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The Present book is critical study of the novels of Robert Kroetsch. Kroetsch often bases his novels on myths while exploring such themes as exile, loss, gender roles and selfhood. He is considered one of Canada’s foremost practitioners and theoreticians of postmodern literature. He engages with the idea of technological modernization, indicating that this version of progress conceals the loss of an organic relationship between humanity and the world. Quests in modern literature do not always lead to one answer, be they in Eliot’s Wastleand or in Kroetsch’s Alibi.
The Hornbooks of Rita K, Robert Kroetsch's first volume of new poetry in more than a decade, is a brilliant collection of mysterious fragments. Where has Rita gone and who is reconstructing her oeuvre? Written with wit and playfulness, Hornbooks is a welcome new work from one of Canada's best writers.
This book brings together twenty of Kroetsch's long poems, spanning some of 15 years of creative activity. Remarkably versatile in both form and content, these extended meditations bear witness to Kroetsch's modernist inheritance and his well-known commitment to post-modern jouissance.
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A smart, sensual and witty novel about what happens when love and intellect are set on a collision course. This compact tour de force affirms Dionne Brand's place as one of Canada's most dazzling and influential artists. Theory begins as its narrator sets out, like many a graduate student, to write a wildly ambitious thesis on the past, present, and future of art, culture, race, gender, class, and politics—a revolutionary work that its author believes will synthesize and thereby transform the world. While our narrator tries to complete this magnum opus, three lovers enter the story, one after the other, each transforming the endeavour: first, there is beautiful and sensual Selah, who scoffs at the narrator's constant tinkering with academic abstractions; then altruistic and passionate Yara, who rescues every lost soul who crosses her path; and finally, spiritual occultist Odalys, who values magic and superstition over the heady intellectual and cultural circles the narrator aspires to inhabit. Each galvanizing love affair (representing, in turn, the heart, the head and the spirit) upends and reorients the narrator's life and, inevitably, requires an overhaul of the ever larger and more unwieldy dissertation, with results both humorous and poignant. By effortlessly telling this short, intense tale in the voice of an unnamed, ungendered (and brilliantly unreliable) narrator, Dionne Brand makes a bold statement not only about love and personhood, but about race and gender—and what can and cannot be articulated in prose when the forces that inhabit the space between words are greater than words themselves. A gorgeous, profoundly moving, word- and note-perfect novel of ideas that only a great artist at the height of her powers could write.
"Overcome by his curious academic and sexual inadequacies, professional graduate student Jeremy Sadness lights out from his cramped office at a New York state university for the wilds of the Canadian northwest. He inadvertently exchanges suitcases - and identities - with Roger Dorck, the comatose victim of a snowmobiling accident, and becomes hopelessly embroiled in the comic Bacchanalia of the Notikeewin winter festival, during which he is arrested and compelled to judge a beauty contest in which all the contestants look exactly alike. This satire of the "quest novel" is one of the most hilarious works in Canadian literature."--Back cover
These essays span the period of Kroetsch's writing. Included are previously published and new essays that cover (some of) his novels, (some of) his poetry, and even (some of) his critical writing. The contributors include writers who knew Kroetsch well and those who only met him on the page; critics at the beginning of their careers and those well established in the Canadian literary field; men and women, writers and poets and critics and damn fine thinkers. The contributors featured are: Robert Archambeau, Catherine Bates, George Bowering, Jenna Butler, Pauline Butling, Dennis Cooley, Tom Dilworth, Nathan Dueck, Jasmine Elliott, Ryan Fitzpatrick, Jon R. Flieger, Jay Gamble, Gary Geddes, Susan Holbrook, Christine Jackman, Brian Jensen, Wiktor Kulinski, Michael Laverty, John Lent, Ann Mandel, Nicole Markotic, John Matias, Roy Miki, John Moss, Brianne O'Grady, Jeff Pardy, and Aritha van Herk.
As For Me and My House is an essential Canadian work--a precise and compelling portrait of our culture, our psyche, and the nature of contemporary art itself, now available as a Penguin Modern Classic. In the windswept town of Horizon, an unamed diarist paints a vivid and enthralling picture of prairie life in the Depression era. Atmospheric, intimate, and richly observed, As For Me and My House is a moving meditation on the bittersweet nature of human relationships, on the bonds that tie people together and the undercurrents of feeling that can tear them apart. It is one of Canada's great novels and a landmark in modern fiction.
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.