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“Sleeplessness gets the Susan Sontag illness-as-metaphor treatment in this pensive, compact, lyrical inquiry into the author’s nighttime demons.” —Kirkus Reviews In 2016, Samantha Harvey began to lose sleep. She tried everything to appease her wakefulness: from medication to therapy, changes in her diet to changes in her living arrangements. Nothing seemed to help. The Shapeless Unease is Harvey’s darkly funny and deeply intelligent anatomy of her insomnia, an immersive interior monologue of a year without one of the most basic human needs. Original and profound, and narrated with a lucid breathlessness, this is a startlingly insightful exploration of memory, writing and influence, death and the will to survive, from “this generation’s Virginia Woolf” (Telegraph). “Captures the essence of fractious emotions—anxiety, fear, grief, rage—in prose so elegant, so luminous, it practically shines from the page. Harvey is a hugely talented writer, and this is a book to relish.” —Sarah Waters, New York Times–bestselling author “Harvey writes with hypnotic power and poetic precision about—well, about everything: grief, pain, memory, family, the night sky, a lake at sunset, what it means to dream and what it means to suffer and survive . . . The big surprise is that this book about ‘shapeless unease’ is, in the end, a glittering, playful and, yes, joyful celebration of that glorious gift of glorious life.” —Daily Mail “What a spectacularly good book. It is so controlled and yet so wild . . . easily one of the truest and best books I’ve read about what it’s like to be alive now, in this country.” —Max Porter, award-winning author of Lanny
HORROR & GHOST STORIES. Selected and with an introduction by David Stuart Davies, this gripping set of tales by the master storyteller Arthur Conan Doyle is bound to thrill and unnerve you. In these twilight excursions, Doyle's vivid imagination for the strange, the grotesque and the frightening is given full rein. We move from the mysteries of Egypt and the strange powers granted by "The Ring of Thoth" to the isolated ghostlands of the Arctic in "The Captain of the Polestar", we encounter a monstrous creature in "The Terror of Blue John Cap" and the beings that live above our heads in "The Brazilian Cat" and "The Leather Funnel"; and we shudder at the thing in the next room in Lot 249. Sit down in your uneasy chair and enjoy this unique collection of chillers.
This collection brings together 15 specially commissioned stories by internationally acclaimed writers and filmmakers, to explore and update Freud's classic theory of 'The Uncanny' - his piercing and all-encompassing dissection of what gives us the creeps.
SOMETHING HAS FALLEN AWAY. We have lost a part of ourselves, our history, what we once were. That something, when we encounter it again, look it straight in the eyes, disgusts us, makes us retch. This is the horror of the abject. Following the success of Comma’s award-winning New Uncanny anthology, The New Abject invites leading authors to respond to two parallel theories of the abject – Julia Kristeva’s theory of the psychoanalytic, intimate abject, and Georges Bataille’s societal equivalent – with visceral stories of modern unease. As we become ever-more isolated by social media bubbles, or the demands for social distancing, our moral gag-reflex is increasingly sensitised, and our ability to tolerate difference, or ‘the other’, atrophies. Like all good horror writing, these stories remind us that exposure to what unsettles us, even in small doses, is always better than pretending it doesn’t exist. After all, we can never be wholly free of that which belongs to us.
“A wonderful nightmare of a book: tender and frightening, disturbing but compassionate. Fever Dream is a triumph of Schweblin’s outlandish imagination.” –Juan Gabriel Vasquez, author of The Sound of Things Falling and Reputations A young woman named Amanda lies dying in a rural hospital clinic. A boy named David sits beside her. She’s not his mother. He's not her child. Together, they tell a haunting story of broken souls, toxins, and the power and desperation of family. Fever Dream is a nightmare come to life, a ghost story for the real world, a love story and a cautionary tale. One of the freshest new voices to come out of the Spanish language and translated into English for the first time, Samanta Schweblin creates an aura of strange psychological menace and otherworldly reality in this absorbing, unsettling, taut novel.
In The Soho Press Book of '80s Short Fiction, editor Dale Peck offers readers a fresh take on a seminal period in American history, when Ronald Reagan was president, the Cold War was rushing to its conclusion, and literature was searching for ways to move beyond the postmodern unease of the 1970s. Morally charged by newly politicized notions of identity but fraught with anxiety about a body whose fragility had been freshly emphasized by the AIDS epidemic, the 34 works gathered here are individually vivid, but taken as a body of work, they challenge the prevailing notion of the ’80s as a time of aesthetic as well as financial maximalism. Formally inventive yet tightly controlled, they offer a more expansive, inclusive view of the era’s literary accomplishments. The anthology blends early stories from writers like Denis Johnson, Jamaica Kincaid, Mary Gaitskill, and Raymond Carver, which have gone on to become part of the American canon, with remarkable and often transgressive work from some of the most celebrated writers of the underground, including Dennis Cooper, Eileen Myles, Lynne Tillman, and Gary Indiana. Peck has also included powerful work by writers such as Gil Cuadros, Essex Hemphill, and Sam D’Allesandro, whose untimely deaths from AIDS ended their careers almost before they had begun. Almost a third of the stories are out of print and unavailable elsewhere. The Soho Press Book of ’80s Short Fiction is a daring reappraisal of a decade that is increasingly central to our culture.
Thirteen chilling short stories to keep you up at night--but only if you dare. You never know what's out to get you. Though you might think you're safe from monsters and menaces, everyday objects can turn against you, too. A mysterious microwave. A threatening board game. A snowman that refuses to melt. Even your own heartbeat has its secrets. Thu-thump. Thu-thump. When you stop to listen, each beat sounds more menacing than the last. Master storyteller Josh Allen brings thirteen nightmare scenarios to life in this page-turning collection that's perfect for budding horror junkies. In his wondrous world, danger waits behind every doorway . . . even in the most ordinary places. Eerie illustrations by award-winning artist Sarah Coleman accompany the stories, packaged in a stunning hardcover edition complete with glow-in-the-dark jacket. Readers will sleep with one eye open!
At once intimate and wide-ranging, and as enthralling, surprising, and vivid as the place itself, this is a uniquely eye-opening tour of one of the great metropolises of the world, and its largest Spanish-speaking city. Horizontal Vertigo: The title refers to the fear of ever-impending earthquakes that led Mexicans to build their capital city outward rather than upward. With the perspicacity of a keenly observant flaneur, Juan Villoro wanders through Mexico City seemingly without a plan, describing people, places, and things while brilliantly drawing connections among them. In so doing he reveals, in all its multitudinous glory, the vicissitudes and triumphs of the city ’s cultural, political, and social history: from indigenous antiquity to the Aztec period, from the Spanish conquest to Mexico City today—one of the world’s leading cultural and financial centers. In this deeply iconoclastic book, Villoro organizes his text around a recurring series of topics: “Living in the City,” “City Characters,” “Shocks,” “Crossings,” and “Ceremonies.” What he achieves, miraculously, is a stunning, intriguingly coherent meditation on Mexico City’s genius loci, its spirit of place.