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When FINAL BLACKOUT was written there was still a Maginot Line, Dunkirk was just another French coastal town and the Battle of Britain, the Bulge, Saipan, Iwo, V2s and Nagasaki were things unknown and far ahead in history. While it concerns these things, its action will not take place for many years yet to come and it is, therefore, still a story of the future though some of the "future" it embraced (about one fifth) has already transpired. When published in magazine form before the war it created a little skirmish of its own and, I am told, as time has gone by and some of it has unreeled, interest in it has if anything increased. So far its career has been most adventurous as a story. The "battle of FINAL BLACKOUT" has included loud wails from the Communists—who said it was pro-fascist (while at least one fascist has held it to be pro-Communist). Its premises have been called wild and unfounded on the one hand while poems (some of them very good) have been written about or dedicated to the Lieutenant. Meetings have been held to nominate it to greatness while others have been called to hang the author in effigy (and it is a matter of record that the last at least was successfully accomplished). The British would not hear of its being published there at the time it appeared in America, though Boston, I am told, remained neutral—for there is nothing but innocent slaughter in it and no sign of rape. There are those who insist that it is all very bad and those who claim for it the status of immortality. And while it probably is not the worst tale ever written, I cannot bring myself to believe that FINAL BLACKOUT, as so many polls and such insist, is one of the ten greatest stories ever published. Back in those mild days when Pearl Harbor was a place you toured while vacationing at Waikiki and when every drawing room had its business man who wondered disinterestedly whether or not it was not possible to do business with Hitler, the anti-FINAL BLACKOUTISTS (many of whom, I fear, were Communists) were particularly irked by some of the premises of the tale. Russia was, obviously, a peace-loving nation with no more thought than America of entering the war. England was a fine going concern without a thought, beyond a contemptuous aside, for the Socialist who, of course, could never come to power. One must understand this to see why FINAL BLACKOUT slashed about and wounded people. True enough, some of its premises were far off the mark. It supposed, for instance, that the politicians of the great countries, particularly the United States, would push rather than hinder the entrance of the whole world into the war. In fact, it supposed, for its author was very young, that politicians were entirely incompetent and would not prevent for one instant the bloodiest conflict the country had ever known. Further, for the author was no critic, it supposed that the general staffs of most great nations were composed of stupid bunglers who would be looking up their friends on the selection board when they should be looking to their posts and that the general world wide strategy of war would go off in a manner utterly unadroit to the sacrifice of efficiency. It surmised that if general staffs went right on bungling along, military organization would cease to exist, and it further—and more to the point—advanced the thought that the junior combat officer, the noncom and, primarily the enlisted men would have to prosecute the war. These, it believed, would finally be boiled down, by staff "stupidity," to a handful of unkillables who would thereafter shift for themselves. FINAL BLACKOUT declared rather summarily—and very harshly, for the author was inexperienced in international affairs—that the anarchy of nations was an unhealthy arrangement maintained by the greed of a few for the privileges of a few and that the "common people" (which is to say those uncommon people who wish only to be let go about their affairs of getting enough to eat and begetting their next generation) would be knocked flat, silly and completely out of existence by these brand new "defensive" weapons which would, of course, be turned only against soldiers. Bombs, atomics, germs and, in short, science, it maintained, were being used unhealthily and that, soon enough, a person here and there who was no party to the front line sortie was liable to get injured or dusty; it also spoke of populations being affected boomerang fashion by weapons devised for own governments to use. Certainly all this was heresy enough in that quiet world of 1939, and since that time, it is only fair to state, the author has served here and there and has gained enough experience to see the error of his judgment. There have been two or three stories modeled on FINAL BLACKOUT. I am flattered. It is just a story. And as the past few years have fortunately proven, it cannot possibly happen.
NEW YORK TIMES BESTSELLER It’s time for a black exit. Political activist and social media star Candace Owens addresses the many ways that Democrat Party policies hurt, rather than help, the African American community, and why she and many others are turning right. Black Americans have long been shackled to the Democrats. Seeing no viable alternative, they have watched liberal politicians take the black vote for granted without pledging anything in return. In Blackout, Owens argues that this automatic allegiance is both illogical and unearned. She contends that the Democrat Party has a long history of racism and exposes the ideals that hinder the black community’s ability to rise above poverty, live independent and successful lives, and be an active part of the American Dream. Instead, Owens offers up a different ideology by issuing a challenge: It’s time for a major black exodus. From dependency, from victimhood, from miseducation—and the Democrat Party, which perpetuates all three. Owens explains that government assistance is a double-edged sword, that the Left dismisses the faith so important to the black community, that Democrat permissiveness toward abortion disproportionately affects black babies, that the #MeToo movement hurts black men, and much more. Weaving in her personal story, which ushered her from a roach-infested low-income apartment to1600 Pennsylvania Avenue, she demonstrates how she overcame her setbacks and challenges despite the cultural expectation that she should embrace a victim mentality. Well-researched and intelligently argued, Blackout lays bare the myth that all black people should vote Democrat—and shows why turning to the right will leave them happier, more successful, and more self-sufficient.
Published for the first time in 1940 in "Astounding" magazine, "Final Blackout" "is set in a world ravaged by 30 years of war. . . [and] chronicles the rise, in England, of the charismatic leader, strategist and statesman known only as the Lieutenant" ("Publishers Weekly"). "Hubbard spins a masterful tale of suspense and nonstop action."--Harold Robbins
When a busy family's activities come to a halt because of a blackout, they find they enjoy spending time together and not being too busy for once.
