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A superbly crafted collection of thirteen tightly plotted tales that treats readers to murder, mystery, and mayhem in the world of horseracing. “Few things are more convincing than Dick Francis at a full gallop.”—Chicago Tribune With his remarkable blend of unrelenting suspense, finely tuned narrative, and lean, stylish prose, New York Times bestselling author Dick Francis proves that he is as much a master of the short story as he is of the novel in this thrilling collection.
A haunted house tour-de-force from the creator of THE MAGNUS ARCHIVES podcast. GOING UP? A dinner party is held in the penthouse of a multimillion-pound development. All the guests are strangers - even to their host, the billionaire owner of the building. None of them know why they were selected to receive his invitation. Whether privileged or deprived, they share only one thing in common - they've all experienced a shocking disturbance within the building's walls. By the end of the night, their host is dead, and none of the guests will say what happened. His death has remained one of the biggest unsolved mysteries - until now. But are you ready for their stories? * * * * * * * * * * 'A modern horror classic' Starburst Magazine 'Astonishing' SFX 'Nerve-jangling' Guardian 'A wonderfully creepy climax, hitting that perfect spot of uncanny horror' Grimdark Magazine 'Steals your sleep, not only because it's such a page turner but it is very very creepy' NetGalley reviewer 'Chilling and so creepy' NetGalley reviewer 'This book literally has it all: simply faultless' NetGalley reviewer
From a New York Times bestseller, “a superb thriller . . . terrific” about a sportswriter who risks his own life investigating a suspicious death (San Francisco Chronicle). Dick Francis, Edgar-Award–winning master of mystery and suspense, takes you into the thrilling world of horse racing. When reporter Bert Chekov falls to his death, his colleague James Tyrone is suspicious. Chekov’s column had recently recommended some ‘can’t-lose’ horses, who then wound up out of the running on race day. Tyrone thinks he can prove it was murder, but he may not live to tell the tale. Because as the dead man has already made clear, there’s no such thing as a sure thing . . . Praise for the writing of Dick Francis: “Dick Francis is a wonder.” —The Plain Dealer “Few things are more convincing than Dick Francis at a full gallop.” —Chicago Tribune “Few match Francis for dangerous flights of fancy and pure inventive menace.” —Boston Herald “[The] master of crime fiction and equine thrills.” —Newsday “[Francis] has the uncanny ability to turn out simply plotted yet charmingly addictive mysteries.” —The Wall Street Journal “Francis is a genius.” —Los Angeles Times “Nobody executes the whodunit formula better.” —Chicago Sun-Times “A rare and magical talent . . . who never writes the same story twice.” —The San Diego Union-Tribune
One hundred years from now, and against all the odds, Earth has found a new stability; the political order has reached some sort of balance, and the new colony on Mars is growing. But the fraught years of the 21st century have left an uneasy legacy ... Genetically engineered alpha males, designed to fight the century's wars have no wars to fight and are surplus to requirements. And a man bred and designed to fight is a dangerous man to have around in peacetime. Many of them have left for Mars but now one has come back and killed everyone else on the shuttle he returned in. Only one man, a genengineered ex-soldier himself, can hunt him down and so begins a frenetic man-hunt and a battle survival. And a search for the truth about what was really done with the world's last soldiers. BLACK MAN is an unstoppable SF thriller but it is also a novel about predjudice, about the ramifications of playing with our genetic blue-print. It is about our capacity for violence but more worrying, our capacity for deceit and corruption. This is another landmark of modern SF from one of its most exciting and commercial authors.
"we find ourselves deep in the future of fairy tale. we are the offspring of our own imaginings." Ulrike Almut Sandig's second volume of poems to be translated into English is a journey through a world that is imaginary yet entirely recognizable. Precise observation of the concrete is mixed with playful humor, inspired musicality, and an anxious reckoning with undercurrents of violence. Borrowing from the Brothers Grimm, the collection explores the darker side of their fairy tales as a backdrop for very contemporary concerns: Migration, war, the rise of the new right, ecological threat, information overload, and political apathy. At the same time, Sandig plays with the German meaning of the word "Grimm" rage. That emotion permeates the collection as a reaction to the darkness in the collective German consciousness. Yet the book is also animated by the passionate, expansive empathy--and reminds us what it is to be human. Always inventive, Sandig teases us here with multiple versions of the self, and multiple voices all in search of the origins of poetry in hidden places: in the silence before language, in the wings, in the field of rapeseed deep in the snow.
