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Two feet lay smoldering outside the furnace door. Two bodies burned inside. Police Detective Jo Ferris thought it was the most horrific domestic shed ever seen. She was wrong
The Golden Gate Bridge is one of the most beautiful and most photographed structures in the world. It’s also the most deadly. Since it opened in 1937, more than 1,500 people have died jumping off the bridge, making it the top suicide site on earth. It’s also the only international landmark without a suicide barrier. Weaving drama, tragedy, and politics against the backdrop of a world-famous city, The Final Leap is the first book ever written about Golden Gate Bridge suicides. John Bateson leads us on a fascinating journey that uncovers the reasons for the design decision that led to so many deaths, provides insight into the phenomenon of suicide, and examines arguments for and against a suicide barrier. He tells the stories of those who have died, the few who have survived, and those who have been affected—from loving families to the Coast Guard, from the coroner to suicide prevention advocates.
D.H. Lawrence’s Final Fictions: A Lacanian Perspective shows how Lawrence and Lacan can change beliefs and practices, oppose the Anthropocene, and restore cosmic balance. Stoltzfus brings literature and psychoanalysis together in readings that are both aesthetic and epistemological.
Face stage fright and self-doubt with new courage! The experience of awe has rarely been considered by psychologists, but this extraordinary book makes up for that neglect. Frightful Stages explores all the shades of that strange emotion from reverence to terror. At its heart, awe is the condition of human suffering in situations that require you to act in all the senses of that deceptively simple word, whether on stage or off, whether in the presence of many or alone. Frightful Stages provides a multifaceted view of the semiotics of awe. It deals with its manifestations in film, on stage, in poetry, in ordinary lives as well as in the more extraordinary ones, including Bessie Smith, Carl Van Vechten, Barbra Streisand, Federico Fellini, Thomas Merton, and John Ashbery. This unprecedented book delineates the experience of awe in moments of stage fright, performance anxiety, and everyday interpersonal relations. Frightful Stages takes place on and off stage, before the curtain and behind, in the audience and on the screen. It explores the mysterious experience of awe in a multitude of contexts, including: Thomas Merton's psychoanalytic showdown with Gregory Zilboorg the chronic tensions between Apollonian reason and Dionysian instinct in myth, psychoanalysis, creation, and performance the ill-fated encounter between the greatest of all blues singers and a brilliant, self-loathing literary critic the moment of awe in experiential psychotherapy as seen by both the analyst and client the differences and similarities between stage fright and social phobia the intricate interrelationships between pernicious envy, emotional awkwardness, and fear a personal diary chronicling one man's crisis of panic, anguish, and self-doubt the complexities of feeling, offering, and accepting reverence in the psychotherapeutic relationship Frightful Stages gives clinicians and lay readers a variety of approaches from the analytic to the unanalytic, from the psychodynamic to the humanistic. It will appeal to a diverse audience, including therapists, clients, social theorists, cultural anthropologists, performers, and writers. Additionally, this book is intended to help artists deal with creative blocks, therapists cope with their own terrors, and all helping professionals understand bizarre phenomena.
Bryn Jahr faces a momentous decision on his eighteenth birthday: whether to heed his father's ambitious plans for him or to carve out his own destiny. Isolated since a mysterious incident at school, Bryn's future hangs in the balance as his father, Lars, relentlessly pushes him towards greatness, while his mother, Sanne, harbours deep-seated doubts about the consequences. When an enigmatic visitor named Gregor unexpectedly arrives at their secluded farm, offering Bryn a chance to partake in the secretive Warrior Games, Bryn's world is turned upside down. Despite his father's insistence that the games represent an unparalleled opportunity for Bryn to showcase his talents, Bryn is torn between his desire for adventure and the uncertainty of what lies ahead. As Bryn delves deeper into the world of the Warrior Games, he uncovers long-hidden secrets about his family's past and the true nature of the tournament. With each step he takes, Bryn encounters allies and adversaries alike, navigating a treacherous landscape where nothing is as it seems. Along the way, he forms unlikely friendships, confronts dangerous foes, and faces challenges that test his courage and resolve. With tensions mounting and conspiracy lurking around every corner: Bryn must summon all of his strength and determination to navigate the perilous path ahead. "Bryn Jahr: Leap of Fate" is a gripping fantasy adventure that immerses readers in a world of mystery, intrigue, and boundless possibility. As Bryn's journey unfolds, readers will be captivated by the twists and turns that keep them guessing until the very end.
