how it plays out in a present-day courtroom. Using a pedagogical format, with each chapter building on the previous one, the book is divided into three sections. The first explains the history and theory of fingerprint analysis, fingerprint patterns and classification, and the concept of biometrics—the practice of using unique biological measurements or features to identify individuals. The second section discusses forensic light sources and physical and chemical processing methods. Section Three covers fingerprint analysis with chapters on documentation, crime scene processing, fingerprint and palm print comparisons, and courtroom testimony. Designed for classroom use, each chapter contains key terms, learning objectives, a chapter summary, and review questions to test students’ assimilation of the material. Ample diagrams, case studies, and photos demonstrate concepts in a way that prepares students for working actual cases.
This ready reference is a comprehensive guide to pop culture in Asia and Oceania, including topics such as top Korean singers, Thailand's sports heroes, and Japanese fashion. This entertaining introduction to Asian pop culture covers the global superstars, music idols, blockbuster films, and current trends—from the eclectic to the underground—of East Asia and South Asia, including China, Japan, Korea, India, the Philippines, Thailand, Vietnam, and Pakistan, as well as Oceania. The rich content features an exploration of the politics and personalities of Bollywood, a look at how baseball became a huge phenomenon in Taiwan and Japan, the ways in which censorship affects social media use in these regions, and the influence of the United States on the movies, music, and Internet in Asia. Topics include contemporary literature, movies, television and radio, the Internet, sports, video games, and fashion. Brief overviews of each topic precede entries featuring key musicians, songs, published works, actors and actresses, popular websites, top athletes, video games, and clothing fads and designers. The book also contains top-ten lists, a chronology of pop culture events, and a bibliography. Sidebars throughout the text provide additional anecdotal information.
This book presents the theoretical language and methodological tools needed for thinking through issues of global media representation. It brings students into a conversation about global culture and communication through the presentation of a conceptual language to discuss the "logics of globalization" (i.e., nationalism, modernism, postmodernism/colonialism, capitalism, and terrorism). Anandam Kavoori uses this language to critically interrogate various media texts. The choices of texts are eclectic-representing old and new media-and chosen for the wider "logic" they help animate. Most importantly, they reorient the study of global media texts from the formal to the popular, examining films, music, gaming, cell phones, travel journalism, and performance. Book jacket.
Building on the success of the first Edition—the first pure textbook designed specifically for students on the subject—Fundamentals of Fingerprint Analysis, Second Edition provides an understanding of the historical background of fingerprint evidence, and follows it all the way through to illustrate how it is utilized in the courtroom. An essential learning tool for classes in fingerprinting and impression evidence—with each chapter building on the previous one using a pedagogical format—the book is divided into three sections. The first explains the history and theory of fingerprint analysis, fingerprint patterns and classification, and the concept of biometrics—the practice of using unique biological measurements or features to identify individuals. The second section discusses forensic light sources and physical and chemical processing methods. Section three covers fingerprint analysis with chapters on documentation, crime scene processing, fingerprint and palm print comparisons, and courtroom testimony. New coverage to this edition includes such topics as the biometrics and AFIS systems, physiology and embryology of fingerprint development in the womb, digital fingerprint record systems, new and emerging chemical reagents, varieties of fingerprint powders, and more. Fundamentals of Fingerprint Analysis, Second Edition stands as the most comprehensive introductory textbook on the market.
Creative storytelling and fairy fun at your fingertips at home or on the go! Turn fingerprints into imaginative play with Fingerprint Friends: Fairies! Story prompts and 9 colorful ink stamp pads encourage creative play and meaningful interaction between adults and kids. Sturdy pages and attached ink pad make Fingerprint Friends: Fairies perfect for art-time fun at home and on the go. The completed book will become a treasured keepsake that captures each child's unique imagination.
