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Written in consultation with leading academics.
A comprehensive guide to a crucial aspect of Old Norse literature.
The #1 international-bestselling thriller that tells the electrifying story of a police inspector and a former criminal informant in a race against time as they attempt to unravel past and present secrets. He thought she was safe. Then the past came knocking. Seventeen years ago, Criminal Inspector Ewert Grens was called to the scene of a brutal crime. A family had been murdered, and the only survivor--and witness--was the five-year-old daughter. The girl was placed in the witness protection program, and the case went cold, but years later, Grens is still haunted by the seemingly random slaying, and the little girl who was spared. So when he learns that the apartment where the crime occurred is now the scene of a mysterious break-in, Grens immediately fears that someone is intent on silencing the only witness. He races to find her...before they do. Meanwhile, someone in the city's criminal underworld is executing weapons smugglers, and has placed former police informant Piet Hoffman's family in grave danger. He must unravel the secret threat to his family, all while keeping secrets of his own. Soon his hunt for answers intertwines with Ewert's, and the two men find themselves in the middle of a criminal conspiracy that is more complicated--and dangerous--than they could have imagined.
Compared to other areas of medieval literature, the question of masculinity in Old Norse-Icelandic literature has been understudied. This is a neglect which this volume aims to rectify. The essays collected here introduce and analyse a spectrum of masculinities, from the sagas of Icelanders, contemporary sagas, kings' sagas, legendary sagas, chivalric sagas, bishops' sagas, and eddic and skaldic verse, producing a broad and multifaceted understanding of what it means to be masculine in Old Norse-Icelandic texts. A critical introduction places the essays in their scholarly context, providing the reader with a concise orientation in gender studies and the study of masculinities in Old Norse-Icelandic literature. This book's investigation of how masculinities are constructed and challenged within a unique literature is all the more vital in the current climate, in which Old Norse sources are weaponised to support far-right agendas and racist ideologies are intertwined with images of vikings as hypermasculine. This volume counters these troubling narratives of masculinity through explorations of Old Norse literature that demonstrate how masculinity is formed, how it is linked to violence and vulnerability, how it governs men's relationships, and how toxic models of masculinity may be challenged.
When his father developed Alzheimer’s disease, Don Lago realized that the stories and traditions of his Swedish ancestors would be lost along with the rest of his father’s memories. Haunted by this inevitable tragedy, Lago set out to fight back against forgetting by researching and reclaiming his long-lost Scandinavian roots. Beginning his quest with a visit to his ancestral home of Gränna, Sweden, Lago explores all facets of Scandinavian America—Swedish, Danish, Finnish, Norwegian, and Icelandic—along the way. He encounters Icelanders living in the Utah desert, a Titanic victim buried beneath a gigantic Swedish coffee pot in Iowa, an Arkansas town named after the famous Swedish opera singer Jenny Lind, a real-life Legoland in southern California, and other unique remnants of America’s Scandinavian past. Visits to Sigurd Olson’s legendary cabin on the banks of Burntside Lake in the Boundary Waters of Minnesota and Carl Sandburg’s birthplace in Galesburg, Illinois, further provide Lago with an acute sense of the Scandinavian values that so greatly influenced, and continue to influence, American society. More than just a travel memoir, On the Viking Trail places Scandinavian immigrants and their history within the wider sweep of American culture. Lago’s perceptive eye and amusing tales remind readers of all ethnic backgrounds that to truly appreciate America one must never forget its immigrant past.
“The son did as he was told. All his bloody life, he has done as he has been told. Time to change that, he thinks, grabbing a pen. He doesn’t write that this will be the last time his father stays here. He doesn’t write that he wants to break the father clause. Instead, he writes: Welcome, Dad. Hope you had a good flight.” A grandfather who lives abroad returns home to visit his adult children. The son is a failure. The daughter is having a baby with the wrong man. Only the grandfather is perfect—at least, according to himself. But over the course of ten intense days, relationships unfold and painful memories resurface. The grandfather is confronted by his past. The daughter is faced with an impossible choice. The son tries to write himself free. Something has to give. Per a longstanding family agreement, the grandfather has maintained his Swedish residency by coming to stay with his son every six months. Can this clause be renegotiated, or will it chain the family to its past forever? Through a series of quickly changing perspectives, in The Family Clause Jonas Hassen Khemiri evokes an intimate portrait of a chaotic and perfectly normal family, deeply wounded by the death of a child and the disappearance of a father.
This book offers a study of Danish, Norwegian, Swedish and French crime fictions covering a fifty-year period. From 1965 to the present, both Scandinavian and French societies have undergone significant transformations. Twelve literary case studies examine how crime fictions in the respective contexts have responded to shifting social realities, which have in turn played a part in transforming the generic codes and conventions of the crime novel. At the centre of the book’s analysis is crime fiction’s negotiation of the French model of Republican universalism and the Scandinavian welfare state, both of which were routinely characterised as being in a state of crisis at the end of the twentieth century. Adopting a comparative and interdisciplinary approach, the book investigates the interplay between contemporary Scandinavian and French crime narratives, considering their engagement with the relationship of the state and the citizen, and notably with identity issues (class, gender, sexuality and ethnicity in particular).
Ragna Riegel likes to sit on the same seat on the bus every day and she likes to buy the same things at the local shop each day. She must have order in her life. And she does, until one day she receives a letter with a threat written in block capitals on the sheet inside. Facing an unknown enemy, she must use all her means to defend herself. When the worst happens, Inspector Konrad Sejer thinks it is an open-and-shut case. But Ragna may be hiding a dark secret.... -- adapted from jacket