"The Handbook of Humanistic Psychology presents a historic overview, theory, methodology, applications to practice and to broader settings, and an epilogue for the new millennium...The Handbook of Humanistic Psychology is an academic text excellently suited for collegiate education and research...The Handbook of Humanistic Psychology will be the inspiration and reference source for the next generation of humanists in all fields." - Lynn Seiser, Ph.D., THE THERAPIST "This volume represents an essential milestone and defining moment for humanistic psychology.... [It] belongs on the shelf of everyone who identifies with the humanistic movement and can serve as an excellent resource for those who would like to offer their students more than the perfunctory three paragraphs designated to humanistic psychology found in most introductory psychology books" -Donadrian Rice, CONTEMPORARY PSYCHOLOGY "Psychologists already partial to humanistic perspectives will take great pleasure in reading this book, and those seeking to expand their understanding of psychological humanism will find themselves much informed, perhaps even inspired, by it." - Irving B. Weiner, PSYCHOTHERAPY RESEARCH "A cornucopia of valuable historical, theoretical, and practical information for the Humanistic Psychologist." — Irvin Yalom, Emeritus Professor of Psychiatry, Stanford University "The editors represent both the founding generation and contemporary leadership and the contributors they have enlisted include most of the active voices in the humanistic movement. I know of no better source for either insiders or outsiders to grasp what humanistic psychology is about, and what either insiders or outsiders should do about it." — M. Brewster Smith, University of California at Santa Cruz "As a humanist it offered me a breadth I had not known existed, as a researcher it offered me an excellent statement of in depth research procedures to get closer to human experience, as a practitioner it offered me inspiration. For all those who work with and explore human experience, you can not afford to miss the voice of the third force so excellently conveyed in this comprehensive coverage of its unique view of human possibility and how to harness it." — Leslie S. Greenberg, York University Irvin Yalom, M. Brewster Smith, Leslie S. Greenberg, Inspired by James F. T. Bugental′s classic, Challenges of Humanistic Psychology (1967), The Handbook of Humanistic Psychology represents the latest scholarship in the resurgent field of humanistic psychology and psychotherapy. Set against trends toward psychological standardization and medicalization, the handbook provides a rich tapestry of reflection by the leading person-centered scholars of our time. Their range in topics is far-reaching—from the historical, theoretical, and methodological, to the spiritual, psychotherapeutic, and multicultural. Psychology is poised for a renaissance, and this handbook plays a critical role in that transformation. As increasing numbers of students and professionals rebel against mechanizing trends, they are looking for the fuller, deeper, and more personal psychological orientation that this handbook promotes.
Tonal consciousness, in the sense of a clear intuition about which note or chord a piece of music will finish on, is as much a part of our everyday experience of music as it is of contemporary music theory. This book asks to what extent such tonal consciousness might have operated in the minds of musicians of the Middle Ages, given the different tone world found in the modes of Gregorian chant, in troubadour and trouvère music, in Minnesang and in the early polyphony based upon chant. The author's approach is analytical, focusing on modality and balancing up-to-date concepts and methods of music analysis with those insights into their own compositional needs and processes that the people of the Middle Ages provided themselves through their writings about music. The book examines a range of both music sources and theoretical sources from the ninth to the thirteenth centuries. This is a ground-breaking contribution both to the study of medieval music and to music analysis.
A glimpse into the mind of the bestselling science fiction author through a collection of his personal, metaphysical, religious, visionary writings. Based on thousands of pages of typed and handwritten notes, journal entries, letters, and story sketches, The Exegesis of Philip K. Dick is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine. Edited and introduced by Pamela Jackson and Jonathan Lethem, this will be the definitive presentation of Dick’s brilliant, and epic, final work. In The Exegesis, Dick documents his eight-year attempt to fathom what he called “2-3-74,” a postmodern visionary experience of the entire universe “transformed into information.” In entries that sometimes ran to hundreds of pages, Dick tried to write his way into the heart of a cosmic mystery that tested his powers of imagination and invention to the limit, adding to, revising, and discarding theory after theory, mixing in dreams and visionary experiences as they occurred, and pulling it all together in three late novels known as the VALIS trilogy. In this abridgment, Jackson and Lethem serve as guides, taking the reader through the Exegesis and establishing connections with moments in Dick’s life and work. The e-book includes a sample chapter from A Scanner Darkly by Philip K. Dick. “A dyspeptic dystopian’s mad secret notebooks, imposing order—at least of a kind—on a chaotic world…Fascinating and unsettling.”—Kirkus Reviews
What do Adolf Hitler, Mahatma Gandhi, and Ed Sullivan have in common? Ottavio Canestrelli crossed paths with each. He performed with the Krone Circus in Italy and Germany from 1922 to 1924 on the eve of Hitler's rise to power; he witnessed a rally for Mahatma Gandhi in India in 1931; and he appeared twice on the Ed Sullivan Show during the 1960s. In The Grand Gypsy, Canestrelli, with his grandson, Ottavio Gesmundo, tells the story of a man who witnessed historical events as he toured with his family through five continents and countless nations, including experiences fighting in World War I and the excavation of the Sphinx in Egypt. It shares memories of life in the circus, filled with daring feats and tragic mishaps. With over one hundred and seventy historical photographs included, this memoir chronicles a circus dynasty from the late nineteenth-century in Europe to the new millennium in the United States.
The Essential Cult TV Reader is a collection of insightful essays that examine television shows that amass engaged, active fan bases by employing an imaginative approach to programming. Once defined by limited viewership, cult TV has developed its own identity, with some shows gaining large, mainstream audiences. By exploring the defining characteristics of cult TV, The Essential Cult TV Reader traces the development of this once obscure form and explains how cult TV achieved its current status as legitimate television. The essays explore a wide range of cult programs, from early shows such as Star Trek, The Avengers, Dark Shadows, and The Twilight Zone to popular contemporary shows such as Lost, Dexter, and 24, addressing the cultural context that allowed the development of the phenomenon. The contributors investigate the obligations of cult series to their fans, the relationship of camp and cult, the effects of DVD releases and the Internet, and the globalization of cult TV. The Essential Cult TV Reader answers many of the questions surrounding the form while revealing emerging debates on its future.