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Chopin based his mazurkas on the traditional Polish folk dance, and was writing them on a regular basis between 1825 and 1849. Titles: * Op. 6, No. 1 * Op. 6, No. 2 * Op. 6, No. 3 * Op. 6, No. 4 * Op. 7, No. 1 * Op. 7, No. 2 * Op. 7, No. 3 * Op. 7, No. 4 * Op. 7, No. 5 * Op. 17, No. 1 * Op. 17, No. 2 * Op. 17, No. 3 * Op. 17, No. 4 * Op. 24, No. 1 * Op. 24, No. 2 * Op. 24, No. 3 * Op. 24, No. 4 * Op. 30, No. 1 * Op. 30, No. 2 * Op. 30, No. 3 * Op. 30, No. 4 * Op. 33, No. 1 * Op. 33, No. 2 * Op. 33, No. 3 * Op. 33, No. 4 * Op. 41, No. 1 * Op. 41, No. 2 * Op. 41, No. 3 * Op. 41, No. 4 * Op. 50, No. 1 * Op. 50, No. 2 * Op. 50, No. 3 * Op. 56, No. 1 * Op. 56, No. 2 * Op. 56, No. 3 * Op. 59, No. 1 * Op. 59, No. 2 * Op. 59, No. 3 * Op. 63, No. 1 * Op. 63, No. 2 * Op. 63, No. 3 * Op. 67, No. 1 * Op. 67, No. 2 * Op. 67, No. 3 * Op. 67, No. 4 * Op. 68, No. 1 * Op. 68, No. 2 * Op. 68, No. 3 * Op. 68, No. 4 * Posthumous Mazurkas in G major, A minor, B-flat major, D major, C major, A minor, D major
Jonson's book consists of an account of each Chopin composition, its place among the composer's work, its distinguishing features, notes of any special point of interest attaching to it and an epitome of comments and criticisms that have been made upon it. It is supplemented by biographical details and socio-historical information. The author gives a very detailed overwiew of the composer's life and work which deserves special attention in the field of Chopin studies. Reprint of the original edition from 1905.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
In international bestselling author Campbell Armstrong’s page-turning thriller, counterterrorism agent Frank Pagan races against the clock to defuse a confrontation with the Russians that might change the map of Europe Escorting a hard-drinking, fun-loving, probably-former-KGB Russian “envoy” to Edinburgh would appear to be one of the more relaxing jobs in Frank Pagan’s career. But in the flash of a gunshot everything changes. Now Frank’s got a Russian official with a bullet lodged in his heart, his bosses at Scotland Yard wondering if Frank missed a step, and countless politicians and secret service agencies screaming bloody murder. With spies from the KGB, MI6, and the CIA dogging his every move, Pagan has to find the men behind the deadly shooting. From the Baltic émigré community, where he meets a beautiful woman who might provide answers, to the United States to the Soviet Union, Pagan unravels a chilling plot that will have devastating worldwide repercussions. Mazurka is the 2nd book in the Frank Pagan Novels, but you may enjoy reading the series in any order.
Guide to the Pianist's Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.
Kompozytorzy polscy: Fryderyk Chopin, Maurycy Moszkowski, wykonawcy: Ignacy Friedman, Józef Hofmann, Eustachy Horodyski, Wanda Landowska, Ignacy J. Paderewski, Artur Rubinstein.
The Music of the Netherlands Antilles: Why Eleven Antilleans Knelt before Chopin's Heart is not your usual musical scholarship. In October 1999, eleven Antilleans attended the service held to commemorate the 150th anniversary of Frédéric Chopin's death. This service, held in the Warsaw church where the composer's heart is kept in an urn, was an opportunity for these Antilleans to express their debt of gratitude to Chopin, whose influence is central to Antillean music history. Press coverage of this event caused Dutch novelist and author Jan Brokken (b. 1949) to start writing this book, based on notes he took while living on Curaçao from 1993 to 2002. Anyone hoping to discover an overlooked chapter of Caribbean music and music history will be amply rewarded with this Dutch-Caribbean perspective on the pan-Caribbean process of creolization. On Curaçao, the history and legacy of slavery shaped culture and music, affecting all the New World. Brokken's portraits of prominent Dutch Antillean composers are interspersed with cultural and music history. He puts the Dutch Caribbean's contributions into a broader context by also examining the nineteenth-century works by pianist Louis Moreau Gottschalk from New Orleans and Manuel Saumell from Cuba. Brokken explores the African component of Dutch-Antillean music—examining the history of the rhythm and music known as tambú as well as American jazz pianist Chick Corea's fascination with the tumba rhythm from Curaçao. The book ends with a discussion of how recent Dutch-Caribbean adaptations of European dance forms have shifted from a classical approach to contemporary forms of Latin jazz.