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News headlines rarely uplift us. They tell depressing stories about everything that is going wrong in the world. The headlines can give us an unrealistic picture of what is actually happening. God is doing amazing things in this dark and broken world! He shows up today in the middle of our mess and provides reasons to be thankful, hopeful, and joyful. The headlines get the attention, but there is good news everywhere! Are you looking for it? Im all about looking for the good because when you do, that is exactly what you see. Blindness has taught me that no matter how dark life seems, there is still goodness and grace all around. That is why I love Bobby Lewis book! He helps us see beyond the bad news and focus our hearts on hope. I really think he may have the cure for the common headlines right here on these pages! After reading just one chapter, I was reminded that God is good. He is here. There is hope and joy is possible. Jennifer Rothschild Author of 14 books including bestsellers Lessons I Learned in the Dark and Me, Myself and Lies
Sportuality is an examination of sports at all levels from a Western perspective, focusing on how it reflects our cultural belief in separation and dualistic thinking, as well as how sports can grow peace, understanding, and joy. Sportuality crosses disciplines of sports and spirituality to help readers—athletes, coaches, parents, and fans—evolve a higher consciousness within sports and competition. Using a journal and questions for self-reflection—called a “box score” and “time-out”—readers can reflect upon and create their own sportual stories. By examining words traditionally used within sports, Sportuality helps the reader think critically about competition, community, communication, spirit, humor, enthusiasm, education, religion, holiness, sanctuary, sacrifice, and victory. Sportuality can also expose our learned beliefs in war and violence so we might be willing to choose the alternatives of joy and peace.
“My vocation was supposed to be joy, and I was speaking at funerals.” Shortly after being hired by Yale University to study joy, Angela Gorrell got word that a close family member had died by suicide. Less than a month later, she lost her father to a fatal opioid addiction and her nephew, only twenty-two years old, to sudden cardiac arrest. The theoretical joy she was researching at Yale suddenly felt shallow and distant—completely unattainable in the fog of grief she now found herself in. But joy was closer at hand than it seemed. As she began volunteering at a women’s maximum-security prison, she met people who suffered extensively yet still showed a tremendous capacity for joy. Talking with these women, many of whom had struggled with addiction and suicidal thoughts themselves, she realized: “Joy doesn’t obliterate grief. . . . Instead, joy has a mysterious capacity to be felt alongside sorrow and even—sometimes most especially—in the midst of suffering.” This is the story of Angela’s discovery of an authentic, grounded Christian joy. But even more, it is an invitation for others to seize upon this more resilient joy as a counteragent to the twenty-first-century epidemics of despair, addiction, and suicide—a call to action for communities that yearn to find joy and are willing to “walk together through the shadows” to find it.
It had been only twenty-four hours since Mighty Casey struck out, plunging fans of the Mudville team into gloom and despair. But a new game day dawned, and Casey once again proved his might with a homer in the eighth. The Mudville nine took a one-run lead, but in the bottom of the ninth, their hurler walked three straight. Bases loaded and the starting pitcher spent, the Mudville manager was not bullish about his bullpen. With the game on the line, he called for rookie Joy Armstrong to take the mound. Could she bring joy to Mudville again?and prove that a girl can play ball as well as any boy?
