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Science fiction has always challenged readers with depictions of the future. Can the genre actually provide glimpses of the world of tomorrow? This collection of fifteen international and interdisciplinary essays examines the genre's predictions and breaks new ground by considering the prophetic functions of science fiction films as well as SF literature. Among the texts and topics examined are classic stories by Murray Leinster, C. L. Moore, and Cordwainer Smith; 2001: A Space Odyssey and its sequels, Japanese anime and Hong Kong cinema; and electronic fiction.
What is the relation between the novel and ethical thought? Henry James and the Promise of Fiction argues that the answer to this question lies not in the content of a work of fiction but in its form. Stuart Burrows explores the relationship between James's ethical vision and his densely metaphorical style, his experiments with narrative time, and his radical reimagining of perspective. Each chapter takes as its starting point a different aspect of an issue at the heart of moral philosophy: the act of promising. Engaging with a range of moral philosophers and literary theorists, most notably David Hume, Friedrich Nietzsche, Paul Ricoeur, and Jacques Derrida, Henry James and the Promise of Fiction argues that James's formal experimentation represents a significant contribution to ethical thought in its own right.
Have you ever wondered about the role of prophecy in shaping human history and society? Are you curious about the science behind prophecy and its impact on politics, religion, and culture? "Prophecy: A Deep Dive into History, Science, and Impact" offers an unflinching look at the world of prophecy, exploring its roots in ancient civilizations, its role in major world religions, and its impact on political decision-making. It also delves into the modern prophecy industry, examining the businesses that profit from prophesies and the psychology of believing in them. - Explores prophecy's role in ancient civilizations and its impact on decision-making. - Examines the psychological, neurological, and sociological aspects of prophecy. - Analyzes the use of prophecy in various religious contexts. - Critiques infamous false prophesies and their societal effects. - Discusses prophecy's influence on politics and its historical impact. - Investigates the modern businesses profiting from prophecy. - Compares prophecy with predictive models in fields like economics and disease control. - Explores prophecy as a tool and theme in fiction. - Discusses the psychological factors behind belief in prophecy. - Speculates on the future of prophecy in the digital age. - Explores the role of A.I. and machine learning in prophecy and prediction. If you want to understand the world of prophecy from a rational, scientific perspective, this book is for you. Buy it today and immerse yourself in a world of prediction, prophecy, and power.
The Romantic era in England and Germany saw a sudden renewal of prophetic modes of writing. Biblical prophecy and, to a lesser extent, classical oracle again became viable models for poetry and even for journalistic prose. Notably, this development arose out of the new-found freedom of biblical interpretation that began in the mid-eighteenth century, as the Bible was increasingly seen to be a literary and mythical text. Taking Walter Benjamin’s thinking about history as a point of departure, the author shows how the model for Romantic prophecy emerges less as a prediction of the future than as a call to change in the present, even as it quotes, at key turns, texts from the past. After surveying developments in eighteenth-century biblical hermeneutics, as well as the numerous instances of prophetic eruption in Romantic poetry, the book culminates in close readings of works by Blake, Hölderlin, and Coleridge. Each of these writers interpreted the Bible in strong, variously radical and conservative ways, and each reworked prophetic texts in often startling fashion. The author’s reading of Blake focuses on the complex temporal and rhetorical dynamics at work in a prophetic tradition, with attention paid to the key mediating figure of Milton. The chapter on Hölderlin investigates the truth-claim of poetry and the consequences of Hölderlin’s insight into the necessarily figural character of poetry. The analysis of Coleridge correlates his theory of allegory and symbol with his theory and practice of political writing, which often relies on mobilizing prophetic authority. Together, the readings force us to reexamine the claims and practices of Romantic poets and thinkers and their ideas and ideologies, not without engendering some allegorical resonance with issues in our own time.
