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A collection of early work and new short pieces from “the bad boy of American theater” (Time). Neil LaBute burst onto the American theater scene in 1989 with his controversial debut Filthy Talk for Troubled Times. Set in a barroom in Anytown, USA, and populated by a series of everymen (and two beleaguered everywomen), this series of frank exchanges explores the innumerable varieties of American intolerance. A unique snapshot of the times, the play—seldom allowed production by the author since—provides a compelling look at the early thinking and evolution of one of our great theater artists. Also in this collection is a series of new, short works, some never before produced. They include “The New Testament,” a showbiz satire that takes a close look at the perils of color-blind casting, and “The Furies,” in which a woman helps navigate her brother’s breakup with his out—and then perhaps in-the-closet again—lover. “There is something of the sinister menace of Pinter in LaBute’s work (along with David Mamet, he is very much the heir apparent to that master).” —Hedy Weiss, Chicago Sun-Times “There is no playwright on the planet these days who is writing better than Neil LaBute.” —John Lahr, The New Yorker
Filthy Talk for Troubled Time is one of LaBute's earliest plays. A downbeat night at a topless bar exposes the gulf between the twitchy clientele and the waitresses who serve but despise them. The Mercy Seat examines a couple who, on the day after a world-changing atrocity, toy with exploiting it to start a new life. Some Girl(s) follows a young writer's panicked retreat from his imminent wedding as he seeks out old girlfriends and opens new wounds, while in This Is How It Goes the breakdown of a seemingly successful marriage is complicated by submerged bigotry. The collection also includes two short plays about relationships in crisis - A Second of Pleasure and Helter Skelter - which are in equal part tender and chilling. Together these plays form a complex and compelling portrait of the sexes - sometimes warring, sometimes loving, but never fully at peace.
Unrivalled in its coverage of recent work and writers, The Methuen Drama Guide to Contemporary American Playwrights surveys and analyses the breadth, vitality and development of theatrical work to emerge from America over the last fifty years. This authoritative guide leads you through the work of 25 major contemporary American playwrights, discussing more than 140 plays in detail. Written by a team of 25 eminent international scholars, each chapter provides: · a biographical introduction to the playwright's work; · a survey and concise analysis of the writer's most important plays; · a discussion of their style, dramaturgical concerns and critical reception; · a bibliography of published plays and a select list of critical works. Among the many Tony, Obie and Pulitzer prize-winning playwrights included are Sam Shepard, Tony Kushner, Suzan-Lori Parks, August Wilson, Paula Vogel and Neil LaBute. The abundance of work analysed enables fresh, illuminating conclusions to be drawn about the development of contemporary American playwriting.
An essential introductory textbook that guides students through 300 years of American plays, as well as their remarkable engagement with texts from across the Atlantic. Divided into seven historical periods, Jacqueline Foertsch offers unique overviews of 38 American plays and their reception, from Robert Hunter's Androboros (c.1714) to Lin-Manuel Miranda's Hamilton (2015). Each historical section begins with an overseas play that proved influential to American playwrights in that period, demonstrating to students an astonishing dialogue taking place across the Atlantic. This is an ideal core text for modules on American Drama – or a supplementary text for broader modules on American Literature – which may be offered at the upper levels of an undergraduate literature, drama, theatre studies or American studies degree. In addition it is a crucial resource for students who may be studying American drama as part of a taught postgraduate degree in literature, drama or American studies.
Neil LaBute: A Casebook is the first book to examine one of the most successful and controversial contemporary American playwrights and filmmakers. While he is most famous, and in some cases infamous, for his early films In the Company of Men and Your Friends and Neighbors, Labute is equally accomplished as a playwright. His work extends from the critique of false religiosity in Bash to examinations of opportunism, irresponsible art, failed parenting, and racism in later plays like Mercy Seat, The Shape of Things, The Distance From Here, Fat Pig, Autobahn, and the very recent This Is How It Goes and Some Girls. Like David Mamet, an acknowledged influence on him, and Conor McPhereson, with whom he shares some stylistic and thematic concerns, LaBute tends to polarize audiences. The angry voices, violent situations, and irresponsible behavior in his works, especially those focusing on male characters, have alienated some viewers. But the writer's religious affiliation and refusal to condone the actions of his characters suggest he is neither exploitive nor pornographic. This casebook explores the primary issues of the writer's style, themes, and dramatic achievements. Contributors describe, for example, the influences (both classical and contemporary) on his work, his distinctive vision in theater and film, the role of religious belief in his work, and his satire. In addition to the critical introduction by Wood and the original essays by leading dramatic and literary scholars, the volume also includes a bibliography and a chronology of the playwright's life and works.
Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.
Get the lowdown on the best fiction ever written. Over 230 of the world’s greatest novels are covered, from Quixote (1614) to Orhan Pamuk’s Snow (2002), with fascinating information about their plots and their authors – and suggestions for what to read next. The guide comes complete with recommendations of the best editions and translations for every genre from the most enticing crime and punishment to love, sex, heroes and anti-heroes, not to mention all the classics of comedy and satire, horror and mystery and many other literary genres. With feature boxes on experimental novels, female novelists, short reviews of interesting film and TV adaptations, and information on how the novel began, this guide will point you to all the classic literature you’ll ever need.
"Lahr creates a book worthy of its title: It is a living celebration of theater itself." —Caryn James, New York Times Book Review Since 1992 John Lahr has written for The New Yorker, where for twenty-one years he was the senior drama critic, the longest stint in that post in the magazine's history. Joy Ride is a collection of his profiles and reviews that throws open the stage door, taking us behind the scenes both on and off Broadway to introduce such creators of contemporary drama as August Wilson, Arthur Miller, Stephen Sondheim, Tony Kushner, Wallace Shawn, and Mike Nichols. The result is a delightful, literate, and essential crash course in contemporary theater.
What if God told you to be a better person but the world wouldn’t allow it? Such is the dilemma facing Joe Smith, a run-of-the-mill white-collar businessman who survives an office shooting and is subsequently touched by what he believes to be a divine vision. His journey toward personal enlightenment—past greed and lust and the other deadly sins—is, by turns, tense, hilarious, profane, and heartbreaking. Exploring the narrow path to spiritual fulfillment and how strewn it is with the funny, frantic failings of humankind, The Break of Noon showcases Neil LaBute at his discomfiting best.
This revised and updated new edition provides a guide to 100 of the most interesting and influential American independent films, from Bonnie and Clyde to Junebug by way of Reservoir Dogs and The Blair With Project with an introduction to the genre and a rich selection of images from the films discussed, plus key credits.