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Rana Kabbani unravels Western fantasies and myths about the East which were woven over the ages. Devised during the Crusades to combat Islam, then confirmed by centuries of Western writers and artists, these myths fostered racial and sexual stereotypes that became vital to imperial designs. In Orientalist travelogues and paintings, the British and the French conceived of an erotic and sinister East, one that they believed to be morally inferior and dangerous, and therefore ripe for colonisation. Such perceptions remain very much apparent today, fuelling the tension between East and West. "Imperial Fictions", now a classic, is an erudite analysis of Europe's fabricated Orient, as expressed in its writings and illustrated in its paintings.
This important book discusses the political economy of world order and the basic ideological and ontological grounds upon which the emergent global order is based. Starting from a Maori perspective it examines the development of international law and the world order of nation states. In engaging with these issues across macro and micro levels, the international arena, the national state and forms of regionalism are identified as sites for the reshaping of the global politico/economic order and the emergence of Empire. Overarching these problematics is the emergence of a new form of global domination in which the connecting roles of militarism and the economy, and the increase in technologies of surveillance and control have acquired overt significance.
In imperial China, intellectuals devoted years of their lives to passing rigorous examinations in order to obtain a civil service position in the state bureaucracy. This traditional employment of the literati class conferred social power and moral legitimacy, but changing social and political circumstances in the Ming (1368-1644) and Qing (1644-1911) periods forced many to seek alternative careers. Politically engaged but excluded from their traditional bureaucratic roles, creative writers authored critiques of state power in the form of fiction written in the vernacular language. In this study, Liangyan Ge examines the novels Romance of the Three Kingdoms, The Scholars, Dream of the Red Chamber (also known as Story of the Stone), and a number of erotic pieces, showing that as the literati class grappled with its own increasing marginalization, its fiction reassessed the assumption that intellectuals' proper role was to serve state interests and began to imagine possibilities for a new political order. The open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation.
In Imperial Romance, Su Yun Kim argues that the idea of colonial intimacy within the Japanese empire of the early twentieth century had a far broader and more popular influence on discourse makers, social leaders, and intellectuals than previously understood. Kim investigates representations of Korean-Japanese intimate and familial relationships—including romance, marriage, and kinship—in literature, media, and cinema, alongside documents that discuss colonial policies during the Japanese protectorate period and colonial rule in Korea (1905–45). Focusing on Korean perspectives, Kim uncovers political meaning in the representation of intimacy and emotion between Koreans and Japanese portrayed in print media and films. Imperial Romance disrupts the conventional reading of colonial-period texts as the result of either coercion or the disavowal of colonialism, thereby expanding our understanding of colonial writing practices. The theme of intermarriage gave elite Korean writers and cultural producers opportunities to question their complicity with imperialism. Their fictions challenged expected colonial boundaries, creating tensions in identity and hierarchy, and also in narratives of the linear developmental trajectory of modernity. Examining a broad range of writings and films from this period, Imperial Romance maps the colonized subjects' fascination with their colonizers and with moments that allowed them to become active participants in and agents of Japanese and global imperialism.
An exploration of Russian realist fiction reveals a preoccupation with the absolutist state. The nineteenth-century novel is generally assumed to owe its basic social imaginaries to the ideologies, institutions, and practices of modern civil society. In Sovereign Fictions, Ilya Kliger asks what happens to the novel when its fundamental sociohistorical orientation is, as in the case of Russian realism, toward the state. Kliger explores Russian realism’s distinctive construals of sociality through a broad range of texts from the 1830s to the 1870s, including major works by Tolstoy, Dostoevsky, Gogol, Pushkin, Lermontov, Goncharov, and Turgenev, and several lesser-known but influential books of the period, including Alexander Druzhinin’s Polinka Saks (1847), Aleksei Pisemsky’s One Thousand Souls (1858), and Vasily Sleptsov’s Hard Times (1865). Challenging much current scholarly consensus about the social dynamics of nineteenth-century realist fiction, Sovereign Fictions offers an important intervention in socially inflected theories of the novel and in current thinking on representations of power and historical poetics.