How will the world end? Doomsday ideas in Western history have been both persistent and adaptable, peaking at various times, including in modern America. Public opinion polls indicate that a substantial number of Americans look for the return of Christ or some catastrophic event. The views expressed in these polls have been reinforced by the market process. Whether through purchasing paperbacks or watching television programs, millions of Americans have expressed an interest in end-time events. Americans have a tremendous appetite for prophecy, more than nearly any other people in the modern world. Why do Americans love doomsday? In Apocalyptic Fever, Richard Kyle attempts to answer this question, showing how dispensational premillennialism has been the driving force behind doomsday ideas. Yet while several chapters are devoted to this topic, this book covers much more. It surveys end-time views in modern America from a wide range of perspectives--dispensationalism, Catholicism, science, fringe religions, the occult, fiction, the year 2000, Islam, politics, the Mayan calendar, and more.
Here, Crawford Gribben offers a history, description, and analysis of the rapture-novel genre. The late 1980s culminated in the creation of the Left Behind series. The novels in this series, Gribben shows, are derivative - borrowing entire characters and significant incidents from earlier books.
Two women, two cultures and an ancient Maori prophecy that will change their lives. Since she watched her village burn to the ground, Mere’s life has been anything but dull. Now as an older woman she has come to stay with Helene and James to finish writing her life story – a tale of injustice, revenge and reconciliation. But Helene and James have their own problems. After five years together, their marriage has become dull, predictable, boring … and it starts to unravel. Weaving fiction with the traumatic history of the Ngati Whatua tribe of Auckland, The Pounamu Prophecy sweeps from the sultry heat of Australia to the verdant shores of New Zealand.
Contemporary discussions of China tend to focus on politics and economics, giving Chinese culture little if any attention. Why Fiction Matters in Contemporary China offers a corrective, revealing the crucial role that fiction plays in helping contemporary Chinese citizens understand themselves and their nation. Where history fails to address the consequences of man-made and natural atrocities, David Der-Wei Wang argues, fiction arises to bear witness to the immemorial and unforeseeable. Beginning by examining President Xi Jinping’s call in 2013 to “tell the good China story,” Wang illuminates how contemporary Chinese cultural politics have taken a “fictional turn,” which can trace its genealogy to early modern times. He does so by addressing a series of discourses by critics within China, including Liang Qichao, Lu Xun, and Shen Congwen, as well as critics from the West such as Arendt, Benjamin, and Deleuze. Wang highlights the variety and vitality of fictional works from China as well as the larger Sinophone world, ranging from science fiction to political allegory, erotic escapade to utopia and dystopia. The result is an insightful account of contemporary China, one that affords countless new insights and avenues for understanding.
Every silver lining has ebbed away. He will too, Unless he chooses Hell… Two decades after the apocalypse, strolling in Italy is a sixteen-year-old criminal who never knew the reason for his desire for power and his passion for crime. Until now, when he discovers that he belongs elsewhere, in another realm, a realm of death and daemons. Chase Michaels is an Imperial, different from the mortals, and even more unique among the daemons. But having found his actual life, will Chase be able to embrace it? It is beautiful and so entrancing, but far more dangerous. Fate is no less than a beast that snatches everything good. And now, while all the Princes of Hell are longing for his flesh and blood, vengeance is all that Chase desires. Is Chase ready to venture through the darkness? Or will the quest for truth tear him apart… One prophecy. Seven Princes. One boy. Welcome to the Netherworld. It’s literally Hell…
This is a sustained argument about the idea of science fiction by a renowned critic. Overturning many received opinions, it is both controversial and stimulating Much of the controversy arises from Westfahl's resurrection of Hugo Gernsback - for decades a largely derided figure - as the true creator of science fiction. Following an initial demolition of earlier critics, Westfahl argues for Gernsback's importance. His argument is fully documented, showing a much greater familiarity with early American science fiction, particularly magazine fiction, than previous academic critics or historians. After his initial chapters on Gernsback, he examines the way in which the Gernsback tradition was adopted and modified by later magazine editors and early critics. This involves a re-evaluation of the importance of John W. Campbell to the history of science fiction as well as a very interesting critique of Robert Heinlein's Beyond the Horizon, one the seminal texts of American science fiction. In conclusion, Westfahl uses the theories of Gernsback and Campbell to develop a descriptive definition of science fiction and he explores the ramifications of that definition. The Mechanics of Wonder will arouse debate and force the questioning of presuppositions. No other book so closely examines the origins and development of the idea of science fiction, and it will stand among a small number of crucial texts with which every science fiction scholar or prospective science fiction scholar will have to read.