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In July 1974, Air Force Lieutenant Colonel Terry Lawson accepts an assignment in Thailand to fill a career development objective and recover from five grueling years of developing sophisticated computer systems for the Air Force. He also wishes to get over a failed marriage and renew his love affair with the C-130, the aircraft he flew in combat in Vietnam. But most importantly, he wants to relax, enjoy himself, and become immersed in the Thai culture. Lawson is well along in satisfying these objectives when he is asked to fly to Saigon to assist the United States Embassys Defense Attach Office in fixing problems with their intelligence systems. In a matter of days, he finds himself drawn into the dark world of CIA operations by a cultured and attractive French-speaking Vietnamese woman, Lan Le Ninh. Finding both her and the nature of the work compelling, Lawson voluntarily abandons his life of leisure in Thailand. From this point on, its a race to correct the aberrant systems before the North Vietnamese communists launch their long-feared final offensive. In the process, Lawson learns a great deal about Americas long-running secret war in Southeast Asiaand how many Americans died anonymously in carrying it out.
Air Force Lieutenant Colonel Terry Lawson becomes immersed in the intelligence intrigues and operations of the waning days of the Vietnam War leading up to the evacuation of Saigon.
A classic novel of Vietnam and its aftermath from Philip Caputo, whose Pulitzer Prize-winning memoir A Rumor of War is widely considered among the best ever written about the experience of war. At thirty-three, Nick DelCorso is an award-winning war photographer who has seen action and dodged bullets all over the world–most notably in Vietnam, where he served as an Army photographer and recorded combat scenes whose horrors have not yet faded in his memory. When he is called back to Vietnam on assignment during a North Vietnamese attempt to take Saigon, he is faced with a defining choice: should he honor the commitment he has made to his wife not to place himself in any more danger for the sake of his career, or follow his ambition back to the war-torn land that still haunts his dreams? What follows is a riveting story of war on two fronts, Saigon and Beirut, that will test DelCorso’s faith not only in himself, but in the nobler instincts of men.
The true story of the final days of the Vietnam War from the author of Marine Sniper. Culled from extensive interviews and research, Goodnight Saigon is the achingly dramatic story of the end of the Vietnam War as told from both sides of the conflict. Included are never-before-revealed accounts from people of every level involved in the war: NVA and Viet Cong soldiers, U.S. embassy personnel, guerilla commanders, civilians, generals, double agents? and leaders from both sides including former president Gerald Ford and North Vietnamese military commander General Tran Van Tra. From the first hints of the final offensive from the north, to the gut-wrenching hours before the fall of Saigon when a brave pilot defied his orders to return to base and rescued the last five Marines from the rooftop of the U.S. embassy, Goodnight Saigon is an unforgettable narrative of war, and those who live with its aftermath. Winner: American Society of Journalists and Authors Outstanding Book Award, General Nonfiction, 2006
“A thesis of a play, unafraid of complexities and contradictions, pepped up with a light dramatic fizz. It asks whether race is skin-deep, actable or even fakeable, and it does so with huge wit and brio.” -TimeOut London “A pungent play of ideas with a big heart. Yellow Face brings to the national discussion about race a sense of humor a mile wide, an even-handed treatment and a hopeful, healing vision of a world that could be” –Variety “It’s about our country, about public image, about face,” says David Henry Hwang about his latest work, a mock documentary that puts Hwang himself center stage. An exploration of Asian identity and the ever-changing definition of what it is to be an American, Yellow Face “is by turns acidly funny, insightful and provocative” (Washington Post). The play begins with the 1990s controversy over color-blind casting for Miss Saigon before it spins into a comic fantasy, in which the character DHH pens a play in protest and then unwittingly casts a white actor as the Asian lead. Yellow Face also explores the real-life investigation of Hwang’s father, the first Asian American to own a federally chartered bank, and the espionage charges against physicist Wen Ho Lee. Adroitly combining the light touch of comedy with weighty political and emotional issues, Hwang creates a "lively and provocative cultural self-portrait [that] lets nobody off the hook” (The New York Times).
