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Since the start of the 20th Century, the Italians and Chinese in the Little Italy/Chinatown area in New York City have endured an uneasy truce. In the first three quarters of the century, the Italians ruled the neighborhood with an iron fist. But starting in the 1970's, the dynamics began to change, as more Italians moved out and droves of Chinese began flowing into Chinatown from China. This did not bode well for Italian mob boss Tony Bentimova (Tony B), so he enlisted the help of his most trusted killer, Big Fat Fanny Fanelli, all six foot six inches and six hundred and sixty pounds of her, to ensure the Italians maintained control of all the illegal rackets in Little Italy, which was slowly, but surely being transformed into Chinatown.
Get Your Ass in the Water and Swim Like Me celebrates the African American oral tradition of toasting, one of the key roots of contemporary rap. Jackson was among the few to appreciate the profane energy and beauty of this rhymed form, collecting such classic toasts as "Stackolee," "The Titanic," "Signifying Monkey," "Dance of the Freaks," and dozens more. This unexpurgated edition offers the raw, vibrant, and still startling imagery of these toasts shaped by decades of oral transmission through the voices of countless rhymers. Just like rap, the toasting tradition enabled previously unheard or stifled topics, including racism, sexual exploitation, economic deprivation, and social oppression, to be expressed in a form that embodied multiple layers of meaning. Jackson helped preserve a rapidly dying art form to ensure that it would be available for many generations to come. In the words of Robin D.G. Kelley, "All you Hip Hop heads need to know this book if you want to know your roots."
A collection of all ten scripts from the 2006 Humana Festival of New American Plays.
Abridged ed. of The new dictionary of American slang c1986.
New cover design - all titles in the Partridge collection now have the same style covers. Group shot of titles will be made available, together with an order form The first edition had life sales of over 19000 copies (hardback), the second edition sold out after selling 6000 copies (hardback) and the paperback has sold nearly 5000 copies in 2 editions
The new edition of a modern classic by New York Times bestselling and award-winning author Mary Monroe! An enduring tale of the rebellious early years of Mama Ruby in 1930s Louisiana - the bold, brassy, indomitable heroine of Mary Monroe's acclaimed debut, The Upper Room. Growing up in Shreveport, Louisiana, Ruby Jean Upshaw is the kind of girl who knows what she wants and knows how to get it. By the time she's fifteen, Ruby has a taste for fast men and cheap liquor, and not even her preacher daddy can set her straight. Only Othella Mae Cartier, daughter of the town tramp, understands what makes Ruby tick. When Ruby discovers she's in the family way, she's scared for the first time in her life. After hiding her growing belly, Ruby secretly gives birth to a baby girl at Othella's house. Othella talks Ruby into giving the child away--and with the help of a shocking revelation, convinces Ruby to run off with her to New Orleans. But nothing can erase Ruby's memories of her child--or quell her simmering rage at Othella for persuading her to let her precious baby go. Someday there will be a reckoning. And Othella will learn that no one exacts revenge quite like Ruby Jean Upshaw . . .
What You See Is What You Hear develops a unique model of analysis that helps students and advanced scholars alike to look at audiovisual texts from a fresh perspective. Adopting an engaging writing style, the author draws an accessible picture of the field, offering several analytical tools, historical background, and numerous case studies. Divided into five main sections, the monograph covers problems of definitions, history, and most of all analysis. The first part raises the main problems related to audiovisuality, including taxonomical and historical questions. The second part provides the bases for the understanding of audiovisual creative communication as a whole, introducing a novel theoretical model for its analysis. The next three part focus elaborate on the model in all its constituents and with plenty of case studies taken from the field of cinema, TV, music videos, advertising and other forms of audiovisuality. Methodologically, the book is informed by different paradigms of film and media studies, multimodality studies, structuralism, narratology, “auteur theory” in the broad sense, communication studies, semiotics, and the so-called “Numanities.” What You See Is What You Hear enables readers to better understand how to analyze the structure and content of diverse audiovisual texts, to discuss their different idioms, and to approach them with curiosity and critical spirit.
Married, pregnant, and living at a "fat camp" in Maine, sixteen-year-old Eleanor has many questions about her future, especially whether the marriage will last and if she should keep the baby.