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After inheriting a southern Utah estate from her Mormon father, Jane Withersteen becomes the victim of a cruel frontier law.
Westerns may have had their heyday, but they remain popular. The greatest films from 1914, when The Squaw Man and The Virginian were among the genre's best, through 2001, when American Outlaws and Texas Rangers were tops, are the subject of this work. For each year, the author names the outstanding western films in the following categories: picture, screenplay (original and adaptation), direction, cinematography, music, male and female leading roles, and male and female supporting roles. Also for each year, the author lists the westerns that received Academy Award nominations (and those that won), makes note of the births and deaths of notable actors, directors, producers, composers, cinematographers, authors and other such personalities, and describes the genre's significant achievements.
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - BUT the man's almost dead. The words stung John Hare's fainting spirit into life. He opened his eyes. The desert still stretched before him, the appalling thing that had overpowered him with its deceiving purple distance. Near by stood a sombre group of men. Leave him here, said one, addressing a gray-bearded giant. "He's the fellow sent into southern Utah to spy out the cattle thieves. He's all but dead. Dene's out-laws are after him. Don't cross Dene." The stately answer might have come from a Scottish Covenanter or a follower of Cromwell. Martin Cole, I will not go a hair's-breadth out of my way for Dene or any other man. You forget your religion. I see my duty to God.
Greed and gold unleash a storm of robbery, vengeance, and murder. On the word of a dying Indian, the three Emerson brothers come to Thunder Mountain in the Sawtooth Range and discover more gold than they ever dreamed possible. But instead of finding peace and prosperity, Jake, Kalispel, and Sam Emerson find more treachery than any normal men could hope to survive.
Zane Grey, renowned as an author for his portrayals of the rugged Wild West, completed his first Western, The Heritage of the Desert, in just four months in 1910. This compelling work which deals powerfully with Mormon culture in Utah in 1890 rapidly became a bestseller.
Long before sound became an essential part of motion pictures, Westerns were an established genre. The men and women who brought to life cowboys, cowgirls, villains, sidekicks, distressed damsels and outraged townspeople often continued with their film careers, finding success and fame well into the sound era--always knowing that it was in silent Westerns that their careers began. More than a thousand of these once-silent Western players are featured in this fully indexed encyclopedic work. Each entry includes a detailed biography, covering both personal and professional milestones and a complete Western filmography. A foreword is supplied by Diana Serra Cary (formerly the child star "Baby Peggy"), who performed with many of the actors herein.
A comprehensive film guide featuring films and television shows of the great American western. The stories of the men and women who tamed the old West. Also featuring actors and directors who made these films possible.
Think the Old West was nothing but outlaws and cowboys? Think again. In The Young Forester, acclaimed Western writer Zane Grey follows the death-defying adventures of a forest fireman, one of the many brave souls who laid his own safety on the line to make the wild terrain of the region safe and inhabitable.
After more than fifteen years, this initial volume of the American Film Institute Catalog series is again in print. The 1920s set covers the important filmmaking period when "movies" became "talkies," and the careers of many influential directors and actors were launched. Films such as Wings, The Phantom of the Opera, All Quiet on the Western Front, and The Jazz Singer are included in this volume.
Drawing on studio files, newspaper critiques, internet sources and scholarly studies of Mexican cinema, this critical history focuses on film depictions, in Hollywood and in Mexico, of the Mexican Revolution of 1910 and the era of Benito Juarez. Mexico's political and military battles are discussed in detail, and contrasted with the film industry's mostly uninformative take on these events. Important figures of Mexican history are discussed--Benito Juarez, Porfirio Diaz, Francisco Madero, Jr., Pancho Villa and Emiliano Zapata--as well as non-Latinos whose actions were influential. Performers, production personnel and literary sources for films dealing with revolutionary Mexico, from the silent The Life of General Villa to Cinco De Mayo: La Batalla of 2013, are covered.