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This volume constitutes a search for the identity of Malory, author of the Morte Darthur. Field considers all arguments and gives an account of the life of the man identified, setting him in his historical context.
Reading, writing and the prosecution of warfare went hand in hand in the fifteenth century, demonstrated by the wide circulation and ownership of military manuals and ordinances, and the integration of military concerns into a huge corpus of texts; but their relationship has hitherto not received the attention it deserves, a gap which this book remedies, arguing that the connections are vital to the literary culture of the time, and should be recognised on a much wider scale. Beginning with a detailed consideration of the circulation of one of the most important military manuals in the Middle Ages, Vegetius' De re militari, it highlights the importance of considering the activities of a range of fifteenth-century readers and writers in relation to the wider contemporary military culture. It shows how England's wars in France and at home, and the wider rhetoric and military thinking those wars generated, not only shaped readers' responses to their texts but also gave rise to the production of one of the most elaborate, rich and under-recognised pieces of verse of the Wars of the Roses in the form of 'Knyghthode and bataile'. It also indicates how the structure, language and meaning of canonical texts, including those by Lydgate and Malory, were determined by the military culture of the period.
This third edition of Vinaver's superbly annotated text of the Works provides a factually corrected version of the second edition, including reverified text and apparatus consisting of some 2,850 changes, and a completely revised index and glossary. In addition to the new changes, the volume offers the standard format of the previous two editions, including a definitive biography and literary interpretation of Malory, an essay describing the texts on which the edition was established, the Caxton printing, a lucid and highly readable introduction, full critical apparatus, and numerous relevant quotes from unpublished sources.
"This book seeks to place Malory's Morte Darthur more firmly in its cultural and historical context. Its composition, in the mid to late fifteenth century, took place at a time of great upheaval for England, a period beginning with the loss of Bordeaux (and the Hundred Years War) and ending with the rise of Richard III. During this time the Morte was translated from numerous French sources, copied by scribes, and, finally, in July 1485, printed by William Caxton. The author argues that in this unique production history are reflected the ideological crises which loomed so massively over England's ruling class in the fifteenth century; and that the book is in fact inseparable from these crises."--BOOK JACKET.
From the incredible wizadry of Merlin to the passion of Gwynevere and Sir Lancelot, these tales of King Arthur and his Knights of the Round Table offer epic adventures with the supernatural as well as timeless battles with our own humanity. In a time when there were damsels in distress to save and mythical dragons to slay, King Arthur and his knights were there to render justice in the face of any danger. Keith Baine's splendid rendition of Le Morte d'Arthur faithfully preserves the original flavor of Malory's masterpiece—that of banners and bloodshed, knights and ladies, Christians and sorcerers, sentiment and savagery. It remains a vivid medieval tapestry woven about a central figure who symbolizes the birth of an age of chivalry. Includes an Introduction by Robert Graves and an Afterword by Christopher Cannon
Examining Malory's political language, this study offers a revisionary view of Arthur's kingship in the Morte Darthur and the role of the Round Table fellowship. Considering a range of historical and political sources, Lexton suggests that Malory used a specific lexicon to engage with contemporary problems of kingship and rule.