THIS A WORK OF FICTION ON INVESTIGATIVE JOURNALISM , A THRILLER EXPLAINING THE ENORMOUS COURAGE OF THE JOURNALIST AND THE MANAGEMENT TO MAINTAIN THE ETHICS OF JOURNALISM AND TO BRING THE TRUE STORY TO THE PUBLIC. IT NEEDS A VERY HIGH LEVEL OF INVOLVEMENT AND INTERETY TO CREATE A HEADLINE . LOT OF SACRIFICES , THREAT TO THE LIFE AT ANY MOMENT , WITH ALL THESE , A TRUE JOURNALIST COLLECT INFORMATION WITH MOST TRYING CONDITIONS AND RELEASE TO THE PEOPLE . NO COMPROMISE ON THE ETHICS , MANAGEMENT OR POLITICAL OR OTHER PRESSURE DID NOT WORK WHEN THE THE JOURNALIST STAKE THEIR LIFE IN SEARCH OF NEWS FOR CORRECTING THE WRONG GOING ON IN THE SOCIETY
Or What You Will is an utterly original novel about how stories are brought forth from Hugo, Nebula, and World Fantasy Award-winning author Jo Walton. He has been too many things to count. He has been a dragon with a boy on his back. He has been a scholar, a warrior, a lover, and a thief. He has been dream and dreamer. He has been a god. But “he” is in fact nothing more than a spark of idea, a character in the mind of Sylvia Harrison, 73, award-winning author of thirty novels over forty years. He has played a part in most of those novels, and in the recesses of her mind, Sylvia has conversed with him for years. But Sylvia won't live forever, any more than any human does. And he's trapped inside her cave of bone, her hollow of skull. When she dies, so will he. Now Sylvia is starting a new novel, a fantasy for adult readers, set in Thalia, the Florence-resembling imaginary city that was the setting for a successful YA trilogy she published decades before. Of course he's got a part in it. But he also has a notion. He thinks he knows how he and Sylvia can step off the wheel of mortality altogether. All he has to do is convince her. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In her first novel since the Pulitzer Prize–nominated The Quick and the Dead, the legendary writer takes us into an uncertain landscape after an environmental apocalypse, a world in which only the man-made has value, but some still wish to salvage the authentic. "She practices ... camouflage, except that instead of adapting to its environment, Williams’s imagination, by remaining true to itself, reveals new colorations in the ecology around her.” —A.O. Scott, The New York Times Book Review Khristen is a teenager who, her mother believes, was marked by greatness as a baby when she died for a moment and then came back to life. After Khristen’s failing boarding school for gifted teens closes its doors, and she finds that her mother has disappeared, she ranges across the dead landscape and washes up at a “resort” on the shores of a mysterious, putrid lake the elderly residents there call “Big Girl.” In a rotting honeycomb of rooms, these old ones plot actions to punish corporations and people they consider culpable in the destruction of the final scraps of nature’s beauty. What will Khristen and Jeffrey, the precocious ten-year-old boy she meets there, learn from this “gabby seditious lot, in the worst of health but with kamikaze hearts, an army of the aged and ill, determined to refresh, through crackpot violence, a plundered earth”? Rivetingly strange and beautiful, and delivered with Williams’s searing, deadpan wit, Harrow is their intertwined tale of paradise lost and of their reasons—against all reasonableness—to try and recover something of it.
It is the year 4022; all of the ancient country of Usa has been buried under many feet of detritus from a catastrophe that occurred back in 1985. Imagine, then, the excitement that Howard Carson, an amateur archeologist at best, experienced when in crossing the perimeter of an abandoned excavation site he felt the ground give way beneath him and found himself at the bottom of a shaft, which, judging from the DO NOT DISTURB sign hanging from an archaic doorknob, was clearly the entrance to a still-sealed burial chamber. Carson's incredible discoveries, including the remains of two bodies, one of then on a ceremonial bed facing an altar that appeared to be a means of communicating with the Gods and the other lying in a porcelain sarcophagus in the Inner Chamber, permitted him to piece together the whole fabric of that extraordinary civilization.
"Lindsey Roy proves beyond a shadow of a doubt that joy and happiness are just on the other side of the mountain you are climbing." —Katherine Wintsch, CEO of The Mom Complex; author of Slay Like a Mother A corporate executive, wife, and mother reflects on what she lost, what she didn’t see coming, and the power of new vantage points. At age 31, Lindsey Roy was named vice-president at Hallmark Cards — one of the youngest in the company’s more-than-100-year history. Her life was abruptly transformed five years later when she was nearly killed in a boating accident. Left with an amputated left leg and severe limb injuries, and facing a long and difficult recovery ahead, she was determined not just to heal, but to emerge stronger. She eventually shared what trauma had taught her about happiness in a TEDx talk that has been viewed nearly 200,000 times. Eight years post-accident, fully adapted to her circumstances and genuinely thriving, Lindsey confronted the unexpected again: she was diagnosed with a rare and progressive disease that destroyed the blood vessels in her lungs, requiring a double-lung transplant. This profound setback challenged her to actively shift her viewpoint in order to discover the hidden advantages of her situation and new depths of resilience in herself. Now a sought-after speaker, she’s imparting these hard-won lessons to help you adapt, persevere, and innovate in your own life. Brimming with valuable insights forged in the fire — from Lindsey’s journey and from other inspiring individuals she’s met along the way — The Gift of Perspective is ready to meet you where you are, and no matter where adversity may find you.