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"Candice Wuehle's irresistibly weird debut novel Monarch is the kind of book that you want to start reading again immediately after turning the last page—not just to trace the conspiracy at its heart, but to appreciate how its kaleidoscope of beauty pageants, Y2K anxieties, famous dead girls, and deep state machinations synthesizes into an exploration of what makes up a self . . . Poetic, haunting."—Kristen Martin, NPR After waking up with a strange taste in her mouth and mysterious bruises, former child pageant star Jessica Clink unwittingly begins an investigation into a nefarious deep state underworld. Equipped with the eccentric education of her father, Dr. Clink (a professor of Boredom Studies and the founder of an elite study group known as the Devil’s Workshop), Jessica uncovers a disquieting connection between her former life as a beauty queen and an offshoot of Project MKUltra known as MONARCH. As Jessica moves closer to the truth, she begins to suspect the involvement of everyone around her, including her own mother, Grethe (a Norwegian pageant queen turned occult American wellness guru for suburban housewives). With the help of Christine (her black-lipsticked riot grrrl babysitter and confidante), Jessica sets out to take down Project MONARCH. More importantly, she must discover if her first love, fellow teen queen Veronica Marshall, was genuine or yet another deep state plant. Merging iconic true crime stories of the ’90s (Lorena Bobbitt, Nicole Brown Simpson, and JonBenét Ramsey) with theories of human consciousness, folklore, and a perennial cultural fixation with dead girls, MONARCH questions the shadow sides of self-concept: Who are you if you don’t know yourself?
A powerful new book of poetry by Candice Wuehle
Sex. Death. Depression. Ghosts. Teeth. Love. Hate. Youth. Family. Drugs. Art. Culture. Memories. Fantasies. Now let it burn. Blurbs and reviews forthcoming... Cover art by Matthew Revert Typeset by Mike Corrao
In Mike Corrao's instant cult-classic GUT TEXT, the reader observes the text caught in the physical objectness of a book as it slowly becomes a living organism: self-conscious, feeling pain, fear, and desire. RITUALS PERFORMED IN THE ABSENCE OF GANYMEDE takes the text beyond the physical, where the reader and text enter the search for a body that can contain you both.
PHILOSOPHY OF THE SKY is not a work of philosophy in an academic or traditional sense. It is, however, highly philosophical, totemic, and personal. In the book, Evan uses the sky as an abstract philosophical concept, like a cinematic backdrop, to explore conceptual associations between selfhood, objecthood, the body, apocalypticism, masculinity, masturbation, and self-destruction. The text, symbol, and glyph are partially augmented by chance cut-up processes such as language translators, Markov chain generators, and AI natural language generators for the purpose of eliminating narrative preconception, discovering subconscious visual realms, and spotlighting a point of tension between natural and artificial aesthetic forms. The formatting of text becomes an important cinematographic framing tool.
Poetry. Art. Photography. Candice Wuehle's DEATH INDUSTRIAL COMPLEX is a meditation on the cultural obsession with the bodies of dead women and an occult invocation of the artist Francesca Woodman. Like Woodman's photographs with their long exposures and blurred lenses, this book is haunted and haunting, hazey yet devastatingly precise. These are poems as possessions, gothic ekphrases, dialogues with the dead, biography and anti-biography, a stunning act of "cryptobeauty."
Written in three sections, Starving Romantic explores themes of loss, family, home, and love through a hyperreal lyricism. The backdrops are often the forgotten Midwest, the sprawling landscapes of Detroit, and the anonymous house, complete with porch and backyard.
ZER000 EXCESS is a work of ambient body horror. Depicting the birth and growth of strange organisms--creatures spawned from the maw of the text. Watch as they fester in the dark. Illuminated only by the reflection of the monitor-screen. The data glut bleeds out into desolate landscapes of zeros and ones. Biocosmic distortions. Pixel vibration. Flesh-plane flatness. Using cut-up techniques, warped imagery, and diagrammatic visual poetry, Jake Reber explores the relationship between the organic and the digital. The pages are designed for slow scanning more than reading. Excavating the yet-unknown terrains of databases and dead websites. ZER000 EXCESS is a book unlike any other.
In its form, tropes, tone, and intensity, Bright Stupid Confetti joins a nightray of decadent prose running from Baudelaire to José Antonio Ramos Sucre to Johannes Göransson. This volume explores the hope/fear that the body can discover more of itself, and that the voice uttered in the chasm of one's own bodily dream-terrain may pronounce an infernal logic to blot out the sun. "The sound of yourself: that storm of barbed wire." A book to curl up with. -Joyelle McSweeney, author of The Red Bird and Flet For all its formal beauty and gut-wrenching images, what I find most fascinating about Gary J Shipley's writing is its perpetual endeavor to penetrate the impenetrable, which is to me the very definition of tautology-and of obsession. There is a kind of concentrated narrativity in these pure ruminations that I relish. If there really is something beyond the language, it has to be either pointless, or bizarre. And that's all part of the game. Nonsenseness is not senselessness. Read any of Shipley's work, and you'll get it. -Róbert Gál, author of Agnomia and Naked Thoughts