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Featuring every review Ebert wrote from January 2001 to mid-June 2003, this treasury also includes his essays, interviews, film festival reports, and In Memoriams, along with his famous star ratings.
This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.
In parallel columns of French and English, lists over 4,000 reference works and books on history and the humanities, breaking down the large divisions by subject, genre, type of document, and province or territory. Includes titles of national, provincial, territorial, or regional interest in every subject area when available. The entries describe the core focus of the book, its range of interest, scholarly paraphernalia, and any editions in the other Canadian language. The humanities headings are arts, language and linguistics, literature, performing arts, philosophy, and religion. Indexed by name, title, and French and English subject. Annotation copyrighted by Book News, Inc., Portland, OR
Take One's Essential Guide to Canadian Film is the most exhaustive and up-to-date reference book on Canadian film and filmmakers, combining 700 reviews and biographical listings with a detailed chronology of major events in Canadian film and television history. Compiled by Wyndham Wise, the editor and publisher of Take One, Canada's most respected film magazine, with a foreword by Canadian director Patricia Rozema, this is the only reference book of its kind published in English. Each film title is listed with credits, a mini review, and significant awards. Biographical listings of directors, producers, actors, writers, animators, cinematographers, distributors, exhibitors, and independent filmmakers are accompanied by date and place of birth, date of death if applicable, a brief career overview, and a filmography. Wise celebrates Canadian achievement on both a national and an international scale, and juxtaposes the distinctly Canadian with Canada's exports to Hollywood: Maury Chaykin and Jim Carrey, John Candy and William Shatner, Mon Oncle Antoine and Porky's, Highway 61 and Meatballs, The Red Violin and The Art of War. From great early Hollywood stars like Walter Huston, Fay Wray, Mary Pickford, Norma Shearer, and Marie Dressler, to our current crop of star directors - including Patricia Rozema, Atom Egoyan, David Cronenberg, Denys Arcand, Peter Mettler, Guy Maddin, and Robert Lepage - Canadians have made an important but largely unrecorded contribution to the history of world cinema. Impressive for its breadth of coverage, refreshing in its opinionated informality, this comprehensive and lively look at Canadian film culture at the start of the twenty-first century admirably fills the gap.