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This book relates a chapter of American military history which many people would rather forget. When the United States came to the aid of Britain in 1942, the arrival of American troops was greeted with unreserved enthusiasm, but unfortunately, wartime sometimes brings out the worst, as well as the best, in people. A small number of the soldiers abused the hospitality they received by committing murders and rapes against British civilians. Some of these men were hanged or shot at Shepton Mallet Prison in Somerset, which had been handed over for the use of the American armed forces. Due to a treaty between Britain and America, those accused of such offences faced an American court martial, rather than a British civilian court, which gave rise to some curious anomalies. Although rape had not been a capital crime in Britain for over a century, it still carried the death penalty under American military law and so the last executions for rape in Britain were carried out at this time in Shepton Mallet. Fighting For the United States, Executed in Britain tells the story of every American soldier executed in Britain during the Second World War. The majority of the executed soldiers were either black or Hispanic, reflecting the situation in the United States itself, where the ethnicity of the accused person often played a key role in both convictions and the chances of subsequently being executed.
This book relates a chapter of American military history which many people would rather forget. When the United States came to the aid of Britain in 1942, the arrival of American troops was greeted with unreserved enthusiasm, but unfortunately, wartime sometimes brings out the worst, as well as the best, in people. A small number of the soldiers abused the hospitality they received by committing murders and rapes against British civilians. Some of these men were hanged or shot at Shepton Mallet Prison in Somerset, which had been handed over for the use of the American armed forces. Due to a treaty between Britain and America, those accused of such offences faced an American court martial, rather than a British civilian court, which gave rise to some curious anomalies. Although rape had not been a capital crime in Britain for over a century, it still carried the death penalty under American military law and so the last executions for rape in Britain were carried out at this time in Shepton Mallet. Fighting For the United States, Executed in Britain tells the story of every American soldier executed in Britain during the Second World War. The majority of the executed soldiers were either black or Hispanic, reflecting the situation in the United States itself, where the ethnicity of the accused person often played a key role in both convictions and the chances of subsequently being executed.
"The Fifth Field reveals one of the final secrets of the war: how 96 American soldiers in Europe and North Africa were tried by American General Courts-Martial, convicted by military juries, sentenced to death, executed and buried in an obscure, secret plot at an American military cemetery in France"--Author's website.
Genuinely new story of the Second World War - the full account of England's last war against France in 1940-42. Most people think that England's last war with France involved point-blank broadsides from sailing ships and breastplated Napoleonic cavalry charging red-coated British infantry. But there was a much more recent conflict than this. Under the terms of its armistice with Nazi Germany, the unoccupied part of France and its substantial colonies were ruled from the spa town of Vichy by the government of Marshal Philip Petain. Between July 1940 and November 1942, while Britain was at war with Germany, Italy and ultimately Japan, it also fought land, sea and air battles with the considerable forces at the disposal of Petain's Vichy French. When the Royal Navy sank the French Fleet at Mers El-Kebir almost 1,300 French sailors died in what was the twentieth century's most one-sided sea battle. British casualties were nil. It is a wound that has still not healed, for undoubtedly these events are better remembered in France than in Britain. An embarrassment at the time, France's maritime massacre and the bitter, hard-fought campaigns that followed rarely make more than footnotes in accounts of Allied operations against Axis forces. Until now.
How do you convince men to charge across heavily mined beaches into deadly machine-gun fire? Do you appeal to their bonds with their fellow soldiers, their patriotism, their desire to end tyranny and mass murder? Certainly—but if you’re the US Army in 1944, you also try another tack: you dangle the lure of beautiful French women, waiting just on the other side of the wire, ready to reward their liberators in oh so many ways. That’s not the picture of the Greatest Generation that we’ve been given, but it’s the one Mary Louise Roberts paints to devastating effect in What Soldiers Do. Drawing on an incredible range of sources, including news reports, propaganda and training materials, official planning documents, wartime diaries, and memoirs, Roberts tells the fascinating and troubling story of how the US military command systematically spread—and then exploited—the myth of French women as sexually experienced and available. The resulting chaos—ranging from flagrant public sex with prostitutes to outright rape and rampant venereal disease—horrified the war-weary and demoralized French population. The sexual predation, and the blithe response of the American military leadership, also caused serious friction between the two nations just as they were attempting to settle questions of long-term control over the liberated territories and the restoration of French sovereignty. While never denying the achievement of D-Day, or the bravery of the soldiers who took part, What Soldiers Do reminds us that history is always more useful—and more interesting—when it is most honest, and when it goes beyond the burnished beauty of nostalgia to grapple with the real lives and real mistakes of the people who lived it.
