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This is an authoritative and comprehensive history of the Fifty Years' war and the relationship that dominated world politics in the second half of the twentieth century. For fifty years relations between the United States and the Soviet Union were deciding factors in international affairs. Available for the first time in paperback, Richard Crockatt's acclaimed book is an examination of this relationship in its global context. It breaks new ground in seeking a synthesis of historical narrative and analysis of the global structures within which superpower relations developed. Attention is given to economic as well as political and military factors.
In October of 1967, on the eve of the fiftieth anniversary of the Bolshevik Revolution, the Hoover Institution at Stanford University sponsored a week-long conference on "Fifty Years of Communism in Russia." In addition to the United States, participants came from Great Britain, Germany, France, and Canada--and the Soviet Embassy in Washington was also concerned enough to send several observers. The papers included in this volume give a well rounded picture of all aspects of the first fifty years of Soviet history: Bertram D. Wolfe, "Marxism and the Russian Revolution"; Leonard Schapiro, "The Basis and Development of the Soviet Polity"; G. Warren Nutter, "The Soviet Economy: Retrospect and Prospect", John N. Hazard, "Rigidity and Adaptability of Soviet Law"; Ivo J. Lederer, "Soviet Foreign Policy"; Jean Laloy, "Proletarian Internationalism", Raymond L. Garthoff, "Military Theory and Practice"; John Turkevich, "Fifty Years of Soviet Science"; Max Hayward, "Themes and Democratic Challenge to Communism."
"Robert Robinson (1907?-1994) was a Jamaican-born toolmaker who worked in the auto industry in the United States. At the age of 23, he was recruited to work in the Soviet Union, where he spent 44 years after the government refused to give him an exit visa for return. Starting with a one-year contract by Russians to work in the Soviet Union, he twice renewed his contract. He became trapped by the German invasion of the Soviet Union during World War II and the government's refusal to give him an exit visa. He earned a degree in mechanical engineering during the war. He finally left the Soviet Union in 1974 on an approved trip to Uganda, where he asked for and was given asylum. He married an African-American professor working there. He finally gained re-entry to the United States in 1976, and gained attention for his accounts of his 44 years in the Soviet Union."--Wikipedia.
A gripping account of Soviet life as experienced by an American who lived for 50 years on an absolutely equal basis with Russians. Packed with details of everyday life from giving birth in a Soviet hospital to living in a Moscow communal apartment. Forced to give up her American citizenship during Stalin's reign, Wettlin was coerced into becoming an informant for the KGB. She describes what Russia was like during and after World War II, her travels from the Baltic states to Siberia, Outer Mongolia, Leningrad, Uzbekistan and Georgia. Her mesmerizing book offers a background for understanding Soviet events that molded the Russian mind--from revolutionary enthusiasm to a complete repudiation of communism.
Classical ballet was perhaps the most visible symbol of aristocratic culture and its isolation from the rest of Russian society under the tsars. In the wake of the October Revolution, ballet, like all of the arts, fell under the auspices of the Soviet authorities. In light of these events, many feared that the imperial ballet troupes would be disbanded. Instead, the Soviets attempted to mold the former imperial ballet to suit their revolutionary cultural agenda and employ it to reeducate the masses. As Christina Ezrahi's groundbreaking study reveals, they were far from successful in this ambitious effort to gain complete control over art. Swans of the Kremlin offers a fascinating glimpse at the collision of art and politics during the volatile first fifty years of the Soviet period. Ezrahi shows how the producers and performers of Russia's two major troupes, the Mariinsky (later Kirov) and the Bolshoi, quietly but effectively resisted Soviet cultural hegemony during this period. Despite all controls put on them, they managed to maintain the classical forms and traditions of their rich artistic past and to further develop their art form. These aesthetic and professional standards proved to be the power behind the ballet's worldwide appeal. The troupes soon became the showpiece of Soviet cultural achievement, as they captivated Western audiences during the Cold War period. Based on her extensive research into official archives, and personal interviews with many of the artists and staff, Ezrahi presents the first-ever account of the inner workings of these famed ballet troupes during the Soviet era. She follows their struggles in the postrevolutionary period, their peak during the golden age of the 1950s and 1960s, and concludes with their monumental productions staged to celebrate the fiftieth anniversary of the revolution in 1968.
