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Chinese porcelain of the period 1820 through 1920 has, to date, been the province of a minority of academic authors and a few adventurous dealers and collectors. This misunderstood but fascinating field of study is now brought within the reach of the average collector. Written with the interests of novice collectors and dealers in mind, superbly illustrated in colour throughout, each of the introductory chapters conclude with suggestions for further reading, and thus provide a fast but solid grounding for the primary focus of the book: dating of later Chinese porcelains. This book discusses marks, reign marks, footrims, glazes, bubbles, flaws and imperfections, and other indications of a date of manufacture, including the contentious subjects of hollow line and the reversed S; illustrating in close-up images many of the features used by the author to substantiate his assertions. Unashamedly provocative, Allen concludes with chapters on those subjects most earlier writers treated as taboo, including Modern Fakes and their Detection, Buying Trips in Asia, and Recommendations for Investment.
An introductory essay outlines the history of the collection - from export wares brought home by 19th-century New England sea traders to acquisitions reflecting an increasingly sophisticated appreciation of the works prized in China. Interspersed among the entries are brief descriptions of the principal types of Chinese ceramics and a concise essay on their conservation and study.
Information on "origins and development of the Chinese written language" precedes the extensive catalog of marks, including marks in regular kaishu script, marks in zhuanshu seal scripts, symbols used as marks, directory of marks, and list of potters.
"Chinese Pottery and Porcelain: Vol. 1. Pottery and Early Wares" by R. L. Hobson is an academic compilation and commentary on Chinese pottery. Chinese pottery has been a complicated and intricate artwork since its inception, and people have always been interested in how it's evolved over the years. This book allows some insight into the process as well as sharing some prime examples of it.
It is the experience probably of most Western amateurs of porcelain to pass through three successive stages of development in their appreciation of an art which, even for the uninitiated, --for those who have no knowledge of its history and little understanding of its technical aspects, --is not lacking in charm and fascination.--pg. xiii.