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"The fact that Verga's most rebellious heroines die violently at the hands of men has led to accusations of misogyny or, at the very least, of excessive social and artistic conventionality. Yet it is precisely Verga's awareness of convention that enriches his portrayal of women. The reaction of his female characters to social custom at a particular moment in their lives defines them as individuals. With rare insight, Verga depicts the female experience as both personal and universal, showing that different kinds of women are linked by the experience of being female in a male-centered culture. At the same time, however, he reveals the isolation in which women grow and live, separated from men and other women by social and cultural barriers."--BOOK JACKET.
Figuring Age engages the virtually invisible subject of older women in western culture. Like other markers of social difference, age is given meaning by a culture. Yet unlike gender and race, the subjects of age and aging have received little sustained attention. Central to Figuring Age is the crucial question of how women are aged by culture. How are older women represented in a visual culture that is dominated by images of youth in television, film, and life performance? How do psychoanalysis, rejuvenation therapy and hormone replacement therapy, the fashion system, cosmetic surgery, and midlife bodybuilding shape our views of aging as well as of the older body itself? What is the "timing" of aging? To what extent is aging a culturally-induced trauma?
According to the Department of Labor, the average woman in 1998 was bringing home less than $25,000 a year. For every dollar that a man makes, a woman makes between 50 and 75 cents, and that is hardly news. But what you may not know is that, quietly and steadily, the number of women making six figures or more is rapidly increasing. Currently, over fifteen million women make $100,000 or more, and the number continues to rise at a rate faster then for men. And these women come from every industry - psychologists, dot com founders, consultants, freelance writers, and even part-timers. What makes these particular women able to do so well in the workplace? Fueled by curiosity, Barbara Stanny, author of Price Charming Isn't Coming: How Women Get Smart About Money (Viking Penguin), set out to research this phenomenon. What she discovered was that, though the high-earning women she interviewed came from different backgrounds and had had greatly different work experiences, they all had certain characteristics in common. Secrets of Six Figure Woman: Surprising Strategies of the Successful High Earners will be a ground breaking book for high earners who want to ensure their wealth, enhance their success, and learn from others who are in the same boat. It will also offer inspiration, guidance, and motivation to those who aspire to make more.
Figuring explores the complexities of love and the human search for truth and meaning through the interconnected lives of several historical figures across four centuries—beginning with the astronomer Johannes Kepler, who discovered the laws of planetary motion, and ending with the marine biologist and author Rachel Carson, who catalyzed the environmental movement. Stretching between these figures is a cast of artists, writers, and scientists—mostly women, mostly queer—whose public contribution have risen out of their unclassifiable and often heartbreaking private relationships to change the way we understand, experience, and appreciate the universe. Among them are the astronomer Maria Mitchell, who paved the way for women in science; the sculptor Harriet Hosmer, who did the same in art; the journalist and literary critic Margaret Fuller, who sparked the feminist movement; and the poet Emily Dickinson. Emanating from these lives are larger questions about the measure of a good life and what it means to leave a lasting mark of betterment on an imperfect world: Are achievement and acclaim enough for happiness? Is genius? Is love? Weaving through the narrative is a set of peripheral figures—Ralph Waldo Emerson, Charles Darwin, Elizabeth Barrett Browning, Herman Melville, Frederick Douglass, Nathaniel Hawthorne, and Walt Whitman—and a tapestry of themes spanning music, feminism, the history of science, the rise and decline of religion, and how the intersection of astronomy, poetry, and Transcendentalist philosophy fomented the environmental movement.
Originally published in 1999 The Foremother Figure in Early Black Women's Literature looks at how stereotypical foremother figure exists in nineteenth century American literature. The book argues that older black woman portrayed in early black women’s works differs significantly from the older black women portrayed in early white women’s works. The foremother figure, then emerging in early black women’s fiction revises the stereotypical mother figure in early white women’s fiction. In the context of the mulatta heroine the foremother produces minimal language that, through an Afrocentric rhetoric, distinguishes her from the stereotypical mother and thus links her peripheral role and unusual behaviour to cultural continuity and radical uplift.
From the first women who were determined to skate in the Olympics to the international superstars of today, Legends of Women's Figure Skating tells the stories of the women who have thrilled and inspired fans both on and off the ice.
Originally published in 1999 The Foremother Figure in Early Black Women's Literature looks at how stereotypical foremother figure exists in nineteenth century American literature. The book argues that older black woman portrayed in early black women’s works differs significantly from the older black women portrayed in early white women’s works. The foremother figure, then emerging in early black women’s fiction revises the stereotypical mother figure in early white women’s fiction. In the context of the mulatta heroine the foremother produces minimal language that, through an Afrocentric rhetoric, distinguishes her from the stereotypical mother and thus links her peripheral role and unusual behaviour to cultural continuity and radical uplift.
"Portions of chapter 4 were previously published in slightly different form in "So bad she's good: the masochist's heroine in Japan, Abe Sada," in Bad girls of Japan, edited by Laura Miller and Jan Bardsley (London: Palgrave Macmillan, 2005), 141-67"--T.p. verso.
Inventive in its approach and provocative in its analysis, this study offers fresh readings of the arguments and practices of four seventeenth-century Euro-American women: Anne Bradstreet, Anne Hutchinson, Sor Juana Inés de la Cruz, and Marie de l'Incarnation. Tamara Harvey here compares functionalist treatments of the body by these women, offering a new way to think of corporeality as a device in literary and religious expressions of modesty by women. In doing so, Harvey explores the engagement of these women in ongoing religious, political, scientific and social debates that would have been understood by the authors' contemporaries in both Europe and America.