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Contemporary artists Robert Colescott (1925-2009), Kerry James Marshall (b. 1955), and Mickalene Thomas (b. 1971) are distinguished by their attention to a history of representation, which they re-visit and revise to reflect on individual and collective Black experience. Equally engaged with social and political histories, and the history of art, Colescott, Marshall, and Thomas have created works that at times poignantly and satirically critique dominant narratives and posit alternatives. By considering these artists together, this thought-provoking book expands our understanding of contemporary history painting, a genre first defined during the 17th century and known for didactic paintings that often depicted Biblical or mythological subjects, and expressed the tastes and narratives of a ruling class. Colescott, Marshall, and Thomas marry appreciation of these traditional forms of representation to a deep understanding of contemporary American culture to create insightful works that disrupt historic narratives and read canonic art history against the grain. Published in association with the Seattle Art Museum Exhibition Schedule: Seattle Art Museum (02/15/18-05/13/18)
Discover the world records that define our history and jump headfirst into the past using scientific data that reveals accurate and insightful answers to life’s biggest questions. What was history's biggest empire? Or the tallest building of the ancient world? What was the plumbing like in medieval Byzantium? The average wage in the Mughal Empire? Where did scientific writing first emerge? What was the bloodiest ever ritual human sacrifice? ​ We are used to thinking about history in terms of stories. Yet we understand our own world through data: cast arrays of statistics that reveal the workings of our societies. In Figuring Out the Past, radical historians Peter Turchin and Dan Hoyer dive into the numbers that reveal the true shape of the past, drawing on their own Seshat project, a staggeringly ambitious attempt to log every data point that can be gathered for every society that has ever existed. This book does more than tell the story of humanity: it shows you the big picture, by the numbers.
Essential reading for anyone interested in the historical Jesus debate, this volume offers a comprehensive and balanced account of research into the person of Jesus.
"Nowadays, figure skating is largely about jumps and the impressiveness of how many spins you can make in the air. However, the jumps have not always been figure skating's most prominent feature. When did the jumps emerge, how, and why? Who invented them - if that is even possible to know? These questions are addressed in Ryan Stevens' book." - Anna Maria Hellborg, Department of Sport Sciences, Malmö University, Idrottsforum Much has been written about figure skating jumps over the years, but most of it has focused on technique. Precious little has been written from a historical perspective. Jam-packed with fascinating information about the origins and international evolution of figure skating jumps, "Technical Merit: A History of Figure Skating Jumps" includes: - Essays on the waltz jump, toe-loop, Salchow, loop, flip, Lutz, Axel, pairs throws, twists and side-by-side jumps. There is even a chapter devoted to the history of the backflip. - Data on a wide variety of technical firsts achieved under the International Skating Union's IJS system. - Dozens of compelling, little-known facts about the people who have been responsible for some of the biggest technical achievements in the world's most exciting winter sport. If you love figure skating, you will not be able to put this book down. Order your copy today!
Here is the first comprehensive, balanced account of historical Jesus studies. Beginning with brief discussions of the early days of historical research into the person of Jesus and the methods developed by researchers at the time, Mark Allen Powell offers insightful overviews of some of the most important participants in the contemporary Jesus quests.
Reprint of the original, first published in 1873.
Discusses skating's many technical and artistic advances, its important figures, its intrigues and scandals, and the historical high points during its evolution.
The Rāmāyana of Vālmīki is considered by many contemporary Hindus to be a foundational religious text. But this understanding is in part the result of a transformation of the epic’s receptive history, a hermeneutic project which challenged one characterization of the genre of the text, as a work of literary culture, and replaced it with another, as a work of remembered tradition. This book examines Rāmāyana commentaries, poetic retellings, and praise-poems produced by intellectuals within the Śrīvaisnava order of South India from 1250 to 1600 and shows how these intellectuals reconceptualized Rāma’s story through the lens of their devotional metaphysics. Śrīvaisnavas applied innovative interpretive techniques to the Rāmāyana, including allegorical reading, ślesa reading (reading a verse as a double entendre), and the application of vernacular performance techniques such as word play, improvisation, repetition, and novel forms of citation. The book is of interest not only to Rāmāyana specialists but also to those engaged with Indian intellectual history, literary studies, and the history of religions.
This book begins with a history of the detective genre, coextensive with the novel itself, identifying the attitudes and institutions needed for the genre to emerge in its mature form around 1880. The theory of the genre is laid out along with its central theme of the getting and deployment of knowledge. Sherlock Holmes, the English Classic stories and their inheritors are examined in light of this theme and the balance of two forms of knowledge used in fictional detection--cool or rational, and warm or emotional. The evolution of the genre formula is driven by changes in the social climate in which it is embedded. These changes explain the decay of the English Classic and its replacement by noir, hardboiled and spy stories, to end in the cul-de-sac of the thriller and the nostalgic Neo-Classic. Possible new forms of the detective story are suggested.