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A book containing large images of female quicksketch drawings by Jeff Watts.
An anatomy book for artists to help understand the works of George B. Bridgman with a variety of techniques and approaches. Created by Jeffrey R. Watts.
In 1927, the leading art schools of the United States were invited to participate in a contest sponsored by the Art Students League of New York. A well-known artist and teacher, George B. Bridgman, directed the jury that selected the best figure drawings. Afterward, Bridgman assembled this splendid gallery of the best images from the competition. Intermediate-level students will benefit from the study of these complete and detailed drawings. Sketches in charcoal, pencil, wash, pen and ink, and crayon include a tremendous variety of styles, poses, and techniques. In addition to its value as a handbook, this collection also offers an authentic reflection of the era's excellent draftsmanship.
Anthropology is the study of all humans in all times in all places. But it is so much more than that. "Anthropology requires strength, valor, and courage," Nancy Scheper-Hughes noted. "Pierre Bourdieu called anthropology a combat sport, an extreme sport as well as a tough and rigorous discipline. ... It teaches students not to be afraid of getting one's hands dirty, to get down in the dirt, and to commit yourself, body and mind. Susan Sontag called anthropology a "heroic" profession." What is the payoff for this heroic journey? You will find ideas that can carry you across rivers of doubt and over mountains of fear to find the the light and life of places forgotten. Real anthropology cannot be contained in a book. You have to go out and feel the world's jagged edges, wipe its dust from your brow, and at times, leave your blood in its soil. In this unique book, Dr. Michael Wesch shares many of his own adventures of being an anthropologist and what the science of human beings can tell us about the art of being human. This special first draft edition is a loose framework for more and more complete future chapters and writings. It serves as a companion to anth101.com, a free and open resource for instructors of cultural anthropology. This 2018 text is a revision of the "first draft edition" from 2017 and includes 7 new chapters.
More than two hundred full-color photos of women in motion and at rest Standing. Seated. Reclining. Kneeling. Bending. Crouching. Running. World-renowned photographer Mark Edward Smith has captured women of every age and form in every type of movement, then gathered his striking, unusual images into The Nude Female Figure. An indispensable reference for artists who have limited access to live figure models, this remarkable book features striking images of shapely young women as well as elegiac photos of more mature women. The models in these full-color pictures include women of every type—slender women, not-so-slender women, pregnant women, and women of color. A special section shows closeups of the hands and feet. Each pose is beautiful, and the unparalleled attention to composition, lighting, and reproduction make it easy for artists to see the relationships between the parts of the body and to study the classic female figure. • A must-have reference for all artists • Beautiful composition and lighting by a world-renowned photographer and best-selling author—125,000 books sold • All in color for the first time—at same great price as The Nude Figure
"A National Book Award-finalist biographer tells the story of how a young man in his 20s who had never written a novel turned out a masterpiece that still grips readers more than 70 years later and is considered a rite of passage for readers around the world, "--NoveList.
In Seizing the Means of Reproduction, Michelle Murphy's initial focus on the alternative health practices developed by radical feminists in the United States during the 1970s and 1980s opens into a sophisticated analysis of the transnational entanglements of American empire, population control, neoliberalism, and late-twentieth-century feminisms. Murphy concentrates on the technoscientific means—the technologies, practices, protocols, and processes—developed by feminist health activists. She argues that by politicizing the technical details of reproductive health, alternative feminist practices aimed at empowering women were also integral to late-twentieth-century biopolitics. Murphy traces the transnational circulation of cheap, do-it-yourself health interventions, highlighting the uneasy links between economic logics, new forms of racialized governance, U.S. imperialism, family planning, and the rise of NGOs. In the twenty-first century, feminist health projects have followed complex and discomforting itineraries. The practices and ideologies of alternative health projects have found their way into World Bank guidelines, state policies, and commodified research. While the particular moment of U.S. feminism in the shadow of Cold War and postcolonialism has passed, its dynamics continue to inform the ways that health is governed and politicized today.
From low humor to high drama, TV weather reporting has encompassed an enormous range of styles and approaches, triggering chuckles, infuriating the masses, and at times even saving lives. In Weather on the Air, meteorologist and science journalist Robert Henson covers it all—the people, technology, science, and show business that combine to deliver the weather to the public each day. Featuring the long-term drive to professionalize weathercasting; the complex relations between government and private forecasters; and the effects of climate-change science and the Internet on today’s broadcasts. With dozens of photos and anecdotes illuminating the many forces that have shaped weather broadcasts over the years, this engaging study will be an invaluable tool for students of broadcast meteorology and mass communication and an entertaining read for anyone fascinated by the public face of weather.