The first book to describe Russia's massive economic transformation for an American audience, Kremlin Capitalism provides a wealth of data and analyses not previously available in this country. The authors articulate the political and economic goals of Russian privatization, examine the current ownership of the largest enterprises in Russia, and chart the serious problem of corporate governance in the new private businesses. Kremlin Capitalism is based on the only continuous study of Russian privatization throughout the Russian Federation from 1992 to the present. The authors tracked down the story of the transition in the cities, towns, and villages of fifty of Russia's eighty-nine provinces, updating their findings after the June 1996 election. The result is an up-to-the-minute report of the largest property transfer in history and an analysis of one of this century's most significant economic transformations. The volume also characterizes the position of workers in terms of unemployment, wages, union power, and their changing role as employee shareholders.What really happened when Russia privatized its economy? The Kremlin brokered the initial struggle among different interest groups eager to claim a portion of Russian property: workers, managers, the Mafia, the old Soviet bureaucracy, regular citizens, entrepreneurs, Russian banks, and foreigners. While competing with one another, all struggled to free themselves from seventy years of Communist economic culture. Four years after the process began, have large companies learned to offer goods and services profitably and pay dividends to shareholders? Individual stories come alive as the book explores problems Russians face in structuring a new economic system, defining the ownership and governance of thousands of corporations one by one. Russian economic practices are being forged in the heat of fierce political struggles between resurgent Communists and nationalists and old Soviet managers, on the one hand, and more liberal elements of its infant democratic system on the other. Whether a few big conglomerates and the powerful banks and holding companies from Soviet days will dominate the new Russian economy to the exclusion of most citizens remains to be seen.Many questions persist. How will billions of dollars of capital be raised to retool, restructure, and reorient the heart and soul of Russia's economy? Will open stock markets stimulate a new economic order or will that new order be imposed through strong state supports and subsidies? What role will be played by shadowy conglomerates that are trying to shape a disorganized economy into something resembling the old Soviet system? The authors note the paradox of a capitalism conceived, designed, implemented, and evaluated by the Kremlin when one aim of reform is to allow market forces to play freely. Kremlin Capitalism asks whether rapid privatization has catalyzed or complicated the transition to a more liberal political and economic system, a question that will reverberate for decades.
This international bestseller plumbs recently opened archives in the former Soviet bloc to reveal the accomplishments of communism around the world. The book is the first attempt to catalogue and analyse the crimes of communism over 70 years.
In 1991, a small group of Russians emerged from the collapse of the Soviet Union and enjoyed one of the greatest transfers of wealth ever seen, claiming ownership of some of the most valuable petroleum, natural gas and metal deposits in the world. By 1997, five of those individuals were on Forbes Magazine's list of the world's richest billionaires.
WINNER OF THE 2017 NATIONAL BOOK AWARD IN NONFICTION FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDS WINNER OF THE NEW YORK PUBLIC LIBRARY'S HELEN BERNSTEIN BOOK AWARD NAMED A BEST BOOK OF 2017 BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, WASHINGTON POST, BOSTON GLOBE, SEATTLE TIMES, CHRISTIAN SCIENCE MONITOR, NEWSWEEK, PASTE, and POP SUGAR The essential journalist and bestselling biographer of Vladimir Putin reveals how, in the space of a generation, Russia surrendered to a more virulent and invincible new strain of autocracy. Award-winning journalist Masha Gessen's understanding of the events and forces that have wracked Russia in recent times is unparalleled. In The Future Is History, Gessen follows the lives of four people born at what promised to be the dawn of democracy. Each of them came of age with unprecedented expectations, some as the children and grandchildren of the very architects of the new Russia, each with newfound aspirations of their own--as entrepreneurs, activists, thinkers, and writers, sexual and social beings. Gessen charts their paths against the machinations of the regime that would crush them all, and against the war it waged on understanding itself, which ensured the unobstructed reemergence of the old Soviet order in the form of today's terrifying and seemingly unstoppable mafia state. Powerful and urgent, The Future Is History is a cautionary tale for our time and for all time.