* * * Special 75th Anniversary Edition * * * Hugh Sebag-Montefiore's Dunkirk: Fight to the Last Man tells the story of the rescue in May 1940 of British soldiers fleeing capture and defeat by the Nazis at Dunkirk. Dunkirk was not just about what happened at sea and on the beaches. The evacuation would never have succeeded had it not been for the tenacity of the British soldiers who stayed behind to ensure they got away. Men like Sergeant Major Gus Jennings who died smothering a German stick bomb in the church at Esquelbecq in an effort to save his comrades, and Captain Marcus Ervine-Andrews VC who single-handedly held back a German attack on the Dunkirk perimeter thereby allowing the British line to form up behind him. Told to stand and fight to the last man, these brave few battalions fought in whatever manner they could to buy precious time for the evacuation. Outnumbered and outgunned, they launched spectacular and heroic attacks time and again, despite ferocious fighting and the knowledge that for many only capture or death would end their struggle. 'A searing story . . . both meticulous military history and a deeply moving testimony to the extraordinary personal bravery of individual soldiers' Tim Gardam, The Times 'Sebag-Montefiore tells [the story] with gusto, a remarkable attention to detail and an inexhaustible appetite for tracking down the evidence' Richard Ovary, Telegraph Hugh Sebag-Montefiore was a barrister before becoming a journalist and then an author. He wrote the best-selling Enigma: The Battle for the Code. One of his ancestors was evacuated from Dunkirk.
This book is open access under a CC BY 4.0 licence. This book is a multidisciplinary work that investigates the notion of posthumous harm over time. The question what is and when is death, affects how we understand the possibility of posthumous harm and redemption. Whilst it is impossible to hurt the dead, it is possible to harm the wishes, beliefs and memories of persons that once lived. In this way, this book highlights the vulnerability of the dead, and makes connections to a historical oeuvre, to add critical value to similar concepts in history that are overlooked by most philosophers. There is a long historical view of case studies that illustrate the conceptual character of posthumous punishment; that is, dissection and gibbetting of the criminal corpse after the Murder Act (1752), and those shot at dawn during the First World War. A long historical view is also taken of posthumous harm; that is, body-snatching in the late Georgian period, and organ-snatching at Alder Hey in the 1990s.
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New York Times bestseller. The definitive story of the Ritchie Boys, as featured on CBS’s 60 Minutes. “A spellbinding account of extraordinary men at war.” —USA Today They were young Jewish boys who escaped from Nazi-occupied Europe and resettled in America. After the United States entered the war, they returned to fight for their adopted homeland and for the families they had left behind. Their stories tell the tale of one of the U.S. Army’s greatest secret weapons. These young men—known as the Ritchie Boys, after the Maryland camp where they trained—knew what the Nazis would do to them if they were captured. Yet they leapt at the opportunity to be sent in small, elite teams to join every major combat unit in Europe, where they collected key tactical intelligence on enemy strength, troop and armored movements, and defensive positions that saved American lives and helped win the war. A postwar army report found that nearly 60 percent of the credible intelligence gathered in Europe came from the Ritchie Boys. Sons and Soldiers draws on original interviews and extensive archival research to vividly re-create the stories of six of these men, tracing their journeys from childhood through their escapes from Europe, their feats and sacrifices during the war, and finally their desperate attempts to find their missing loved ones. Sons and Soldiers is an epic story of heroism, courage, and patriotism that will not soon be forgotten. “An irresistible history of the WWII Jewish refugees who returned to Europe to fight the Nazis.” —Newsday “Gripping . . . A story of courage and determination, revenge and redemption.” —The Boston Globe