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Susan Crean's memoir Finding Mr. Wong chronicles her effort to piece together the life of the man she knew as Mr. Wong, cook and housekeeper to her Irish Canadian family for two generations. Reminiscing, Crean writes, "I grew up in Mr. Wong's kitchen ..." A Chinese Head Tax payer hired by Crean's grandfather in 1928, Wong Dong Wong remained on the job following Gordon Crean's death in 1947. Mr. Wong eventually retired in 1965 and moved to Chinatown. Crean's homage weaves the various strands of her memories of and discoveries about Mr. Wong during the last 25 years of his life; she travels the streets and histories of Chinatowns in Vancouver and Toronto, Canada, and twice she visits Guangdong, China, where she located his home village, found descendants of his father's brother, and learned the beginning of his story: orphaned as a newborn, then brought to Canada by his uncle, Wong YeeWoen. At the core of the narrative are Crean's observations of the blurred lines between numerous socio-cultural dynamics (worker/employer, family/servant, child/adult). She particularly considers relationships that cross race as well as class. Beginning with the partnership formed by Crean's grandfather and Mr. Wong - a partnership whose long alliance and evident mutual regard guaranteed Wong's presence in Crean's own story - she relates her own experience grappling with racism as a small child in the Vancouver of the 1950s and 1960s. Crean's exploration also considers memory and its role in the writing and researching of a book such as this. She meditates on the ways socio-cultural issues are represented (or not) in film and literature, ultimately combining fiction with historical recreations and memoir. Finding Mr. Wong is an important contribution to a growing body of writings that illuminate the lives of people silenced or otherwise negated by myopic history.
This is the story about a boy who against the odds made it from below the poverty line and into the middle class. Mr. Wong is middle child in a racially and culturally mixed family of seven children. He lived and worked on a California farm prior to Cesar Chavez and the United Farm Worker's Movement. Mr. Wong lived through the 1965 Watts Riots. H e was Student Body President during the Chicano Student Walkouts in East Los Angeles. Mr. Wong is also Vietnam Era Veteran. Mr. Wong proudly claims that his greatest achievement is to have seen his student learn English.
Every now and then there comes along a literary voice so strong, so originally sincere, and so uniquely distinct that the words on the page seem to sing and to scream and to dance -- all at once and all on their own. Such is the wonderful writing debut of acclaimed actor B.D. Wong. With a remarkable mixture of upbeat optimism, unexpected hilarity, and heart-wrenching sadness, Wong takes the reader deep inside both his psyche and the neonatal intensive care unit where he spent the better part of three months following the harrowing medical twists and turns that took place after the premature birth of his twins."Once upon a time," as Wong explains in his true story, Following Foo: (the electronic adventures of the Chestnut Man), "my partner and I found ourselves expecting, with the help of a surrogate mother, modern medical science, and lots of good luck and prayers. To add to our blessing, she was carrying twins! Things were pretty swell ... until the twins arrived almost three months early. For those of you who don't know, babies that come almost three months early are pretty little, and boy are they scary-looking. Especially when you're their dad ... " Originally based on a series of real-time E-mails sent to keep his friends and family abreast of the daily madness and miracles of "early" parenthood, this book is a gem, a joy, and an inspiration to anyone who has ever taken a ride on the roller coaster of life and tried to keep both sense of humor and sanity intact.
Han was contemplative. Nothing that he had seen so far answered his questions about where his mama and he came from. Who they were. He was sad for his mama, and for himself, for not only did he not know her, he didn't even know the person whom she had become. And then, what of the people that led to him? His mama's father, his mama's mother, his mama's father's father, his mama's father's mother - the list went on and on, the people he did not know, the stories they had not told him, the names that they had lost. 'No people, only ghosts here,' he whispered. Han's uneventful life in a sleepy fishing village is disturbed when a strange man arrives, asking questions about Han's mother. Han doesn't trust Mr Ng, but his cousin Chong Meng is impressed with the stories of his travels and tales of a golden tower. Together they steal the only thing Han has left to remember his mother by, before disappearing. On a faraway island, across the great Peninsula and across the seas, the forest of Suriyang is cursed. Wander in and you will return without your memories. Professor Toh has been researching the forest of Suriyang for years. He believes that the forest hides something that does not wish to be discovered. An ancient civilization. A mysterious golden tower. Chong Meng is tangled up in the professor's plans to discover the truth about Suriyang. Han travels the breadth of the Peninsula to find his cousin before it is too late. How much will Han sacrifice to discover who he really is?
One of the most anticipated books of 2017: Boston Globe, New York Times Book Review, New York's "Vulture", The Week, Bustle, BookRiot An NPR Best Book of 2017An AV Club Favorite Book of 2017A Barnes & Noble Best Book of 2017A Goodreads Choice Awards nominee David Sedaris tells all in a book that is, literally, a lifetime in the making. For forty years, David Sedaris has kept a diary in which he records everything that captures his attention-overheard comments, salacious gossip, soap opera plot twists, secrets confided by total strangers. These observations are the source code for his finest work, and through them he has honed his cunning, surprising sentences. Now, Sedaris shares his private writings with the world. Theft by Finding, the first of two volumes, is the story of how a drug-abusing dropout with a weakness for the International House of Pancakes and a chronic inability to hold down a real job became one of the funniest people on the planet. Written with a sharp eye and ear for the bizarre, the beautiful, and the uncomfortable, and with a generosity of spirit that even a misanthropic sense of humor can't fully disguise, Theft By Finding proves that Sedaris is one of our great modern observers. It's a potent reminder that when you're as perceptive and curious as Sedaris, there's no such thing as a boring day.
With a foreword by Barbara W. White, PhD, University of Texas at Austin The definitive work on battered women is now in a timely third edition. Considered the complete, in-depth guide to effective interventions for this pervasive social disease, Battered Women and Their Families has been updated to include new case studies, cultural perspectives, and assessment protocols. In an area of counseling that cannot receive enough attention, Dr. Robert's work stands out as an essential treatment tool for all clinical social workers, nurses, physicians, and graduate students who work with battered women on a daily basis. New chapters on same-sex violence, working with children in shelters, immigrant women affected by domestic violence, and elder mistreatment round out this unbiased, multicultural look at treatment programs for battered women.
A murder has taken place in Kingston upon Thames, and the victim's mutilations bear striking similarities to those discovered on the Llangaerthan investigation. Detective Inspector Nicholas Bridge enlists the help of Sergeant Francesca Thomas and PC Gethin Jones, to track down and apprehend this copycat killer. However all is not what it appears to be.
Firmly rooted in historical events, Atacama tells the story of Manuel Garay, the son of a communist miner/union leader and an anarchist organizer of working-class women, and Lucía Céspedes, the daughter of a fascist army officer and a socialite. A fateful turn of events leads to twelve-year-old Lucía befriending twelve-year-old Manuel, inextricably connecting them to a common denominator: Lucía’s adoring father and the perpetrator of the heinous crimes that have caused both children immeasurable suffering. Manuel and Lucía forge a friendship that grows as they come of age and realize that their lives are not only linked by Ernesto Céspedes’ actions, but also by a deep understanding of the other’s emotional predicaments, their commitment to social justice and their belief in the power of writing and art. Set in the first half of the twentieth century, but resonating loudly with today’s changing times, beautifully crafted Atacama covers themes related to class, gender, trauma, survival and the role of art in society.