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1950s clothing for the entire family, including formal and casual styles, is shown in over 450 color photographs with descriptions and current values. An excellent reference for the "Fifties Look."
From the ashes of World War II to the conflict over Iraq, William Hitchcock examines the miraculous transformation of Europe from a deeply fractured land to a continent striving for stability, tolerance, democracy, and prosperity. Exploring the role of Cold War politics in Europe’s peace settlement and the half century that followed, Hitchcock reveals how leaders such as Charles de Gaulle, Willy Brandt, and Margaret Thatcher balanced their nations’ interests against the demands of the reigning superpowers, leading to great strides in economic and political unity. He re-creates Europeans’ struggles with their troubling legacy of racial, ethnic, and national antagonism, and shows that while divisions persist, Europe stands on the threshold of changes that may profoundly shape the future of world affairs.
This vivid New York Times bestseller about 1950s America from a Pulitzer Prize–winning journalist is “an engrossing sail across a pivotal decade” (Time). Joe McCarthy. Marilyn Monroe. The H-bomb. Ozzie and Harriet. Elvis. Civil rights. It’s undeniable: The fifties were a defining decade for America, complete with sweeping cultural change and political upheaval. This decade is also the focus of David Halberstam’s triumphant The Fifties, which stands as an enduring classic and was an instant New York Times bestseller upon its publication. More than a survey of the decade, it is a masterfully woven examination of far-reaching change, from the unexpected popularity of Holiday Inn to the marketing savvy behind McDonald’s expansion. A meditation on the staggering influence of image and rhetoric, The Fifties is vintage Halberstam, who was hailed by the Denver Post as “a lively, graceful writer who makes you . . . understand how much of our time was born in those years.” This ebook features an extended biography of David Halberstam.
Joe Conzo and David A. Perez luminously recreate the life of widely acclaimed Afro-Cuban and jazz musician Tito Puente in the biography "Mambo Diablo - My Journey with Tito Puente." The authors chronicle the life of the popular and combative New York Puerto Rican multi talented musician and entertainer who climbed from his obscure and poor environment in East Harlem (El Barrio), New York to international fame and recognition. Countless stories have been written about Tito Puente's percussive musical abilities, but rarely has the talent, intuition, mishaps and controversies been presented in a vivid and personal biography. Joe Conzo was Tito's close friend, confidant and chronicler for nearly 40 years - no one was closer to Tito or knew him better, not even his family. Joe tells the story of a man and his music the way it has never been told. David A. Perez sets down Joe's personal recollections and fits them into the context of the social milieu and revolving world. Hundreds of articles have been written about Puente, and three books Powell, Josephine. Tito Puente - When The Drums are Dreaming, Authorhouse, 2007 (Information re: Tito is based on her conversations with Tito Puente. The book is self-published and chronicles many of his activities on the West Coast. There are many inconsistencies, mis-quotes, and errors of fact.) Loza, Steven. Tito Puente and the Making of Latin Music, University of Illinois Press, 1999 (A technical work that is based on interviews with people who knew Tito. The life of Puente is glanced over; the musicians he worked with are almost overlooked. Joe Conzo is among those interviewed.)Payne, Jim. Tito Puente - The King of Latin Music, Hudson Music, 2000. (Is presented as an overview of Tito Puente's music and includes a DVD with footage of Tito discussing his 50-year career. Joe Conzo provided much of the information for this endeavor.) record some of his achievements. None of them touch on the personal life of the man, expose his weaknesses, reveal his intensity for perfection, and describe the musical brilliance in such a delicate and personal way. Joe and David reveal the inner Tito Puente through his music, his musical associations and present a man that is more than a flamboyant percussionist. Tito played piano - and he played it well. Tito played the saxophone and often sat in the sax section of his orchestra. Tito played the vibes and had an incomparable style that was exciting, romantic and jazzy. He composed about 500 tunes, probably more. And, yet in the realm of American jazz historians, writers and critics ignore, brush over and avoid the importance of Tito's music and his contributions. A prime example of this is Ken Burn's television documentary about jazz - he virtually ignores Afro-Cuban music, Afro-Cuban jazz. Joe and David reveal Tito's rightful place in the history of music and give an unbiased, on-the-mark portrait of Puente's complexities like no book before it. Author and journalist Pete Hamill sets the stage for the journey in the preface.
A Time Best YA Book of All Time (2021). Over 4 million copies sold! Judy Blume’s groundbreaking novel about first relationships, first love, and…the first time—now with a stunning new look! The bed is brass, covered with a patchwork quilt, and “nice and firm,” Michael says, “in case you’re interested.” Katherine is interested. Katherine and Michael are ready—for each other, for love. Katherine is ready for her first time. They are both ready for this to be forever. They are perfect together, inseparable. Until the summer separates them, and Katherine meets Theo. But she and Michael are truly in love. That means forever. Right? Is this really the love of a lifetime, or the very beginning of a lifetime of love?
"... a group of young thespians who time travel back to 1950s Broadway."--Provided by publisher.
In this book, Frank A. Salamone looks at the United States in the 1950s through its popular culture. He examines movies, transportation, television, advertising, music, fads, and all other aspects of the period. Its famous celebrities are placed in context and examined from that perspective.
Who doesn’t want to believe in true love? Ten years ago, Savannah Edwards agreed to be a contestant on the lesbian dating show When Sparks Fly. The last thing she expected was to fall in love and get dumped on national television. When she’s invited to be the next bachelorette for the ten-year anniversary show, she makes up her mind that this time she’ll show the world that finding true love on television can really happen. Lauren Lucas breathed life into a show that was on the brink of cancellation. Her charm as the host of When Sparks Fly catapulted it to a nationwide hit. Her own love life is in shambles, but she puts on a dazzling smile and pretends that love isn’t heartbreak waiting to happen. Every week, Lauren watches Savannah date other women and tries to ignore the spark. When the cameras stop rolling and their attraction becomes impossible to deny, will they take a chance on real-life love and abandon the reality TV fairy tale?
All Pretty and Bright is an anthology of fifteen, heartfelt stories, focusing on the lives of women public school teachers who confront extrordinary circumstances and make critical choices. Some embrace the challenges and continue teaching. Others decide the time has come to move on to new endeavors. All are presented in the fullness of their humanity, with all their passions, fears, predispositions and obsessions. They will all leave an indelible impression as they speak to the experience of what it is to be a public school teacher.
As the leading fan magazine in the postwar era, Photoplay constructed female stars as social types who embodied a romantic and leisured California lifestyle. Addressing working- and lower-middle-class readers who were prospering in the first mass consumption society, the magazine published not only publicity stories but also beauty secrets, fashion layouts, interior design tips, recipes, advice columns, and vacation guides. Postwar femininity was constructed in terms of access to commodities in suburban houses as the site of family togetherness. As the decade progressed, however, changing social mores regarding female identity and behavior eroded the relationship between idolized stars and worshipful fans. When the magazine adopted tabloid conventions to report sex scandals like the Debbie-Eddie-Liz affair, stars were demystified and fans became scandalmongers. But the construction of female identity based on goods and performance that resulted in unstable, fragmented selves remains a legacy evident in postmodern culture today.