Why was Rudyard Kipling so drawn in his fiction to the figure of the foreign-born Briton--what Kipling called the "native-born"? The answer lies in McBratney's "Imperial Subjects, Imperial Space, the first full-length study of a figure central to Kipling's major imperial fiction: the "native-born." In these narratives Kipling sees the native-born fulfilling two important roles: model imperial servant and ideal imperial citizen. The special abilities that allow the native-born to play these roles derive from his identity as neither exclusively British nor simply "native." This study also provides the most thorough analysis of that figure's hybrid, "casteless" selfhood in relation to shifting attitudes toward racial identity during Britain's "New Imperialism." In its endeavor to place the liminal subject within a particular moment in British discourses about race and nation, this book illuminates both the complexities of subject construction in the late Victorian and Edwardian periods and the struggles today over identity formation in the postcolonial world.
"An important, fierce and judicious book."--Salman Rushdie
"Reverse colonization narratives are stories like H. G. Wells's War of the Worlds (where technologically superior Martians invade and colonize England) that ask Western audiences to imagine what it's like to be the colonized rather than the colonizers. In this book, David M. Higgins argues that although some reverse colonization stories are thoughtful and provocative (because they ask us to think critically about what empire feels like from the receiving end), reverse colonization fantasy has also led to the prevalence of a very dangerous kind of science fictional thinking in our current political culture. Everyone, now (including anti-feminists, white supremacists, and far-right reactionaries) likes to imagine themselves as the Rebel Alliance fighting against the Empire (or Neo trying to escape the Matrix, or Katniss Everdeen waging war against the Capitol). Reverse colonization fantasy, in other words, has a dangerous tendency to enable white men (and other subjects of privilege) to appropriate a sense of victimhood for their own social and political advantage"--
Regarded by many as the most comprehensive anthology of all time, ‘The Harvard Classics’ was first published in 1909 under the supervision of the Harvard president Charles W. Eliot. An esteemed academic, Eliot had argued that the elements of a liberal education could be gained by spending 15 minutes a day reading from a collection of books that could fit on a five-foot shelf. The publisher P. F. Collier challenged Eliot to make good on this statement and ‘Dr. Eliot's Five Foot Shelf’ was the result. Eight years later Eliot added a further 20 volumes as a sub-collection titled ‘The Harvard Classics Shelf of Fiction’, offering some of the greatest novels and short stories of world literature. The exhaustive anthology of the ‘The Harvard Classics’ comprises every major literary figure, philosopher, religion, folklore and historical subject up to the twentieth century. This comprehensive eBook presents the complete anthology, with Eliot’s original introductions, numerous illustrations, rare texts and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to life and works of the authors featured in the anthology * All 51 volumes of ‘The Harvard Classics’ * Eliot’s original concise introductions * Eliot’s general introduction to the anthology (Volume 50) * The complete 20 volume edition of ‘The Harvard Classics Shelf of Fiction’ * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Major works include the original