In this unflinchingly honest and hilarious memoir, a woman discovers that her best life is a sober one. For Sarah Hepola, drinking felt like freedom; part of her birthright as a twenty-first-century woman. But there was a price–she often blacked out, having no memory of the lost hours. On the outside, her career was flourishing, but inside, her spirit was diminishing. She could no longer avoid the truth–she needed help. Blackout is the story of a woman stumbling into a new kind of adventure–sobriety. Sarah Hepola's tale will resonate with anyone who has had to face the reality of addiction and the struggle to put down the bottle. At first it seemed like a sacrifice–but in the end, it was all worth it to get her life back.
Deadly attacks are sweeping across the country. Alec and Laura are at the center of the violence, while in a small remote town, Aubrey and Jack feel sheltered from the turmoil. But these four seemingly normal teenagers are about to find their lives connected in ways they could never have imagined—and one wrong step could trigger an explosion that ends it all.
This electrifying sequel from the New York Times bestselling author of Feed reenters a world of zombies, geeks, politics, social media, and the virus that runs through them all. Shaun Mason is a man without a mission. Not even running the news organization he built with his sister has the same urgency as it used to. Playing with dead things just doesn't seem as fun when you've lost as much as he has. But when a CDC researcher fakes her own death and appears on his doorstep with a ravenous pack of zombies in tow, Shaun has a newfound interest in life. Because she brings news—he may have put down the monster who attacked them, but the conspiracy is far from dead. Now, Shaun hits the road to find what truth can be found at the end of a shotgun. More from Mira Grant: Newsflesh Feed Deadline Blackout Feedback Rise Praise for Feed: "I can't wait for the next book."―N.K. Jemisin "It's a novel with as much brains as heart, and both are filling and delicious."―The A. V. Club "Gripping, thrilling, and brutal... McGuire has crafted a masterpiece of suspense with engaging, appealing characters who conduct a soul-shredding examination of what's true and what's reported."―Publishers Weekly (Starred Review) “Feed is a proper thriller with zombies.” —SFX "Deft cultural touches, intriguing science, and amped-up action will delight Grant's numerous fans." —Publishers Weekly (starred review)
Poet and cartoonist Austin Kleon has discovered a new way to read between the lines. Armed with a daily newspaper and a permanent marker, he constructs through deconstruction—eliminating the words he doesn't need to create a new art form: Newspaper Blackout poetry. Highly original, Kleon's verse ranges from provocative to lighthearted, and from moving to hysterically funny, and undoubtedly entertaining. The latest creations in a long history of "found art," Newspaper Blackout will challenge you to find new meaning in the familiar and inspiration from the mundane. Newspaper Blackout contains original poems by Austin Kleon, as well as submissions from readers of Kleon's popular online blog and a handy appendix on how to create your own blackout poetry.
Blackout Wars is about the historically unprecedented threat to our electronic civilization from its dependence on the electric power grid. Most Americans have experienced temporary blackouts, and regard them as merely an inconvenience. Some Americans have experienced more protracted local and regional blackouts, as in the aftermaths of Hurricanes Sandy and Katrina, and may be better able to imagine the consequences of a nationwide blackout lasting months or years, that plunges the entire United States into the dark. In such a nightmare blackout, the entire population of the United States could be at risk. There would be no food. No water. Communications, transportation, industry, business and finance--all of the critical infrastructures that support modern civilization and the lives of the American people would be paralyzed by collapse of the electric power grid. Millions could die. How could a catastrophic blackout happen? Threats to the electric power grid are posed by cyber attack, sabotage, a geomagnetic super-storm, and electromagnetic pulse (EMP) from the high-altitude detonation of a nuclear weapon. Blackout Wars warns that terrorists and rogue states are developing a revolutionary new military strategy that could exploit all of these threats in combination, including exploiting the opportunity of severe weather or a geo-storm, to collapse the national electric grid and all the critical infrastructures. It would be the fall of American civilization. For the first time in history, the most dysfunctional societies, like North Korea that cannot even feed its own people, or even non-state actors like terrorists, could destroy the most successful societies on Earth--by means of a Blackout War. Attacking the electric grid enables an adversary to strike at the technological and societal Achilles Heel of U.S. military and economic power. Blackout Wars likens this new Revolution in Military Affairs to Nazi Germany's Blitzkrieg strategy, secretly developed and tested in low-profile experiments during the 1930s, sprung upon the Allies in 1939-1941 in a series of surprise attacks that nearly enabled the Third Reich to win World War II. Just as the West was asleep to the threat from the Blitzkrieg, so today U.S. and Western elites are blind to the looming threat from a Blackout War. Fortunately, where the Federal government is failing to protect the national electric grid, State governments have legal authority and the technical capability to protect their electric grids within their State boundaries, and so spare their citizens from the worst consequences of a protracted blackout. Maine, Virginia, Arizona, Florida, Oklahoma Texas, Colorado and other States have initiatives underway to protect their grids and their peoples from the existential threat that is nuclear EMP attack, and from other hazards that could cause a catastrophic blackout. Ominously, this necessary trend toward decentralization of a vital national security responsibility from the Federal government to State governments is eerily reminiscent of the late Roman Empire. When Rome could no longer defend its cities from the barbarians, the cities built walls to defend themselves. Now that Washington cannot or will not defend the United States from nuclear EMP attack, some States are "building walls" to protect their electric grids and peoples from the new barbarians. Blackout Wars is the story of these heroic efforts by individual legislators and citizens to be "Horatio on the Bridge" defending their States and peoples against perhaps the greatest threat that has ever challenged civilization. Most of all, Blackout Wars is a handbook on why and how the States must meet this challenge, and a clarion call to the States to defend themselves.
"Six critically acclaimed, bestselling, and award-winning authors bring the glowing warmth and electricity of Black teen love to this interlinked novel of charming, hilarious, and heartwarming stories that shine a bright light through the dark"--