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The Central American port of Greytown was destroyed by the U.S. Navy in 1854 to "avenge an insult to the American Minister to Nicaragua," according to official history. Two weeks later, the New York Tribune reported the intrigues that really doomed the port: Greytown had been a hindrance to the supremacy of a U.S.-owned steamboat company and to the colonization plans of American land speculators. Both interests used pretexts to convince the U.S. government to level the town. When an American sued for damages, he lost, resulting in a case law still cited to justify military interventions without the Congressional approval required by the Constitution. This book corrects the record regarding the causes of Greytown's destruction, and challenges the case law, based as it is on a gross misapprehension of events.
Since the early twentieth century, historians have traditionally defined manifest destiny as the belief that the United States was destined to expand from coast to coast. This generation of historians has posed manifest destiny as a unifying ideology of the nineteenth century, one that was popular and pervasive and ultimately fulfilled in the late 1840s when the United States acquired the Pacific Coast. However, the story of manifest destiny was never quite that simple. In A Failed Vision of Empire Daniel J. Burge examines the belief in manifest destiny over the nineteenth century by analyzing contested moments in the continental expansion of the United States, arguing that the ideology was ultimately unsuccessful. By examining speeches, plays, letters, diaries, newspapers, and other sources, Burge reveals how Americans debated the wisdom of expansion, challenged expansionists, and disagreed over what the boundaries of the United States should look like. A Failed Vision of Empire is the first work to capture the messy, complicated, and yet far more compelling story of manifest destiny’s failure, debunking in the process one of the most pervasive myths of modern American history.
Whether any plan to enter Mexico was carried out or whether the leaders were U.S. citizens was unimportant to the Mexican government. To Mexico the significance was that the groups recruited, organized, and plotted their entradas from the United States in full view of the U.S. government even as newspapers in both countries published dozens of articles about the endeavors.".
This aims to show how media critics and historians have written about history as portrayed in cinema and television by historical films and documentaries, focusing on what it means to "read" films historically and the colonial experience as shown in post-colonial film.
The Legacy of the Filibuster War: National Identity and Collective Memory in Central America analyzes the development of the Filibuster War as a symbol of Costa Rican national identity and presents several challenges to traditional theories of modernization and the creation of nationalism. By focusing on the development of cultural features defined by the transformation of collective memory, Marco Cabrera Geserick argues that national identity is a dynamic process defined according to local, national, and international contexts. Modernization theories connect the creation of symbols of official nationalism with the period of consolidation of the nation-state, yet the Filibuster War started its rise to Costa Rican national identity years later. Cabrera Geserick analyzes the threats to sovereignty and imperialist advances that served to promote the memory of the Filibuster War, while local social transformations—such as the abolition of the army, the rise of popular forces, and internal political conflict—have continued to force drastic changes on the interpretation of the war.
This fascinating study sheds new light on antebellum America's notorious "filibusters--the freebooters and adventurers who organized or participated in armed invasions of nations with whom the United States was formally at peace. Offering the first full-scale analysis of the filibustering movement, Robert May relates the often-tragic stories of illegal expeditions into Cuba, Mexico, Ecuador, Nicaragua, and other Latin American countries and details surprising numbers of aborted plots, as well. May investigates why thousands of men joined filibustering expeditions, how they were financed, and why the U.S. government had little success in curtailing them. Surveying antebellum popular media, he shows how the filibustering phenomenon infiltrated the American psyche in newspapers, theater, music, advertising, and literature. Condemned abroad as pirates, frequently in language strikingly similar to modern American denunciations of foreign terrorists, the filibusters were often celebrated at home as heroes who epitomized the spirit of Manifest Destiny. May concludes by exploring the national consequences of filibustering, arguing that the practice inflicted lasting damage on U.S. relations with foreign countries and contributed to the North-South division over slavery that culminated in the Civil War.
NATIONAL BESTSELLER WINNER OF THE NATIONAL BOOK AWARD In this groundbreaking biography, T.J. Stiles tells the dramatic story of Cornelius “Commodore” Vanderbilt, the combative man and American icon who, through his genius and force of will, did more than perhaps any other individual to create modern capitalism. Meticulously researched and elegantly written, The First Tycoon describes an improbable life, from Vanderbilt’s humble birth during the presidency of George Washington to his death as one of the richest men in American history. In between we see how the Commodore helped to launch the transportation revolution, propel the Gold Rush, reshape Manhattan, and invent the modern corporation. Epic in its scope and success, the life of Vanderbilt is also the story of the rise of America itself.