Indian Film Stars offers original insights and important reappraisals of film stardom in India from the early talkie era of the 1930s to the contemporary period of global blockbusters. The collection represents a substantial intervention to our understanding of the development of film star cultures in India during the 20th and 21st centuries. The contributors seek to inspire and inform further inquiries into the histories of film stardom-the industrial construction and promotion of star personalities, the actual labouring and imagined lifestyles of professional stars, the stars' relationship to specific aesthetic cinematic conventions (such as frontality and song-dance) and production technologies (such as the play-back system and post-synchronization), and audiences' investment in and devotion to specific star bodies-across the country's multiple centres of film production and across the overlapping (and increasingly international) zones of the films' distribution and reception. The star images, star bodies and star careers discussed are examined in relation to a wide range of issues, including the negotiation and contestation of tradition and modernity, the embodiment and articulation of both Indian and non-Indian values and vogues; the representation of gender and sexuality, of race and ethnicity, and of cosmopolitan mobility and transnational migration; innovations and conventions in performance style; the construction and transformation of public persona; the star's association with film studios and the mainstream media; the star's relationship with historical, political and cultural change and memory; and the star's meaning and value for specific (including marginalised) sectors of the audience.
The emergence of modernity has typically focused on Western male actors and privileged politics and economy over culture. The contributors to this volume successfully unsettle such perspectives by emphasizing the social history, artistic practices, and symbolic meanings of female performers in popular music of Asia. Women surfaced as popular icons in different guises in different Asian countries through different routes of circulation. Often, these women established prominent careers within colonial conditions, which saw Asian societies in rapid transition and the vernacular and familiar articulated with the novel and the foreign. These female performers were not merely symbols of times that were rapidly changing. Nor were they simply the personification of global historical changes. Female entertainers, positioned at the margins of intersecting fields of activities, created something hitherto unknown: they were artistic pioneers of new music, new cinema, new forms of dance and theater, and new behavior, lifestyles, and morals. They were active agents in the creation of local performance cultures, of a newly emerging mass culture, and the rise of a region-wide and globally oriented entertainment industry. Vamping the Stage is the first book-length study of women, modernity, and popular music in Asia, showcasing cutting-edge research conducted by scholars whose methods and perspectives draw from such diverse fields as anthropology, Asian studies, cultural studies, ethnomusicology, and film studies. Led by an impressive introduction written by Weintraub and Barendregt, fourteen contributors analyze the many ways that women performers supported, challenged, and transgressed representations of existing gendered norms in the entertainment industries of China, Japan, India, Indonesia, Iran, Korea, Malaysia, and the Philippines. Placing women’s voices in social and historical contexts, the essays explore salient discourses, representations, meanings, and politics of “voice” in Asian popular music. Historicizing the artistic sounds, lyrical texts, and visual images of female performers, the essays reveal how women used popular music to shape the ideas, practices, and meanings of modernity in various Asian contexts and time frames. The ascendency of women as performers paralleled, and in some cases generated, developments in wider society such as suffrage, social and sexual liberation, women as business entrepreneurs and independent income earners, and particularly as models for new life styles. Women’s voices, mediated through new technologies of film and the phonograph, changed the soundscape of global popular music and resonate today in all spheres of modern life.
This book seeks to understand the major mythological role models that mark the moral landscape navigated by young Hindu women. Traditionally, the goddess Sita, faithful consort of the god Rama, is regarded as the most important positive role model for women. The case of Radha, who is mostly portrayed as a clandestine lover of the god Krishna, seems to challenge some of the norms the example of Sita has set. That these role models are just as relevant today as they have been in the past is witnessed by the popularity of the televised versions of their stories, and the many allusions to them in popular culture.Taking the case of Sita as main point of reference, but comparing throughout with Radha, Pauwels studies the messages sent to Hindu women at different points in time. She compares how these role models are portrayed in the most authoritative versions of the story. She traces the ancient, Sanskrit sources, the medieval vernacular retellings of the stories and the contemporary TV versions as well.This comparative analysis identifies some surprising conclusions about the messages sent to Indian women today, which belie the expectations one might have of the portrayals in the latest, more liberal versions. The newer messages turn out to be more conservative in many subtle ways. Significantly, it does not remain limited to the religious domain. By analyzing several popular recent and classical hit movies that use Sita and Radha tropes, Pauwels shows how these moral messages spill into the domain of popular culture for commercial consumption.