You are indestructible. Three whispered words transfer an astonishing power to Jacob Fielding that changes everything. At first, Jacob is hesitant to use the power, unsure of its implications. But there's something addictive about testing the limits of fear. Then Ophelia James, the beautiful and daring new girl in town, suggests that they use the power to do good, to save others. But with every heroic act, the power grows into the specter of a curse. How to decide who lives and who dies? In this nail-biting novel of mystery and dark intrigue, Jacob must walk the razor thin line between right and wrong, good and evil, and life and death. And time is running out. Because the Grim Reaper doesn't disappear. . . . He catches up.
These tales of passion are full of peril, a recurrent awareness of mortality, the gaps that separate all people and threaten to separate them further from those they love.".
11 days. 13 clues. And one kid who won't give up. Smack Dab in the Middle of Maybe is "part treasure hunt, part wilderness adventure, and all heart" (Alan Gratz, New York Times bestselling author of Refugee). How far would you go to find something that might not even exist? All her life, Cricket's mama has told her stories about a secret room painted by a mysterious artist. Now Mama's run off, and Cricket thinks the room might be the answer to getting her to come back. If it exists. And if she can find it. Cricket's first clue is a coin from a grown-over ghost town in the woods. So with her daddy's old guidebook and a coat full of snacks stolen from the Cash 'n' Carry, Cricket runs away to find the room. Surviving in the woods isn't easy. While Cricket camps out in an old tree house and looks for clues, she meets the last resident of the ghost town, encounters a poetry-loving dog (who just might hold a key to part of the puzzle), and discovers that sometimes you have to get a little lost . . . to really find your way. 2020 Mississippi Library Association Children's Author Award 2019 Southern Book Award Winner--Children's Category "A tale of adventure, full of mystery." --Robert Beatty, New York Times bestselling author of Serafina and the Black Cloak "An unforgettable story about a gutsy girl who will steal your heart." --Kathleen Glasgow, New York Times bestselling author of Girl in Pieces "Lyrical and endearing, this debut is a genuine adventure tale." --Kirkus Reviews, Starred
We're thirteen girls, captive to a man we rarely see. Obedience will become all we know. It is the only emotion we're permitted to feel. When we're bad, we're punished. When we're good, we're rewarded. Our scars run deep. Yet we survive, because we have to, because HE teaches us too. All of us are special, we feel it with everything we are. He has us for a reason, but it's a reason we don't know. We've haven't seen his face, but we know that something deeply broken lies beneath the darkness. With every touch, with every punishment, we know it. Then came the day he saved my life, and I saw him for the first time. He released something inside of me. He showed me who he truly is. Now I want him. I'll go against Everything I know to be with him. A monster. My monster. Loving him is a sin, but a sinner I am. I won't stop until I see every part of him. Even the parts he keeps locked deep down inside. I am Number Thirteen, and this is my story.
Chapter Thirteen is a paranormal suspense/thriller about an old woman who will do everything in her power to reclaim the life that was taken from her and the young journalist who holds the key to her success or failure. On April 13, 1936, in Morganville, Pennsylvania, a fire occurs at the well-known Brewer mansion, resulting in a mysterious death. Fast-forward to August 28, 2005: After attending school in New York for six years, Katy Barton returns to her hometown of Morganville, when she lands a job as a reporter for the local news station. The antiquated mansion is scheduled to be demolished and Katy is assigned to get a story from the reclusive old woman who still lives there. Katy is a "survivor" or so she's been told, although years of therapy have not reconciled her with her own tragic past, to which she has long since been plagued by nightmares. Each time she goes out to the estate, her nightmares are amplified by unexplained visions. When she finally meets the eccentric recluse, Evelyn, she finds that her early portrait bears an uncanny resemblance to her own high school graduation picture--and the more she learns of Evelyn's past, the more she finds that it is eerily similar to hers. As Katy is lured deeper and deeper into the old woman's mysterious world, she begins to question her sanity, to the point where she seeks out a hypnotherapist. In an odd twist of fate, a handsome firefighter comes to her emotional rescue, spiraling her into a whirlwind romance that appears too good to be true. Hoping to resolve her issues, both past and present, Katy reluctantly undergoes hypnosis, where she is confronted with the truth from her past and ultimately, what could be her future. But is the life she sees her own, or is it Evelyn's?