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A guide to identifying the traditional craft objects and designs of the Indian tribes of the American Southwest, covering jewelry, pottery, basketry, weaving, and carving; with background information on the tribes and their cultural traditions, and advice on visiting tribes on their own lands.
The Native Americans we know today in Arizona, Colorado, New Mexico and Utah are primarily descended from the culture known as Anasazi, which "settled" in the region about 2,000 years ago. Explore their lives, culture and dwellings in this book.
A collection of over 120 photographs of the jewelry, pottery, weavings, and basketry of a number of Native American tribes of the Southwest.
Unprecedented, dramatic, persuasive: the first complete, one-volume history of the American Indians to explain the 20,000-year history from their point of view.
Come to know painting, silverwork, turqiouse, bead-work, pottery, baskets, Navajo sandpainting, fetishes, Hopi katsinas, and Navajo rugs. This 9" x 12" book is overflowing with beautiful photos and details for your enjoyment.
A world list of books in the English language.
A volume on identifying and collecting contemporary Indian artefacts, crafts and jewellery, this guide shows how to identify authentic crafts, how to recognise fraudulent work, and what to do if a fake item has been purchased.
Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.