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Each of these texts represents at least one of these categories: early examples of historiography (e.g. Herodotus and Augustine); non-western works (e.g. Shaddad and Fukuzawa); 'critical' historiography (e.g. Mabillon and Ranke); history of minorities, neglected groups or subjects (e.g. Said and Needham); broad sweeps of history (e.g. Mumford and Hofstadter); and problematic or unconventional historiography (e.g. Foucault and White).
Fifty Key Thinkers on History is an essential guide to the most influential historians, theorists and philosophers of history. The entries offer comprehensive coverage of the long history of historiography ranging from ancient China, Greece and Rome, through the Middle Ages to the contemporary world. This third edition has been updated throughout and features new entries on Machiavelli, Ranajit Guha, William McNeil and Niall Ferguson. Other thinkers who are introduced include: Herodotus Bede Ibn Khaldun E. H. Carr Fernand Braudel Eric Hobsbawm Michel Foucault Edward Gibbon Each clear and concise essay offers a brief biographical introduction; a summary and discussion of each thinker’s approach to history and how others have engaged with it; a list of their major works and a list of resources for further study.
Fifty Key Works of History and Historiography introduces some of the most important works ever written by those who have sought to understand, capture, query and interpret the past. The works covered include texts from ancient times to the present day and from different cultural traditions ensuring a wide variety of schools, methods and ideas are introduced. Each of the fifty texts represents at least one of six broad categories: early examples of historiography (e.g. Herodotus and Augustine) non-western works (e.g. Shaddad and Fukuzawa) ‘Critical’ historiography (e.g. Mabillon and Ranke) history of minorities, neglected groups or subjects (e.g. Said and Needham) broad sweeps of history (e.g. Mumford and Hofstadter) problematic or unconventional historiography (e.g. Foucault and White). Each of the key works is introduced in a short essay written in a lively and engaging style which provides the ideal preparation for reading the text itself. Complete with a substantial introduction to the field, this book is the perfect starting point for anyone new to the study of history or historiography.
History and Wonder is a refreshing new take on the idea of history that tracks the entanglement of history and philosophy over time through the key idea of wonder. From Ancient Greek histories and wonder works, to Islamic curiosities and Chinese strange histories, through to European historical cabinets of curiosity and on to histories that grapple with the horrors of the Holocaust, Marnie Hughes-Warrington unpacks the ways in which historians throughout the ages have tried to make sense of the world, and to change it. This book considers histories and historians across time and space, including the Ancient Greek historian Polybius, the medieval texts by historians such as Bede in England and Ibn Khaldun in Islamic Historiography, and the more recent works by Martin Heidegger, Luce Irigaray and Ranajit Guha among others. It explores the different ways in which historians have called upon wonder to cross boundaries between the past and the present, the universal and the particular, the old and the new, and the ordinary and the extraordinary. Promising to both delight and unsettle, it shows how wonder works as the beginning of historiography. Accessible, engaging and wide-ranging, History as Wonder provides an original addition to the field of historiography that is ideal for those both new to and familiar with the study of history.
This short history of history is an ideal introduction for those studying or teaching the subject as part of courses on the historian's craft, historical theory and method, and historiography. Spanning the earliest known forms of historical writing in the ancient Near East right through to the present and covering developments in Europe, Asia, Africa and the Americas, it also touches on the latest topics and debates in the field, such as 'Big History', 'Deep History' and the impact of the electronic age. It features timelines listing major dynasties or regimes throughout the world alongside historiographical developments; guides to key thinkers and seminal historical works; further reading; a glossary of terms; and sample questions to promote further debate at the end of each chapter. This is a truly global account of the process of progressive intercultural contact that led to the hegemony of Western historiographical methods.
Despite the central importance that water has held for civilizations both ancient and modern, its social significance has made surprisingly little impact on our contemporary understanding of human history and development. Dominant interpretations of the relationship between society and nature have remained water blind. In Water and Society historian and leading water expert Terje Tvedt argues for a change that acknowledges the significant role played by water in societal development. Reflecting his expertise as a geographer, historian and a political scientist, and drawing on his wide experience of water issues around the world, Terje Tvedt s Water and Society provides a long overdue reappraisal of the relationship between water and society, one that gives water its rightful place as central to any true understanding of human history and development."
The Micro-Historian’s Guide to Research, Evidence, & Conclusions imparts useful guidance to motivated historians, genealogists, special interest researchers, and local history enthusiasts. As long-buried sources become available via the internet, more regular folks without a Ph.D. in history are joining the fun of information-gathering and shining new light on under-explored history – yet often with no foundation of method. The author answers the call with this volume, “paying forward” the guidance received from long-ago mentors as well as from present-day historians and archivists. Topics include research planning & execution, evaluation of evidence, formulation of conclusions, and the crafting of a summary narrative. Each topic is enriched by practical examples from the author’s experience. The aim is to help the new practitioner build a foundation of research skills that leads to evidence-based conclusions. The author’s perspective of experience – as a disciplined researcher, but also with roots as a no-nonsense old-school newspaper reporter – occasionally prompts a mild tease of the buttoned-down genealogy proof standard, or conversely, a deflating poke at flabby interpretation … and moribund academic writing … wherever it may fester. The Micro-Historian’s Guide to Research, Evidence, & Conclusions draws theory from dozens of history, genealogy, historiography, and research giants through the ages. The book also pays tribute to that long-ago cigar-chomping newspaper editor who admonished a young reporter: “Yer mother sez she loves ya’? You still gotta check it out!”
An incisive account of the entire history of historical writing worldwide by one of the leading intellects in the field.
Reimagining the scholarly book as living and collaborative--not as commodified and essentialized, but in all its dynamic materiality. In this book, Janneke Adema proposes that we reimagine the scholarly book as a living and collaborative project--not as linear, bound, and fixed, but as fluid, remixed, and liquid, a space for experimentation. She presents a series of cutting-edge experiments in arts and humanities book publishing, showcasing the radical new forms that book-based scholarly work might take in the digital age. Adema's proposed alternative futures for the scholarly book go beyond such print-based assumptions as fixity, stability, the single author, originality, and copyright, reaching instead for a dynamic and emergent materiality. Adema suggests ways to unbind the book, describing experiments in scholarly book publishing with new forms of anonymous collaborative authorship, radical open access publishing, and processual, living, and remixed publications, among other practices. She doesn't cast digital as the solution and print as the problem; the problem in scholarly publishing, she argues, is not print itself, but the way print has been commodified and essentialized. Adema explores alternative, more ethical models of authorship; constructs an alternative genealogy of openness; and examines opportunities for intervention in current cultures of knowledge production. Finally, asking why it is that we cut and bind our research together at all, she examines two book publishing projects that experiment with remix and reuse and try to rethink and reperform the book-apparatus by taking responsibility for the cuts they make.