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In 1928, the bodies of two young boys were found in the Indiana Harbor shipping canal of East Chicago, their identities unknown. With no missing children of their age and appearance reported in the city, the police had begun to lose hope until a breakthrough led them to the murderer: their father, George Chisholm, a Canadian World War I veteran. How could a parent commit such a crime? The case drew headlines around the country and worldwide. The death penalty loomed for Chisholm, and his attorneys planned a campaign to save him from the electric chair on the grounds of mental illness. During World War I, while serving in the Victoria Rifles of Canada for three years, Chisholm endured the horrors of trench warfare and the Battle of Vimy Ridge. After being gassed and shell-shocked on the battlefield, Chisholm returned to Canada a changed man and his mental health deteriorated. Although the war had produced epidemic levels of shell shock, it had often been viewed as “cowardice” or “nervousness,” rather than debilitating psychological trauma. And yet, its effects persisted long afterward, manifested in shocking cases like Chisholm’s. Set near Chicago during the roaring twenties—the era of Capone and Lindbergh, bootlegging, gangsters, and rapid social change—Fiendish Crime explores not only George Chisholm’s case, but also the legacy of tragedy that continues long after war.
A look at the crimes committed by children and teenagers throughout history and the punishments they received for their digressions.
A collection of golf stories from the celebrated satirist: “A delight. Wodehouse’s drives . . . were deadly accurate when writing about the game.” —TheBoston Globe P. G. Wodehouse, Britain’s beloved satirist and author of the famous Jeeves series, often said he wished he’d spent more time playing golf and less “fooling about writing stories and things.” Happily for all of us, the prolific writer often took his pen to the green. In Fore!, Wodehouse expert D. R. Bensen has collected a dozen pieces to delight golfers, those who know them, and even those who have never basked in the ecstasy of a perfect putt—into a collection by this great humorist that is “almost as much fun as playing a round” (The Philadelphia Inquirer). “Sure to please Wodehouse readers and re-readers, even those who’ve never sliced or putted.” —Kirkus Reviews
John Newman Edwards was a soldier, a father, a husband, and a noted author. He was also a virulent alcoholic, a duelist, a culture warrior, and a man perpetually at war with the modernizing world around him. From the sectional crisis of his boyhood and the battlefields of the western borderlands to the final days of the Second Mexican Empire and then back to a United States profoundly changed by the Civil War, Oracle of Lost Causes chronicles Edwards's lifelong quest to preserve a mythical version of the Old World--replete with aristocrats, knights, damsels, and slaves--in North America. This odyssey through nineteenth-century American politics and culture involved the likes of guerrilla chieftains William Clarke Quantrill and "Bloody Bill" Anderson, notorious outlaws Frank and Jesse James, Confederate general Joseph Orville Shelby, and even Emperor Maximilian I and Empress Charlotte of Mexico. It is the story of a man who experienced Confederate defeat not once but twice, and how he sought to shape and weaponize the memory of those grievous losses. Historian Matthew Christopher Hulbert ultimately reveals how the Civil War determined not only the future of the vast West but also the extent to which the conflict was part of a broader, international sequence of sociopolitical uprisings.
This collection of essays by leading scholars insists on a larger recognition of the importance and diversity of crime fiction in U.S. literary traditions. Instead of presenting the genre as the property of Dashiell Hammett and Raymond Chandler, this book maps a larger territory which includes the domains of Mark Twain, F. Scott Fitzgerald, William Faulkner, Richard Wright, Flannery O’Connor, Cormac McCarthy and other masters of fiction.The essays in this collection pay detailed attention to both the genuine artistry and the cultural significance of crime fiction in the United States. It emphasizes American crime fiction’s inquiry into the nature of democratic society and its exploration of injustices based on race, class, and/or gender that are specifically located in the details of American experience.Each of these essays exists on its own terms as a significant contribution to scholarship, but when brought together, the collection becomes larger than the sum of its pieces in detailing the centrality of crime fiction to American literature. This is a crucial book for all students of American fiction as well as for those interested in the literary treatment of crime and detection, and also has broad appeal for classes in American popular culture and American modernism.
The unputdownable true crime story about a killer who preyed on children but was not much older than his victims. When fourteen-year-old Jesse Pomeroy was arrested in 1874, Boston’s nightmarish reign of terror came to an end. Called the “Boston Boy Fiend,” he was finally safely behind bars. But questions remained about how and why a teenager could commit such heinous crimes. Acclaimed true crime writer Harold Schechter brings his brilliant insight and fascinating historical documentation to this unforgettable exploration of one of America’s youngest serial killers.
Sometime during the night of June 10, 1912, a person or persons unknown bludgeoned to death Josiah B. Moore, his wife Sara, their children Herman, Katherine, Boyd, and Paul, and two overnight guests Lena and Ina Stillinger. The sensational crime in Villisca, Iowa led to nearly 10 years of investigations and trials. The small Southwest Iowa town split over the guilt or innocence of a local businessman and State Senator. A traveling minister from England with a history of window-peeping was charged and tried. Investigators and reporters across the country speculated that the axe murders were the work of an early serial killer. Similar crimes had been committed in Colorado Springs, Colorado; Ellsworth, Kansas; and Monmouth, Illinois. This book represents the definitive written account of American's greatest unsolved mystery. Fiend Incarnate is a companion to the award-winning documentary feature film Villisca: Living With a Mystery. Author Dr. Edgar V. Epperly has been researching the 1912 Villisca axe murders for over 60 years. He has written dozens of articles and blog entries, and appeared on CourtTV and other radio and television programs. He is a popular guest speaker at colleges, universities, historical societies, museums, libraries, and book stores. He resides in Decorah, Iowa. Epperly's research journey was the subject of the award-winning short documentary film AXMAN.
By lynching, burning, castrating, raping, and mutilating black people, contends Trudier Harris, white Americans were perfomring a rite of exorcism designed to eradicate the "black beast" from their midst, or, at the very least, to render him powerless and emasculated. Black writers have graphically portrayed such tragic incidents in their writings. In doing so, they seem to be acting out a communal role--a perpetuation of an oral tradition bent on the survival of the race. Exorcising Blackness demonstrates that the closeness and intensity of black people's historical experiences sometimes overshadows, frequently infuses and enhances, and definitely makes richer in texture the art of black writers. By reviewing the historical and literary interconnections of the rituals of exorcism, Harris opens up the hidden psyche--the soul--of black American writers.