illustrations that accompanied the text * Easily locate the chapters and sections you want to read with individual contents tables * Precise arrangement of texts into the original anthology order * A veritable digital library comprised in a single eBook! Please visit www.delphiclassics.com to see the full contents - too many titles to list fully here. CONTENTS: Vol. 1: FRANKLIN, WOOLMAN, PENN Vol. 2. PLATO, EPICTETUS, MARCUS AURELIUS Vol. 3. BACON, MILTON’S PROSE, THOS. BROWNE Vol. 4. COMPLETE POEMS IN ENGLISH, MILTON Vol. 5. ESSAYS AND ENGLISH TRAITS, EMERSON Vol. 6. POEMS AND SONGS, BURNS Vol. 7. CONFESSIONS OF ST. AUGUSTINE, IMITATION OF CHRIST Vol. 8. NINE GREEK DRAMAS Vol. 9. LETTERS AND TREATISES OF CICERO AND PLINY Vol. 10. WEALTH OF NATIONS, ADAM SMITH Vol. 11. ORIGIN OF SPECIES, DARWIN Vol. 12. PLUTARCH’S LIVES Vol. 13. AENEID, VIRGIL Vol. 14. DON QUIXOTE, PART 1, CERVANTES Vol. 15. PILGRIM’S PROGRESS, DONNE & HERBERT, BUNYAN, WALTON Vol. 16. THE THOUSAND AND ONE NIGHTS Vol. 17. FOLKLORE AND FABLE, AESOP, GRIMM, ANDERSON Vol. 18. MODERN ENGLISH DRAMA Vol. 19. FAUST, EGMONT, ETC. DOCTOR FAUSTUS, GOETHE, MARLOWE Vol. 20. THE DIVINE COMEDY, DANTE Vol. 21. I PROMESSI SPOSI, MANZONI Vol. 22. THE ODYSSEY, HOMER Vol. 23. TWO YEARS BEFORE THE MAST, DANA Vol. 24. ON THE SUBLIME, FRENCH REVOLUTION, ETC., BURKE Vol. 25. AUTOBIOGRAPHY, ETC., ESSAYS AND ADDRESSES, J.S. MILL, T. CARLYLE Vol. 26. CONTINENTAL DRAMA Vol. 27. ENGLISH ESSAYS: SIDNEY TO MACAULAY Vol. 28. ESSAYS: ENGLISH AND AMERICAN Vol. 29. VOYAGE OF THE BEAGLE, DARWIN Vol. 30. FARADAY, HELMHOLTZ, KELVIN, NEWCOMB, ETC Vol. 31. AUTOBIOGRAPHY, BENVENUTO CELLINI Vol. 32. LITERARY AND PHILOSOPHICAL ESSAYS Vol. 33. VOYAGES AND TRAVELS Vol. 34. FRENCH AND ENGLISH PHILOSOPHERS Vol. 35. CHRONICLE AND ROMANCE Vol. 36. MACHIAVELLI, MORE, LUTHER Vol. 37. LOCKE, BERKELEY, HUME Vol. 38. HARVEY, JENNER, LISTER, PASTEUR Vol. 39. PREFACES AND PROLOGUES Vol. 40. ENGLISH POETRY 1 Vol. 41. ENGLISH POETRY 2 Vol. 42. ENGLISH POETRY 3 Vol. 43. AMERICAN HISTORICAL DOCUMENTS Vol. 44. SACRED WRITINGS 1 Vol. 45. SACRED WRITINGS 2 Vol. 46. ELIZABETHAN DRAMA 1 Vol. 47. ELIZABETHAN DRAMA 2 Vol. 48. THOUGHTS AND MINOR WORKS, PASCAL Vol. 49. EPIC AND SAGA Vol. 50. INTRODUCTION AND READER’S GUIDE Vol. 51. LECTURES The Harvard Classics Shelf of Fiction 20 Volumes: FIELDING to TURGENEV
Pride is pervasive in Roman texts, as an emotion and a political and social concept implicated in ideas of power. This study examines Roman discourse of pride from two distinct complementary perspectives. The first is based on scripts, mini-stories told to illustrate what pride is, how it arises and develops, and where it fits within the Roman emotional landscape. The second is semantic, and draws attention to differences between terms within the pride field. The peculiar feature of Roman pride that emerges is that it appears exclusively as a negative emotion, attributed externally and condemned, up to the Augustan period. This previously unnoticed lack of expression of positive pride in republican discourse is a result of the way the Roman republican elite articulates its values as anti-monarchical and is committed, within the governing class, to power-sharing and a kind of equality. The book explores this uniquely Roman articulation of pride attributed to people, places, and institutions and traces the partial rehabilitation of pride that begins in the texts of the Augustan poets at the time of great political change. Reading for pride produces innovative readings of texts that range from Plautus to Ausonius, with major focus on Cicero, Livy, Vergil, and other Augustan poets.