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The Red Cotton Fields is story written in the tradition of great historical epics. The story begins on a Georgia plantation in the year 1850, ending on the gold fields of Australia in the year 1884. This is a story surrounding three southern families (the plantation owners, the plantation overseer's family and a Negro slave family) leading up to and including the Civil War. The reader will experience the demise of a southern plantation and follow two of plantation's previous occupants (Bart Royal, the white overseer's son, and Reiner Washington, an escaped slave) as they rise to become two of the richest men in the world. Also, The Red Cotton Fields is a classic love story between the plantation's owner's daughter, Holly Ballaster, and the overseer's son, Bart Royal, The Red Cotton Fields is destined to become a classic. Read it and you will understand why.
"Fields of Gold and Sorrows" begins in the allied trenches in France during the peak of World War One. One of the American wounded lying in this particular trench is Mark Royal, an heir to one of the wealthiest families in the entire world. Why would such a wealthy individual be here in the first place? Only Mark Royal knew the answer to that question and might never reveal the answer as he lie critically wounded in a muddy ditch with little chance he would make it out alive. On a sprawling piece of Georgia land known as the "Royal Farm" Mark's only sister who had just buried their father, was about to get word of another tragedy, with the news of her severely wounded brother someplace in France. "I have to travel to France and bring Mark home," Catherine said to her father's grave. "But first, I have to go find Billy. I know he's down in Florida someplace and I'll find him. I'll bring him back here where he belongs. He can oversee the farm while I'm gone to France so I can bring our brother home. Dead or alive, he will be buried on this farm like the rest of our family. I swear to you Mama and Daddy," Catherine said to the two stone markers before her, "I will bring Mark home!" Catherine wiped the tears from her eyes and walked slowly to the awaiting car. And so begins the second book in 'THE RED COTTON FIELDS' trilogy, an epic tale surrounding three of the wealthiest families in the entire world carrying the reader through the dark days of WWI into the happier days of the roaring twenties followed by the traumatic times of the great depression ending on the eve of the bombing of Pearl Harbor and the beginning of WWII. It is a story of love, war, tragedy, and the human will to survive. The saga continues in 'Fields of Gold and Sorrow'. Hope you enjoy.
Fashion studies is a burgeoning field that often highlights the contributions of genius designers and high-profile brands with little reference to what goes on behind the scenes in the supply chain. This book pulls back the curtain on the global fashion system of the past 200 years to examine the relationship between the textile mills of Yorkshire – the firms that provided the entire Western world with warm wool fabrics – and their customers. It is a microhistory of a single firm, Abraham Moon and Sons Ltd, that sheds light on important macro questions about British industry, government policies on international trade, the role of multi-generational family firms and the place of design and innovation in business strategy. It is the first book to connect Yorkshire tweeds to the fashion system. Written in lively, accessible prose, this book will appeal to anyone who works in fashion or who wears fashion. There is nothing like it – and it will raise the bar for historical studies of global fashion. Here you’ll find intriguing stories about a tweed theft from the Leeds Coloured Cloth Hall, debates on tariffs and global trade, the battle against synthetic fibres and the reinvention of British tweeds around heritage marketing. You won’t be bored.
An intimate narrative history of World War I told through the stories of twenty men and women from around the globe--a powerful, illuminating, heart-rending picture of what the war was really like. In this masterful book, renowned historian Peter Englund describes this epoch-defining event by weaving together accounts of the average man or woman who experienced it. Drawing on the diaries, journals, and letters of twenty individuals from Belgium, Denmark, France, Great Britain, Germany, Austria, Hungary, Italy, Australia, New Zealand, Russia, Venezuela, and the United States, Englund’s collection of these varied perspectives describes not a course of events but "a world of feeling." Composed in short chapters that move between the home front and the front lines, The Beauty and Sorrow brings to life these twenty particular people and lets them speak for all who were shaped in some way by the War, but whose voices have remained unheard.
