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Fiddled out of Reason examines Addison's poetic oeuvre in context of the nondevotional hymn, an underexplored genre of eighteenth-century verse. It concentrates on poems such as Addison's Cecilian odes, Rosamond, and five hymnic works for The Spectator, as well as Dryden's “Song for St Cecilia's Day” and “Alexander's Feast” and Pope's “Messiah.”
Fiddled out of Reason examines Addison's poetic oeuvre in context of the nondevotional hymn, an underexplored genre of eighteenth-century verse. It concentrates on poems such as Addison's Cecilian odes, Rosamond, and five hymnic works for The Spectator, as well as Dryden's "So...
"[Leppert's] originality is immensely encouraging to those of us who are convinced that musicology is undergoing a paradigmatic change."—Derek B. Scott, author of The Singing Bourgeois "A wonderfully stimulating book. . . . Will be of great importance to musicologists and students of culture generally."—Ruth Solie, editor of Musicology and Difference
Perfect Harmony and Melting Strains assembles interdisciplinary essays investigating concepts of harmony during a transitional period, in which the Pythagorean notion of a harmoniously ordered cosmos competed with and was transformed by new theories about sound - and new ways of conceptualizing the world. From the perspectives of philosophy, literary scholarship, and musicology, the contributions consider music's ambivalent position between mathematical abstraction and sensibility, between the metaphysics of harmony and the physics of sound. Essays examine the late medieval and early modern history of ideas concerning the nature of music and cosmic harmony, and trace their transformations in early modern musico-literary discourses. Within this framework, essays further offer original readings of important philosophical, literary, and musicological works. This interdisciplinary volume brings into focus the transformation of a predominant Renaissance worldview and of music's scientific, theological, literary, as well as cultural conceptions and functions in the early modern period, and will be of interest to scholars of the classics, philosophy, musicology, as well as literary and cultural studies.
An examination of the place and practice of musical life in eighteenth-century England among the upper classes.
When Cowley died, he was the most famous poet in England. His popularity continued throughout the eighteenth century. Yet Cowley has virtually disappeared from the canon today, even from metaphysical poetry collections, although it was Cowley who occasioned Samuel Johnson’s famous definition of metaphysical poetry. This book considers the circumstances behind Cowley’s falling out of the canon and what he might offer future generations of readers discovering his poetry anew.
A. W. Price explores the varying ways in which context is relevant to our reasoning about what to do. He investigates the role of context in practical inferences, practical judgements, and the ascription of reasons for action. This original, wide-ranging book will reward the attention of philosophers working in ethical theory and related areas.