Musicals have been a major part of American theater for many years, and nowhere have they been more loved and celebrated than Broadway, the theater capital of the world. The music of such composers as Rodgers and Hammerstein, Berlin, the Gershwin brothers, Lerner and Loewe, Steven Sondheim, and Andrew Lloyd Webber continues to run through people's minds, and such productions as South Pacific, Cats, My Fair Lady, The Phantom of the Opera, Guys and Dolls, Rent, and West Side Story remain at the top of Broadway's most popular productions. This book is a survey of Broadway musicals all through the 20th century, from the Tin Pan Alley-driven comedy works of the early part of the century, to the integrated musical plays that flourished in the heyday years of midcentury, and to the rock era, concept musicals, and the arrival of British mega-musicals late in the century. It also profiles some of the theater world's leading composers, writers, and directors, considers some of the most unforgettable and forgettable shows, illustrates the elusive fragility of the libretto, explains the compensating nature of production elements, and examines representative shows from every decade. An extensive discography offers a brief critique of more than 300 show cast albums.
An examination of the political and cultural dynamism of the Republic of Vietnam until its collapse on April 30, 1975.
In November of 1964, as Lyndon Johnson celebrated his landslide victory over Barry Goldwater, the government of South Vietnam lay in a shambles. Ambassador Maxwell Taylor described it as a country beset by "chronic factionalism, civilian-military suspicion and distrust, absence of national spirit and motivation, lack of cohesion in the social structure, lack of experience in the conduct of government." Virtually no one in the Johnson Administration believed that Saigon could defeat the communist insurgency--and yet by July of 1965, a mere nine months later, they would lock the United States on a path toward massive military intervention which would ultimately destroy Johnson's presidency and polarize the American people. Into the Quagmire presents a closely rendered, almost day-by-day account of America's deepening involvement in Vietnam during those crucial nine months. Mining a wealth of recently opened material at the Lyndon Baines Johnson Library and elsewhere, Brian VanDeMark vividly depicts the painful unfolding of a national tragedy. We meet an LBJ forever fearful of a conservative backlash, which he felt would doom his Great Society, an unsure and troubled leader grappling with the unwanted burden of Vietnam; George Ball, a maverick on Vietnam, whose carefully reasoned (and, in retrospect, strikingly prescient) stand against escalation was discounted by Rusk, McNamara, and Bundy; and Clark Clifford, whose last-minute effort at a pivotal meeting at Camp David failed to dissuade Johnson from doubling the number of ground troops in Vietnam. What comes across strongly throughout the book is the deep pessimism of all the major participants as things grew worse--neither LBJ, nor Bundy, nor McNamara, nor Rusk felt confident that things would improve in South Vietnam, that there was any reasonable chance for victory, or that the South had the will or the ability to prevail against the North. And yet deeper into the quagmire they went. Whether describing a tense confrontation between George Ball and Dean Acheson ("You goddamned old bastards," Ball said to Acheson, "you remind me of nothing so much as a bunch of buzzards sitting on a fence and letting the young men die") or corrupt politicians in Saigon, VanDeMark provides readers with the full flavor of national policy in the making. More important, he sheds greater light on why America became entangled in the morass of Vietnam.
Moving to America turns H&à's life inside out. For all the 10 years of her life, H&à has only known Saigon: the thrills of its markets, the joy of its traditions, the warmth of her friends close by, and the beauty of her very own papaya tree. But now the Vietnam War has reached her home. H&à and her family are forced to flee as Saigon falls, and they board a ship headed toward hope. In America, H&à discovers the foreign world of Alabama: the coldness of its strangers, the dullness of its food, the strange shape of its landscape, and the strength of her very own family. This is the moving story of one girl's year of change, dreams, grief, and healing as she journeys from one country to another, one life to the next.