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Filming God recounts the three-year journey of filmmaker Darren Wilson as he travels around the world, seeing the supernatural realm of God with his own eyes and meeting humble, loving people who walk in the supernatural on an everyday basis. Author Darren Wilson was a self-described skeptic about the supernatural before he had his own lifechanging, miraculous encounter with the Lord. That experience led him to film Finger of God, through which he encountered incredible stories of modern-day believers receiving gold teeth, hanging out with Jesus, resurrections, supernatural healings, and much, much more. “A funny thing tends to happen when you hand your life over to God, no questions asked. He takes what you thought you wanted and shows you something better—something so much infinitely better that you can only marvel at how simple-minded your past dreams were,” writes the author, thinking back on his journey while Filming God. In these exciting and compelling stories, you will quickly realize that Jesus is alive and working today in people’s lives—no matter your religious background. You may be forced to examine your own faith in light of what is possible on a day to day basis.
Darren has amassed a treasure trove of some of the most unbelievable stories about God's goodness and power and unprecedented love for His children.
Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.
Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.
From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road • In this taut, chilling story, Lester Ballard—a violent, dispossessed man falsely accused of rape—haunts the hill country of East Tennessee when he is released from jail. While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance. "Like the novelists he admires-Melville, Dostoyevsky, Faulkner-Cormac McCarthy has created an imaginative oeuvre greater and deeper than any single book. Such writers wrestle with the gods themselves." —Washington Post Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
Suppose you could ask God any question and get an answer. What would it be? Young people all over the world have been asking those questions. So Neale Donald Walsch, author of the internationally bestselling Conversations with God series had another conversation. Conversations with God for Teens is a simple, clear, straight-to-the-point dialogue that answers teens questions about God, money, sex, love, and more. Conversations with God for Teens reads like a rap session at a church youth group, where teenagers discuss everything they ever wanted to know about life but were too afraid to ask God. Walsch acts as the verbal conduit, showing teenagers how easy it is to converse with the divine. When Claudia, age 16, from Perth, Australia, asks, "Why can't I just have sex with everybody? What's the big deal?", the answer God offers her is: "Nothing you do will ever be okay with everybody. 'Everybody' is a large word. The real question is can you have sex and have it be okay with you?" There's no doubt that the casual question-and-answer format will help make God feel welcoming and accessible to teens. Conversations with God for Teens is the perfect gift purchase for parents, grandparents, and anyone else who wants to provide accessible spiritual content for the teen(s) in their lives.
During the course of a 12 day stay in the hospital, following two major surgeries to remove a large cancerous growth, Devin Sherman had time to speak with God. God showed him during this time how he should live his life from that moment on. Also what was expected of him that would ultimately get him closer to God. It was a experience of unconditional love and teaching. Devin's life has been changed and hopefully by reading this book it will change the life of others as well.
An entertaining history of the soundtrack of American evangelical Christianity Few things frightened conservative white Protestant parents of the 1950s and the 1960s more than thought of their children falling prey to the "menace to Christendom" known as rock and roll. The raucous sounds of Elvis Presley and Little Richard seemed tailor-made to destroy the faith of their young and, in the process, undermine the moral foundations of the United States. Parents and pastors launched a crusade against rock music, but they were fighting an uphill battle. Salvation came in a most unlikely form. Well, maybe not that unlikely--the long hair, the beards, the sandals--but still a far cry from the buttoned-up, conservative Protestantism they were striving to preserve. Yet when a revival swept through counterculture hippie communities of the West Coast in the 1960s and 1970s a new alternative emerged. Known as the Jesus Movement--and its members, more colloquially, as "Jesus freaks"--the revival was short-lived. But by combining the rock and folk music of the counterculture with religious ideas and aims of conservative white evangelicals, Jesus freaks and evangelical media moguls gave birth to an entire genre known as Contemporary Christian Music (CCM). By the 1980s and 1990s, CCM had grown into a massive, multimillion-dollar industry. Contemporary Christian artists were appearing on Top 40 radio, and some, most famously Amy Grant, crossed over into the mainstream. And yet, today, the industry is a shadow of what it once was. In this book, Leah Payne traces the history and trajectory of CCM in America and, in the process, demonstrates how the industry, its artists, and its fans shaped--and continue to shape--conservative, (mostly) white, evangelical Protestantism. For many outside observers, evangelical pop stars, interpretive dancers, puppeteers, mimes, and bodybuilders are silly expressions of kitsch. Yet Payne argues that these cultural products were sources of power, meaning, and political activism. Throughout, she draws on in-depth interviews with CCM journalists, publishers, producers, and artists, as well as archives, sales and marketing data, fan magazines, merchandise--everything that went into making CCM a thriving subculture. Ultimately, Payne argues, CCM spurred evangelical activism in more potent and lasting ways than any particular doctrine, denomination, culture war, or legislative agenda had before.
The acclaimed actor makes his fiction debut with this enthralling urban fantasy in which a holy warrior must convince a doctor with no faith to help stop a powerful demon and his minions from succeeding in creating hell on earth—a thrilling adventure of science and faith, good and evil, damnation and salvation. Imagine that everyone you have ever known or loved was forced against their will into a state of demonic possession and spiritual slavery. Imagine an unholy cabal of the world’s richest and most powerful men directing this sinister plan in order to cement their unbridled control of the planet. Imagine two heroes emerging from that dark-ness to do battle with the forces of evil. Set in the mean streets of Chicago, Talon of God is the action-packed adventure centered around Lauryn Jefferson, a beautiful young doctor who is dragged into a seemingly impossible battle against the invisible forces of Satan’s army and their human agents that are bent on enslaving humanity in a mission to establish the kingdom of hell on Earth. But Lauryn is a skeptic, and it’s only as she sees a diabolical drug sweep her city and begins to train in the ways of a spirit warrior with Talon Hunter, the legendary man of God, that she discovers her true nature and inner strength. Facing dangerous trials and tests, it’s a true baptism by fire. And if she and Hunter fail, millions could die. And rivers of blood would flow throughout the land. Imagine such horror. Such pain. And imagine what it would take to fight against it. For only the strongest and most faithful will survive . . . Get ready. Armageddonapproaches quickly.
We Are So Quick to Say We Want “More” of God, but Is That Really True? As strange as it may sound, the most misunderstood, misrepresented, and potentially the most feared person in Christianity may very well be God Himself. Even seasoned Christians often view God as frightening, untrustworthy, and distant. But nothing could be further from the truth. Author and filmmaker Darren Wilson takes a funny yet poignant romp through Scripture, revealing a long-time Christian’s hang-ups and fears of a God he was supposed to love. Wilson looks at questions such as: Is God selfish, silent, distant, and constantly disappointed in you? How do you love someone you can’t see and who has the power to punish you at any moment? How can a loving God throw people into hell simply for not believing in Him? Wilson encourages readers to be honest with themselves and with God. He challenges us to face the things many Christians struggle with but are too afraid to talk about because everyone else seems to have this faith thing figured out. He believes God isn’t afraid of our questions, doubts, fears, or even our anger. The secret to peace and friendship with God lies in understanding who He really is.