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It’s the sound every killer waits for . . . WHEN THERE’S NO ESCAPE FROM A COLD-BLOODED KILLER . . . As white-hot flames sear the dark night, a killer waits in the trees, watching the mill burn, listening for the screams—the only proof that justice has finally begun for the sins of long-ago. SCREAM . . . SCREAM AS LOUD AS YOU CAN . . . For journalist Cassidy Buchanan, this inferno is a living nightmare: a reminder of the horrible, mysterious fire that destroyed her wealthy family seventeen years ago—and of Brig McKenzie, the handsome hellraiser accused of setting the blaze. That tragic crime has never been solved, and already the whispers have begun in Prosperity, Oregon: Another fire, more deaths, and one common denominator—Cassidy herself. OR IT MAY BE THE LAST SOUND YOU EVER MAKE . . . Cassidy came home to Prosperity to put the past behind her, but it seems the past isn’t finished with Cassidy. Someone doesn’t want her to uncover the chilling truth...someone who has killed before and will kill again...a cold-blooded psychopath who is only waiting to hear her final scream . . .
Robin Fear is out to destroy Dierdre Bradley, her father, and Fear Park but one person's waiting for revenge.
A chilling read from king of the Seattle serial killer thriller and New York Times bestseller, Kevin O'Brien. Perfect for fans of Chris Carter, Karin Slaughter and Mary Burton. Twelve women have vanished in Seattle, leaving behind no trace or clue. Eleven years later, their whereabouts remain a total mystery. Amelia Faraday is beautiful, smart, and a walking disaster. Suffering from blackouts, she is also haunted by something far worse - the feeling that she could be personally involved in a series of deaths. As a new string of murders escalates and Amelia continues to blackout, she is forced to face up to the fact that she might be the cold-blooded killer - or a pawn in a deadly game that has only just begun...
Translated by Clayton Eschleman A collection of writings ranging from cogent theoretical works to scatological glossolalia written during and after Artaud's incarceration in an aslum at Rodez creating one of the most powerful outpourings ever recorded.
The infamous, Most Wanted Goosebumps characters are out on the loose and after you. For the first time ever, it's a Goosebumps Christmas! Kate Welles just wants the lead role in her school's Christmas play. Her annoying "friend" Courtney is constantly getting in the way of that. But Kate has to get along with her or else neither of them will be allowed to take part in the production of The 12 Screams of Christmas. Even worse, Kate and Courtney's teacher decides they need to find a special place to rehearse. A certain house with a lot of history. The kind of place that Kate would normally be pretty frightened to go into. The kind of place that gives new meaning to the term "Christmas Spirit."
THE INSTANT NEW YORK TIMES BESTSELLER VOTED GOODREADS CHOICE AWARD BEST HORROR NOVEL OF 2021 A Good Morning America Buzz Pick “The horror master…puts his unique spin on slasher movie tropes.”-USA Today A can't-miss summer read, selected by The New York Times, Oprah Daily, Time, USA Today, The Philadelphia Inquirer, CNN, LitHub, BookRiot, Bustle, Popsugar and the New York Public Library In horror movies, the final girls are the ones left standing when the credits roll. They made it through the worst night of their lives…but what happens after? Like his bestselling novel The Southern Book Club’s Guide to Slaying Vampires, Grady Hendrix’s latest is a fast-paced, frightening, and wickedly humorous thriller. From chain saws to summer camp slayers, The Final Girl Support Group pays tribute to and slyly subverts our most popular horror films—movies like The Texas Chainsaw Massacre, A Nightmare on Elm Street, and Scream. Lynnette Tarkington is a real-life final girl who survived a massacre. For more than a decade, she’s been meeting with five other final girls and their therapist in a support group for those who survived the unthinkable, working to put their lives back together. Then one woman misses a meeting, and their worst fears are realized—someone knows about the group and is determined to rip their lives apart again, piece by piece. But the thing about final girls is that no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up.
Many critics and fans refer to the 1990s as the decade that horror forgot, with few notable entries in the genre. Yet horror went mainstream in the '90s by speaking to the anxieties of American youth during one of the country's most prosperous eras. No longer were films made on low budgets and dependent on devotees for success. Horror found its way onto magazine covers, fashion ads and CD soundtrack covers. "Girl power" feminism and a growing distaste for consumerism defined an audience that both embraced and rejected the commercial appeal of these films. This in-depth study examines the youth subculture and politics of the era, focusing on such films as Buffy the Vampire Slayer (1992), Scream (1996), I Know What You Did Last Summer (1997), Idle Hands (1999) and Cherry Falls (2000).
"A Lazy Fascist original"--P. opposite t.p.
YOU CHOOSE is an (anti)-choose-your-own-adventure. You choose: You hear a scream (or not), and what do you do about it. Nothing or stay in your chair and figure out the who what when why or go out the front door and chase the scream to prevent it or create it or capture it. Within the book are choices and non-choices, choices masquerading as choices, labyrinths, your torture and your self-torture, your authorship, multiple worlds, you becoming someone else, another you, you becoming a series of animals, you becoming us, you becoming death, your repeated death, pizza, your mother, inner ear workings, and other tailings or tails or tales. YOU CHOOSE is literary, speculative, uncertain, an attempt at the universal and many worlds, surreal, magically realistic, immersive, and labyrinthine. YOU CHOOSE is published under a CC BY-NC-SA 4.0 License.
The New York Times Bestseller What if everything you think you know about addiction is wrong? Johann Hari's journey into the heart of the war on drugs led him to ask this question--and to write the book that gave rise to his viral TED talk, viewed more than 62 million times, and inspired the feature film The United States vs. Billie Holiday and the documentary series The Fix. One of Johann Hari's earliest memories is of trying to wake up one of his relatives and not being able to. As he grew older, he realized he had addiction in his family. Confused, not knowing what to do, he set out and traveled over 30,000 miles over three years to discover what really causes addiction--and what really solves it. He uncovered a range of remarkable human stories--of how the war on drugs began with Billie Holiday, the great jazz singer, being stalked and killed by a racist policeman; of the scientist who discovered the surprising key to addiction; and of the countries that ended their own war on drugs--with extraordinary results. Chasing the Scream is the story of a life-changing journey that transformed the addiction debate internationally--and showed the world that the opposite of addiction is connection.