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Fifty-Minutes Flahterty presents forty-one short stories in the tradition of Sherlock HolmesOCowith a difference. Fifty-Minutes Flaherty is Holmes brought up to date, accelerated, and sprinkled with humor. Homicide Lieutenant Fifty-Minutes Flaherty has acquired his nickname from his success at solving crimes in less than an hour. His helper, who is sometimes actually helpful, is Detective Sergeant Donaldson. In each story the reader is ordinarily provided with enough clues to be able to anticipate Flaherty's solutionOCobut not always. John A. Broussard writes with the sure hand of the master mystery storytellerOCohis stories leave you with a craving for more, more! Boson Books offers several collections of short stories and mysteries by John Boussard.
Producer of Nanook of the North, Moana, Man of Aran, and other pioneering documentaries between 1920 and 1940, Robert J. Flaherty was America's first independent film artist. Popular conceptions of Flaherty have led many either to worship his work and regard him in mythical terms or to debunk him as a fraud and castigate him for lack of a social consciousness. Rarely has the attempt been made to understand him in the context of his times. This captivating study presents Flaherty through the eyes of someone who knew him personally—the brilliant British filmmaker and scholar Paul Rotha. A colleague and close friend of Flaherty, Rotha gives us s a powerfully written biography that is a balanced and intimate look at the life and work of an American genius. Editor Jay Ruby has restored the Rotha biography, including a wealth of anecdotes, letters, and memoirs that begin to bring Robert Flaherty the man into focus. An especially valuable dimension of this work is the appraisal of Flaherty the filmmaker from the viewpoint of a major figure of the British industry. He summarizes in detail the critical response to Flaherty of his contemporaries, about which only sketchy information has previously been available. Flaherty regarded himself as an explorer as well as a filmmaker. The exciting story of this biography takes us from the Arctic, where Flaherty spent years filming Nanook, to the South Pacific, England, the Aran Islands, and finally the United States. his courage and overarching vision resulted in an unprecedented recording of the human struggle and in documentary films that reached a wider audience than ever before.
One of the most enigmatic aspects of experience concerns time. Since pre-Socratic times scholars have speculated about the nature of time, asking questions such as: What is time? Where does it come from? Where does it go? The central proposal of The Structure of Time is that time, at base, constitutes a phenomenologically real experience. Drawing on findings in psychology, neuroscience, and utilising the perspective of cognitive linguistics, this work argues that our experience of time may ultimately derive from perceptual processes, which in turn enable us to perceive events. As such, temporal experience is a pre-requisite for abilities such as event perception and comparison, rather than an abstraction based on such phenomena. The book represents an examination of the nature of temporal cognition, with two foci: (i) an investigation into (pre-conceptual) temporal experience, and (ii) an analysis of temporal structure at the conceptual level (which derives from temporal experience).
A general introduction to the area of theoretical linguistics known as cognitive linguistics, this textbook provides up-to-date coverage of all areas of the field, including recent developments within cognitive semantics (such as Primary Metaphor Theory, Conceptual Blending Theory, and Principled Polysemy), and cognitive approaches to grammar (such as Radical Construction Grammar and Embodied Construction Grammar). The authors offer clear, critical evaluations of competing formal approaches within theoretical linguistics. For example, cognitive linguistics is compared to Generative Grammar and Relevance Theory. In the selection of material and in the presentations, the authors have aimed for a balanced perspective. Part II, Cognitive Semantics, and Part III, Cognitive Approaches to Grammar, have been created to be read independently. The authors have kept in mind that different instructors and readers will need to use the book in different ways tailored to their own goals. The coverage is suitable for a number of courses. While all topics are presented in terms accessible to both undergraduate and graduate students of linguistics, cognitive linguistics, psycholinguistics, cognitive science, and modern languages, this work is sufficiently comprehensive and detailed to serve as a reference work for scholars who wish to gain a better understanding of cognitive linguistics.
In the late forties and early fifties, Beverly Hills was a small, conservative community with safe, tree lined streets, and was famous for movie stars and one lawyer - the fabled Jerry Geisler. This book is a fictionalized, but authentic, inside view of the workings of his office, and his world, seen through the eyes of his associate counsel. Everything is there, including allies and adversaries in the L.A.P.D., the Press, and the L.A. County District Attorneys office. In those days, criminal cases were defended on the merits, not by invoking intellectually dishonest technicalities concerning police procedure. It was an honest, rockem, sockem, intellectual battle, and may the smartest, or luckiest, lawyer win. Here we have a rising star in a prestigious Beverly Hills law firm defending a wealthy playboy accused of the brutal slaying of his estranged wife. His adversary is a brilliant young prosecutor who wants the D.A.s job, and will stop at nothing to get it. The resolution of this conflict involves forensic pathology, psychology, incest, drugs, and lots of dirty tricks by the police and both attorneys. To top it all off, the final courtroom scene takes place in a unique and unexpected venue.
An authoritative general introduction to cognitive linguistics, this book provides up-to-date coverage of all areas of the field and sets in context recent developments within cognitive semantics (including primary metaphors, conceptual blending and Principled Polysemy), and cognitive approaches to grammar (including Radical Construction Grammar and Embodied Construction Grammar). While all topics are introduced in terms accessible to both undergraduate and postgraduate students, this work is sufficiently comprehensive and detailed to serve as a reference work for scholars from linguistics and neighbouring disciplines who wish to gain a better understanding of cognitive linguistics. The book is divided into three parts (The cognitive linguistics enterprise; Cognitive semantics; and Cognitive approaches to grammar), and is therefore suitable for a range of different course types, both in terms of length and level, as well as in terms of focus. In addition to defining the field, the text also includes appropriate critical evaluation. Complementary and potentially competing approaches are explored both within the cognitive approach and beyond it. In particular, cognitive linguistics is compared and contrasted with formal approaches including Generative Grammar, formal approaches to semantics, and Relevance Theory.Features:*Exercises at the end of each chapter*Annotated reading list at the end of each chapter*Lively and accessible presentation *Full bibliography*Contains 200 diagrammatic illustrations
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