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A complete, newly translated LIBRETTO of Mozart's THE MARRIAGE OF FIGARO featuring Music Highlight Examples and Italian/English translation side-by-side.
He's getting married in the morning, and the enterprising Figaro (servant, barber, professional troublemaker) couldn't be happier. But with everybody scheming to come between him and his bride, Figaro will need all his cunning to make it down the aisle. This new adaptation of Beaumarchais' comic masterpiece is not only hilariously funny, but has a razor sharp political edge.
This handbook provides the reader with the first comprehensive guide to Mozart's Le nozze di Figaro. Tim Carter discusses the composition of the opera and the social, cultural and musical context in which it was produced, its critical reception and performance history. He provides a full analytical synopsis, a chapter on the verse structure of the libretto and a discussion of Mozart's matching of music to drama. Other chapters also consider relevant topics, including the 'comic' possibilities of the Classical style, and Michael Robinson writes on opera buffa in the 1770s and 1780s.
Lauras love of horses began when she was barely four years old, but it wasnt until she got her very own black stallion that she truly fell in love. From the beginning, she was determined to get Figaro for her ownsaving up her money and then arguing with the seller who was afraid to sell such a headstrong horse to such a young girl. But Laura was used to handling tough colts on the track and pleaded her case: You showed him to me for a reason. I was destined for Figaro to be my horse, she told the seller. After lots of pleading, she took home her prize. She trained him, grew with him, and bonded with himbecoming one in mind and spirit with her horse. As time went on, she came to realize that there was an unknown chapter in his life that made him act up with some people. His judge of character was pretty much dead on. Laura and Figaro may not be in the history books as champion athletes, but they brought out the best in each other and showed each other the meaning of unconditional love.
The Barber of Seville * The Marriage of Figaro * The Guilty Mother Eighteenth-century France produced only one truly international theatre star, Beaumarchais, and only one name, Figaro, to put with Don Quixote or D'Artagnan in the ranks of popular myth. But who was Figaro? Not the impertinent valet of the operas of Mozart or Rossini, but both the spirit of resistance to oppression and a bourgeois individualist like his creator. The three plays in which he plots and schemes chronicle the slide of the ancien régime into revolution but also chart the growth of Beaumarchais' humanitarianism. They are also exuberant theatrical entertainments, masterpieces of skill, invention, and social satire which helped shape the direction of French theatre for a hundred years. This lively new translation catches all the zest and energy of the most famous valet in French literature. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.