Passion intertwines with fate in this riveting and historically rich novel about the journey of a woman from poverty to ultimate power in Revolution-era France. In this first of three books inspired by the life of Josephine Bonaparte, Sandra Gulland has created a novel of immense and magical proportions. We meet Josephine in the exotic and lush Martinico, where an old island woman predicts that one day she will be queen. The journey from the remote village of her birth to the height of European elegance is long, but Josephine's fortune proves to be true. By way of fictionalized diary entries, we traverse her early years as she marries her one true love, bears his children, and is left betrayed, widowed, and penniless. It is Josephine's extraordinary charm, cunning, and will to survive that catapults her to the heart of society, where she meets Napoleon, whose destiny will prove to be irrevocably intertwined with hers.
During the Vietnam War Bao Ninh served with the Glorious 27th Youth Brigade. Of the five hundred men who went to war with the brigade in 1969, he is one of only ten who survived. The Sorrow of War is his autobiographical novel. Kien works in a unit that recovers soldiers' corpses. Revisiting the sites of battles raises emotional ghosts for him and the memory of war scenes are juxtaposed with dreams and remembrances of his childhood sweetheart. The Sorrow of War burns the tragedy of war in our minds.
A collaborative ethnography that collects ordinary persons' recollections of everyday life, politics, and the environment in Rajasthan from when the state was a kingdom and since independence.
A Child of Sorrow (1921) is a novel by Zoilo Galang. The novel, Galang’s debut, has been recognized as the first work of published Filipino fiction written in English. Modeled after popular nineteenth century romances written in Spanish and Tagalog, A Child of Sorrow is a classic coming of age tale engaged with themes of friendship, desire, and the loss of innocence. Simple and heartfelt, A Child of Sorrow remains a groundbreaking work of literature from an author who dedicated his career to education and the arts. “In one of the rural and sequestered plains of Central Luzon, called the Fertile Valley, where the rice fields yielded the cup of joy to the industrious farmers, and where the harvest filled aplenty the barns of the poor, there lived simple, homely people, free from the rush and stir of city life.” In this idyllic setting, Lucio and Camilo discuss their plans for summer vacation. While Lucio, a dreamer “who painted brilliant lives on the nice canvas of memory,” wants to immerse himself in his collection of books, Camilo wants his friend to join him in the world beyond words. Together, they take a trip into town, hoping for adventure and camaraderie—and, if possible, to meet a young woman to fall in love with. Despite Camilo’s encouragement, however, Lucio longs to write poetry, to commune with the natural world with nothing but his own thoughts to keep him company. One bright morning, he runs into Rosa returning home with a pitcher of water. Before he can collect himself, Lucio confesses his undying love. With a beautifully designed cover and professionally typeset manuscript, this edition of Zoilo Galang’s A Child of Sorrow is a classic work of Filipino literature reimagined for modern readers.
This globe-spanning history of sewing and embroidery, culture and protest, is “an astonishing feat . . . richly textured and moving” (The Sunday Times, UK). In 1970s Argentina, mothers marched in headscarves embroidered with the names of their “disappeared” children. In Tudor, England, when Mary, Queen of Scots, was under house arrest, her needlework carried her messages to the outside world. From the political propaganda of the Bayeux Tapestry, World War I soldiers coping with PTSD, and the maps sewn by schoolgirls in the New World, to the AIDS quilt, Hmong story clothes, and pink pussyhats, women and men have used the language of sewing to make their voices heard, even in the most desperate of circumstances. Threads of Life is a chronicle of identity, memory, power, and politics told through the stories of needlework. Clare Hunter, master of the craft, threads her own narrative as she takes us over centuries and across continents—from medieval France to contemporary Mexico and the United States, and from a POW camp in Singapore to a family attic in Scotland—to celebrate the universal beauty and power of sewing.
Millions of paintings were produced in the Dutch Republic. The works that we know and see in museums today constitute only the tip of the iceberg -- the top-quality part. But what else was painted? This book explores the low-quality end of the seventeenth-century art market and outlines the significance of that production in the genre of history paintings, which in traditional art historical studies, is usually linked to high prices, famous painters, and elite buyers. Angela Jager analyses the producers, suppliers, and consumers active in this segment to gain insight into this enormous market for cheap history paintings. What did the supply consist of in terms of quantity, quality, price, and subject? Who produced all these works and which production methods did these painters employ? Who distributed these paintings, to whom, and which strategies were used to market them? Who bought these paintings, and why?