Download Free Final Seance Book in PDF and EPUB Free Download. You can read online Final Seance and write the review.

. . . Polidoro has written--and written well--a saga of two Titans that is also a remarkable exploration of both superstition and obsession, at the lush twilight of the Edwardian era.--Baltimore SunThis is the story of an unusual friendship between two of the most intriguing characters of the early 20th century-renowned escape artist Harry Houdini and celebrated mystery writer Sir Arthur Conan Doyle (creator of Sherlock Holmes). Both men were fascinated by the occult practice of spiritualism, Houdini as an ardent skeptic who often publicly exposed fraudulent mediums and Conan Doyle as a true believer who became convinced that the dead could and did communicate with the living. Despite their differing perspectives the two men not only respected each other but became friends. The correspondence between them on the subject provides a fascinating glimpse not only into the personalities of two talented and interesting celebrities but also into a psychic phenomenon that is the ancestor of today's channeling craze.Based on original correspondence, photographs, and his own extensive research, Massimo Polidoro reconstructs this unusual friendship between a believer and a skeptic, which weathered mediums, seances, an apparition of Houdini's departed mother, automatic writing by Conan Doyle's wife, public debunkings, and hurt feelings. He also discusses the final rift that ended the friendship of the two strong-willed men. Fans of Conan Doyle, Houdini, magic, and the historical roots of the New Age will be delighted by this amazing story.Massimo Polidoro is executive director of the Italian Committee for the Investigation of Claims of the Paranormal, editor of Scienza & Paranormale (Science and the Paranormal), and author of twelve books on the paranormal.
“Reading a perfectly plotted Agatha Christie is like crunching into a perfect apple: that pure, crisp, absolute satisfaction.”—Tana French, New York Times Bestselling Author From the Queen of Suspense, an all-new collection of her spookiest and most sinister stories, including an Agatha Christie story never before published in the USA, The Wife of Kenite! For lovers of the supernatural and the macabre comes this collection of ghostly and chilling stories from legendary mystery writer Agatha Christie. Fantastic psychic visions, specters looming in the shadows, encounters with deities, a man who switches bodies with a cat—be sure to keep the light on whilst reading these tales. The Last Séance gathers twenty stories, some featuring Christie’s beloved detectives Hercule Poirot and Miss Marple, in one haunting compendium that explores all things occult and paranormal, and is an essential omnibus for Christie fans.
List of members in v. 1, 6, 12.
“A rich and welcome addition to the surge of scholarly interest in the Berlin School.” —Studies in European Cinema Through a study of the contemporary German film movement the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance. She argues that a preoccupation with presence, liveness, and affect—all of which are viewed as critical components of live performance—can be found in many of the films of the Berlin School. Challenging the perception that the Berlin School is a sheer adherent of “slow cinema,” Landry closely analyzes the use of movement, dynamism, presence, and speed in a broad selection of films to show how filmmakers such as Christian Petzold, Angela Schanelec, Thomas Arslan, and Christoph Hochhäusler invoke the pulse of the kinesthetic and the tangibly affective. Her analysis draws on an array of film theories from early materialism to body theories, phenomenology, and contemporary affect theories. Arguing that these theories readily and energetically forge a path from film to performance, Landry traces a trajectory between the two through which live experience, presence, spectacle, intersubjectivity, and the body in motion emerge and powerfully intersect. Ultimately, Movement and Performance in Berlin School Cinema expands the methodological and disciplinary boundaries of film studies by offering new ways of articulating and understanding movement in cinema.
Translated by from Yiddish by Roger H. Klein and others.