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Can visual art help redeem one’s sense of self, damaged by technological society? Michael Snow’s work is often described as self-referential, meaning that it “talks” about the relationships between its materials and images, largely ignoring relationships beyond the “frame.” However, since the work also encompasses the way in which the interior relationship of the work intersects with sight and how they, together, create the frame, the work also must include the people looking at it. This book explores how the visual art practice of Michael Snow asks the question Who? of the viewers as they interpret what lies before them. Much criticism of Snow objectively analyzes the material interrelationships in his work, ignoring viewer participation, and implicitly giving the artist control of the view. However, what if the “who” is addressed from the perspective of the viewer, who is looking across a gap created by concrete representation, time, place, experience and, perhaps, gender? How then can it remain objective? Following on writers such as Martin Heidegger, Walter Benjamin, Paul Ricoeur, Jacques Derrida and Mikkel Borch-Jacobsen, Figuring Redemption questions the proposal that the contemporary sense of self is “fallen” as a result of modern technology, but can be redeemed in some part by certain kinds of visual art. Original in its positioning of interpretive and critical writing on the side of an embodied viewer, this book rejuvenates Snow criticism by going beyond discussions of materials and operation or of loss and distancing due to mediation. By alternating personal performance writing with objective analysis, the text participates in the destabilizing process of questioning self-recognition that Snow’s practice initiates.
A sociologist and pop-culture expert offers a balanced engagement of hip-hop and rap music, showing God's presence in the music and the message.
Traces how the author, a Navy veteran, committed five bank robberies and spent years in prison before he rallied with the support of family and friends and learned savvy legal skills, allowing him to build a promising life as a free man.
Often we make a mess of our lives and wonder if there is any redemption. In this book, pastor and author Tom Berlin helps us see our mess through the eyes of Christ to find redemption and restoration. Using Scripture, devotional tools, and the writings of Ignatius of Loyola, John of the Cross, St. Augustine, John Wesley, Evelyn Underhill, and others, Berlin encourages reflection and meditation through our own brokenness. Only then can we focus on the cross as the place where we truly surrender control, leave our mess, and find redemption. Chapters include: This Is a Real Mess Who Left This Mess? Bless This Mess No Messing Around Address This Mess The Message in the Mess
Julie Lyons was working as a crime reporter when she followed a hunch into the South Dallas ghetto. She wasn’t hunting drug dealers, but drug addicts who had been supernaturally healed of their addictions. Was there a church in the most violent part of the city that prayed for addicts and got results? At The Body of Christ Assembly, a rundown church on an out-of-the-way street, Lyons found the story she was looking for. The minister welcomed criminals, prostitutes, and street people–anyone who needed God. He prayed for the sick, the addicted, and the demon-possessed, and people were supernaturally healed. Lyons’s story landed on the front page of the Dallas Times Herald. But she got much more than just a great story, she found an unlikely spiritual home. Though the parishioners at The Body of Christ Assembly are black and Pentecostal, and Lyons is white and from a traditional church background, she embraced their spirituality–that of “the Holy Ghost and fire.” It’s all here in Holy Roller–the stories of people desperate for God’s help. And the actions of a God who doesn’t forget the people who need His power.
Reflects upon life and mankind's inevitable search for meaning, arguing that those without religious belief find disappointment in placing their faith in historical progress.